The Bachelor of Arts in Musicology welcomes students from diverse musical backgrounds and allows them to shape programs of study that reflect their individual interests and goals. In groundbreaking, unique courses that cover virtually every period, style, and genre, students learn to research, analyze, and understand many different musics: ancient and recent, classical and popular, Western and global, within culture and through a critical lens.

The major culminates in a year-long capstone project in which each student conceives and executes individual research on a specialized topic, ultimately presented as a substantial written essay or in an alternate format, such as a lecture-recital or video/audio presentation. Graduating seniors organize a public conference presenting their capstone work each spring. The major also includes a performance requirement, which can be fulfilled in a number of ways and does not require formal musical training.

Musicology Faculty

Joy Calico
Professor and Vice Chair of Musicology, Director of Graduate Studies
Nick DePinna
Adjunct Assistant Professor--Musicianship
Nina Eidsheim
Professor of Musicology and Humanities Founder and Director of UCLA PEER Lab
Cesar Favila
Assistant Professor
Robert Fink
Chair of Music Industry Program, Professor of Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Thomas Hodgson
Assistant Professor of Musicology, Music Industry (Music and Data, Global Music Industry)
Mark Kligman
Professor of Musicology, Ethnomusicology, and Humanities; Mickey Katz Chair of Jewish Music; Director of Lowell Milken Center for Music of American Jewish Experience
Raymond Knapp
Chair of Musicology, Distinguished Professor of Musicology and Humanities, Director of UCLA Center of Musical Humanities (CMH)
David MacFadyen
PROFESSOR OF MUSICOLOGY, MUSIC INDUSTRY, AND COMPARATIVE LITERATURE
Tiffany Naiman
Director of Undergraduate Programs, Music Industry; Instructor, Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music)
Catherine Provenzano
Assistant Professor of Musicology, Music Industry (Critical and Contemporary Perspectives on Music Technology)
Holley Replogle-Wong
Lecturer in Musicology, Program Director of CMH
Jessica Schwartz
Associate Professor of Musicology, Music Industry (Punk and DIY)
Elizabeth Randell Upton
Associate Professor of Musicology and Humanities
Ray Knapp Wins Distinguished Teaching Award
Ray Knapp, distinguished professor of musicology and humanities, has won the UCLA Faculty Senate’s Distinguished Teaching Award for 2023-24. Knapp is one of six faculty selected by the award committee from a large field of extraordinary nominees across the university. “Ray Knapp’s thirty-five year record of teaching excellence has been a defining constant in our
Ashley Dao Wins Campus-Wide Leadership Award
Musicology major Ashley Dao is one of three undergraduates who has won the student leadership award from the UCLA Office of Equity, Diversity and Inclusion. She is the first student from The UCLA Herb Alpert School of Music to receive the award. But her biggest moment may have been born of failure. “We were coming
How AI and Musicians Collaborate, a Ted Talk with Judith Finell
Music creation is one of the most distinguishing features of humanity. So what does it mean that AI has entered the picture? Judith Finell, lecturer in music industry at The UCLA Herb Alpert School of Music offers a fresh perspective on how human creativity and artificial intelligence charts new territory in music composition.
Apr 19 2024
THIS EVENT HAS PASSED
Encounters with Schoenberg and Stein: A Symposium
This year is Arnold Schoenberg’s 150th birthday, and the Arnold Schoenberg Center in Vienna is coordinating and promoting events worldwide to mark the occasion. This half-day symposium is dedicated to new directions in Schoenberg scholarship that will consist of two sessions, divided by a coffee break, and followed by a reception. One session will showcase
Lani Hall
Apr 29 Mon
5:15pm
Free
talks
Distinguished Lecture Series with Teresita Lozano
Specters of Survival and Persecution: Ghost Smuggling Ballads, Hauntology, and the Undocumented Migrant Experience Many ghost stories utilize themes of apparitions and haunting to elicit terror, warning listeners to abide by moral codes. However, since 2007, a phenomenon of Mexican corrido (ballad) composition, which I define as ghost smuggling ballads, shares a collective ghost story
Ostin 110A
May 19 Sun
1:00pm
Free
classical, lectures-symposia, screenings, talks
A Funny Thing Happened On the Way to the Synagogue: Cantors, Opera Singers, and Jewish Performance Culture
A Conference and Program at UCLA May 19-21, 2024 Royce 314 and 306 Going to and from – or even just past – the synagogue has long been a central feature of the Jewish experience. As a moral and aesthetic benchmark, the synagogue with its sounds, texts, and rituals has infiltrated the cultural creations of
Royce 314

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