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UCLA Jazz Combos and Ensembles Concert 2

Tonight's concert will feature the following groups: The UCLA Gluck Jazz Combo directed by Duane Benjamin; Jazz Combo directed by Clayton Cameron; Jazz Combo directed by Michele Weir; The Herbie Hancock Institute of Jazz Performance at UCLA; The UCLA Charles Mingus Ensemble directed by Hitomi Oba

Duane Benjamin

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LECTURER, GLOBAL JAZZ STUDIES

Trombone

Duane Benjamin is an accomplished performer, composer, orchestrator and arranger. For over thirty years he has made a successful living playing trombone, electric bass, and arranging “clean, easy to read charts” for industry legends and everyday musicians alike.

Benjamin has performed and recorded with jazz greats like the Count Basie Orchestra, Stanley Clark, The Gerald Wilson Orchestra and The Clayton–Hamilton Orchestra, not to mention contemporary legends like Justin Timberlake, Michael Jackson, Joss Stone, Diana Ross, Earth Wind and Fire, Jamiroquai, Gladys Knight, Marvin Gaye, The Temptations, The Four Tops, rock guitarist Steve Vai, Kirk Franklin and many more. As an orchestrator, his work has also been featured on top-rated television shows such as American Idol and the Voice.

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Clayton Cameron

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CONTINUING LECTURER, GLOBAL JAZZ STUDIES

Percussion; Director, Jazz Combo

Clayton Cameron is known as a dynamic drummer who has also experimented with and perfected the art of brush technique. Cameron has toured with Sammy Davis Jr. and Tony Bennett, as well as other legends of the jazz world including George Shearing, Joe Pass, and Joe Williams. During Cameron’s time with Tony Bennett the group performed with many great artists including Frank Sinatra, Billie Joel, Sting, Mariah Carey, Brandy, the Back Street Boys, James Taylor, K.D. Lang, Elvis Costello, and Ricky Martin.

In 1990, after the release of his video, The Living Art of Brushes, Clayton was given the honorary title “Brush Master.”

Born in Los Angeles, California, Cameron received a degree in music from California State University at Northridge. During college, he played in clubs around L.A behind artists such as O.C Smith, Ernie Andrews, Jimmy Weatherspoon, instrumentalist Teddy Edwards, Larry Gails (of Thelonious Monk fame) and Gerald Wilson. After graduating from college, Clayton moved to Las Vegas to perform nightly with a jazz group called the Kirk Stuart trio. While in Las Vegas Cameron experimented with brush techniques. It was during this time that some of the rough ideas for his future videos and books were developed.

In addition to his video, Cameron has created a ground-breaking book on the elusive art of brush playing, entitled Brushworks. You can hear his masterful work on his 2012 CD Here’s to the Messengers: A Tribute to Art Blakey.

B.M., Music, Cal State University, Northridge.

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Michele Weir

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ADJUNCT PROFESSOR, GLOBAL JAZZ STUDIES

Jazz Vocals; Director, Jazz Combo

Over a life-long career in music, Michele Weir has touched the lives of students around the globe and significantly influenced the growth and development of jazz education. Through her many creative vocal group and instrumental arrangements, and her talents as a pianist and singer, Weir is widely distinguished for her versatile skill set and ability to inspire. As one student put it, “Thank you again for being such an amazing mentor. You are truly the person I strive to be.”

Weir’s arrangements are performed by renowned vocal groups including The Manhattan Transfer, New York Voices, The Swingle Singers, M-Pact, Beachfront Property, Chanticleer, Voice Trek, and her orchestral works played by various symphonies including the Boston Pops. Her educational arrangements are distributed by leading publishers including Hal Leonard, Alfred Publishing, Shawnee Press, SMP Jazz as well as her own online company, MichMusic. As vocal producer for the Manhattan Transfer’s 2009 CD release, The Chick Corea Songbook, Michele worked closely with the Transfer and contributed two arrangements to the project. Other arrangements or compositions have been featured on the Shari Lewis TV show, Disney’s 101 Dalmations Sing-along CD, and the Holland America Cruise line.

