Gigi Johnson
Academic Administrator (Emeritus), Director, Center for Music Innovation, Music Industry
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Innovating Music Podcast Welcome to the last episode of the four-year-old UCLA’s Innovating Music podcast. You can enjoy 70 episodes where you can listen to innovators, change agents, entrepreneurs, creators,…
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Innovating Music Podcast Listen to innovators, change agents, entrepreneurs, creators, and researchers who all are making big leaps, nudging change, creating differently, or watching what is happening from a unique…
Everything Old is New Again...with Ted Cohen | Innovating Music Podcast
Innovating Music Podcast Listen to innovators, change agents, entrepreneurs, creators, and researchers who all are making big leaps, nudging change, creating differently, or watching what is happening from a unique…
Monica Chieffo
Lecturer in Music Industry (Influence and Data Mining)
Don Franzen
Adjunct Professor of Music (Music and Law, Forensic Musicology)
Hans Fjellestad
Lecturer in Music Industry (Music Supervision)
Judith Finell
Adjunct Professor in Musicology (Forensic Musicology)
Robert Beamer
Lecturer in Music Industry (Finance and Accounting)
Adam Moseley
Lecturer in Music Industry (Studio Production)
The Vanderveers: Bruce “Automatic” Vanderveer & Ebony Rae Vanderveer
Lecturers in Music Industry (Creativity and Artist Development)
Lauren A. Spalding
Lecturer in Music Industry (Music and Activism, Artist Management)
Tony Brancato
Guest Lecturer in Music Industry (Influence and Data Mining)
Allison Wolfe
Lecturer in Music Industry (Music Journalism, Audio Storytelling)
Thomas Hodgson
Assistant Professor of Musicology, Music Industry (Music and Data, Global Music Industry)
Bobby Borg
Lecturer in Music Industry (Industry Fundamentals)
Jessica Schwartz
Associate Professor of Musicology, Music Industry (Punk and DIY)
Natasha Pasternak
Lecturer in Music Industry (Songwriting, Touring, Songwriter’s Workshop)
Tiffany Naiman
Director of Undergraduate Programs; Academic Administrator for Music Industry (Critical Perspectives, Capstone Sequence)
Stig Edgren
Lecturer in Music Industry (Concerts and Live Events)
Jeffery Jampol
Lecturer in Music Industry (Artist Management and Promotion)
David MacFadyen
Professor of Musicology, Music Industry (History of Music Industry, Music and the Internet, Digital Humanities)
Mark Tramo
Adjunct Associate Professor of Neuroscience (Music, Mind, and Brain)
Catherine Gregory
Lecturer in Music, Music Industry (Artistic Outreach and Citizenship)
Amy Kathryn Kuney
Lecturer in Music Industry (Songwriting)
Jonathan Beard
Lecturer in Music (Electronic Music), Music Industry (Audio Engineering)
Lauren Kop
Lecturer in Music Industry (Digital Production and Beat Design)
Robert Fink
Chair of Music Industry Program, Professor of Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
David Leaf
Adjunct Assistant Professor of Musicology, Music Industry (Music Documentary, Songwriters)
Catherine Provenzano
Assistant Professor of Musicology, Music Industry (Critical and Contemporary Perspectives on Music Technology)
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Conducting
Graduate study and training in choral, orchestral, or wind conducting
Ethnomusicology
The study of global musical traditions through performance training, research, and field work
Global Jazz Studies
Jazz performance and musicianship courses are paired with African American Studies
Music Composition
Mentorship in the creation and realization of music for concerts, opera, and visual media
Music Education
Preparation for music educators leading to a B.A. and teaching credential in just four years
Music History & Industry
Combining Musicology and the Music Industry minor for practical hands-on training with the study of music within the context of different societies, cultures, and theories
Music Industry
Industry professionals and UCLA faculty prepare students for music-related careers
Musicology
The scholarly study of the histories, cultures, and critical interpretations of music and music-making
Music Performance
Study and training towards professional performance careers in Western classical music