Currently on faculty at University of California, Los Angeles (UCLA), Weir taught previously at USC, CSU Long Beach, and the Phil Mattson School. As a highly sought-after teacher and clinician, Michele has been invited to teach in twenty-three countries to date and has delivered presentations for some of the world’s most prestigious music conferences including the World Choral Symposium, the IAJE and JEN Conferences, and the ACDA National Conference. Her educational book/CD sets, Vocal Improvisation (Advance Music), Jazz Singer’s Handbook (Alfred Publishing), and Jazz Piano Handbook (Alfred Publishing) are available internationally.

Weir’s past tours as pianist and/or singer range from Ogalla, Nebraska to Carnegie Hall, South Korea, Atlantic City with Bobby Vinton, and more. A former vocal member of the Grammy Nominated PM Singers (under the direction of Phil Mattson) Weir also contributed arrangements to the group’s concert repertoire and recordings. Her duo CD as a vocalist with jazz guitarist Bruce Forman is titled, The Sound of Music. In her role as Music Supervisor for the DreamWorks film, Prince of Egypt, Michele journeyed through Europe and Asia to oversee the music production for the film’s foreign language dubs.

M.M., University of Southern California; B.A., Music Education, Central Washington University

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The Herbie Hancock Institute of Jazz Performance at UCLA

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The Herbie Hancock Institute’s unique college-level jazz program allows masters of jazz to pass on their expertise to the next generation of jazz musicians.

In September 1995, the  Institute of Jazz Performance launched with its first class of seven students and today, partners with the UCLA Herb Alpert School of Music to offer a tuition-free two-year master’s degree program. The program accepts one ensemble of musicians for each class. All students receive full scholarships, as well as stipends to cover their monthly living expenses. The students study both individually and as a small group, receiving personal mentoring, ensemble coaching, and lectures on the jazz tradition. They are also encouraged to experiment in expanding jazz in new directions through their compositions and performances.

The Institute of Jazz Performance students and instructors present a number of major concerts and community outreach programs throughout the United States and overseas. International highlights include performances at the celebration commemorating the 40th anniversary of the coronation of the King of Thailand, the 1998 Summit of the Americas in Chile before 34 heads of state, the United Nations “Day of Philosophy” event in Paris sponsored by UNESCO, and the Tokyo Jazz Festival. The students also have participated in tours of Argentina, China, Egypt, India, Morocco, Peru, Russia and Vietnam with Institute Chairman Herbie Hancock.

Since the program’s inception, students have studied with Kenny Barron, Jerry Bergonzi, Dee Dee Bridgewater, Ron Carter, Hal Crook, Jack DeJohnette, Nnenna Freelon, Herbie Hancock, Barry Harris, Roy Haynes, Jimmy Heath, Dave Holland, Wynton Marsalis, Dick Oatts, Danilo Pérez, Dianne Reeves, John Scofield, Wayne Shorter, Horace Silver and Clark Terry, among many others.

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Hitomi Oba

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DIRECTOR OF CONTEMPORARY JAZZ ENSEMBLE, LECTURER; COMPOSITION, GLOBAL JAZZ STUDIES

Hailed by the LA Times as a “powerfully inventive” and “remarkably versatile L.A. musician with a penchant for crossing all over the musical place,” saxophonist and composer Hitomi Oba’s work emphasizes the integration of improvisation with pre-composed music.

She has written for and performed in various jazz and classical new music settings, including commissions by the Los Angeles Philharmonic’s Green Umbrella series and the Seattle Symphony’s chamber series, and as a member of Kenny Burrell’s Los Angeles Jazz Orchestra Unlimited and the Jon Jangtet. In addition to leading her own ensembles, ranging from trios to big band, Oba is a co-founder of the new music collective, LA Signal Lab, premiering and recording stylistically diverse new music including a collaborative, multi-genre cantata. Her second jazz album, “Negai,” released under Japanese label M&I and distributor Pony Canyon, received a prestigious “Swing Journal 42nd Annual Jazz Disc Award.”

Originally from Berkeley, CA, Oba is currently based in Los Angeles, teaching at the University of California, Los Angeles directing several progressive and exploratory jazz ensembles, teaching jazz saxophone lessons, and developing and teaching multi-genre music theory curricula. She is the director of the Contemporary Jazz Ensemble

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Program Notes

Gluck Combo, Directed by Duane Benjamin

 

Program:

  1. “Fly Little Bird,” by Kenneth Zayas
  2. “Hippy,” by Caleb Sokolowski
  3. “Doin’ The Dishes,” by William Werthimer
  4. “Mediance,” by Caden Potter
  5. “Firm Roots,” by Cedar Walton

 

Musicians:

Kenneth Zayas – Alto Sax

Caleb Sokolowski – Tenor Sax

William Werthimer – Trumpet

Caden Potter – Piano

Micah Johnson – Bass

Nathaniel Miles-Urdan – Drums

 

Clayton Cameron Jazz Combo

 

Program:

1. “I Was A Little Too Lonely, and You Were A Little Too Late,” by Nat King Cole

2. “Lotus Blossom,” by Duke Ellington

3. “Good Morning Heartache,” by Irene Higginbotham, Ervin Drake, and Dan Fisher

4. “Driftin’,” by Herbie Hancock

 

Musicians:

Joyce Lee – Vocals

Kaia Kim Weigandt – Vocals

Elijah Silverman – Tenor Sax

Julian Johnson – Trumpet

Roman Leitz – Piano

Elliot Gorham – Guitar

Dawson Lau – Guitar

Nathan Palmer – Bass

Tommy Gallagher – Drums

 

 

Michele Weir Jazz Combo

 

Program:

  1. “Jessica’s Birthday,” Comp. Quincy Jones
  2. “After You’ve Gone,” Comp. Turner Layton And Henry Creamer
  3. “Softly,” Comp. Sigmund Romberg & Oscar Hammerstein II
  4. “St. Thomas,” Comp. Sonny Rollins

 

Musicians:

Julie Zhu – Vocals

Courtney Blue – Vocals

Robert Gomez – Tenor Sax

Christian Rodriguez – Guitar

Grant Grech – Guitar

Addison Chandler – Bass

Andrew Doerr – Piano

 

 

The Herbie Hancock Institute of Jazz Performance at UCLA

 

Program:

  1. “Enigmanian Dreamer,” by Sasha Ripley
  2. “405,” by Alden Hellmuth
  3. “Return of the King,” by Ebs Daramola

 

Musicians:

Alden Hellmuth – Alto Sax

Sasha Ripley – Tenor Sax

Yakiv Tsvietinskyi – Trumpet

Miles Lennox – Piano

Destiny Diggs – Bass

Ebs Daramola – Drums

 

 

The UCLA Charles Mingus Ensemble, Directed by Hitomi Oba

 

Program:

  1. “Haitian Fight Song,” by Charles Mingus, arranged by Ruby Lim-Moreno
  2. “Two Becomes One,” by Adam Zilberman
  3. “Ch Ch,” by Jordan Casciato
  4. “Night in a Company Town,” by Matthew Wilson
  5. “Peggy’s Blue Skylight,” by Charles Mingus, arranged by Hitomi Oba and the Charles Mingus Ensemble

 

Musicians:

Leila Johnson – Voice

Joyce Lee – Voice

Jordan Casciato – Alto Saxophone

Barrett Koontz – Alto Saxophone

Martin Hundley – Tenor Saxophone

Adam Zilberman – Baritone Saxophone

Garrett Ferrell – Trumpet

Ethan Alvarado – Trumpet

Ruby Lim-Moreno – Trombone and Oud

Anirudh Iyer – Mridangam and Piano

Matthew Wilson – Vibraphone

Gavin Lacanlale – Guitar

Simon Aks – Guitar

Sara Gorman – Bass