Jocelyn Ho
Assistant Professor - Performance Studies, Music Performance

An internationally-acclaimed pianist, historical keyboardist, theorist and composer, Jocelyn Ho engages practice and scholarship in a dialogic process to challenge and enliven contemporary concert practices. Her performance interests center on the two ends of the spectrum: new music and historically informed performance practice. Her scholarship includes research in embodied cognition and gestures, and the performance practice of Haydn and Debussy.

Hailed as an artist possessing “a surprisingly unrelenting physical technique” (The Australian) and “drawing unbelievably beautiful sonorities from the piano” (2MBS Magazine), Young Steinway Artist Ho has won major piano competitions internationally such as the first prize in the 2010 Australian National Piano Award, the Kawai Award, prizes at the Bradshaw and Buono International Piano Competition, and has performed at venues around the world such as Radio France, the Sydney Opera House, Berlin’s Radialsystem V, the Melbourne Recital Centre, New York Symphony Space, Spectrum NYC, the NSW Parliament House, the Victorian Governor’s House, and the Boston Isabella Gardner Museum. Her album “Luminous Sounds,” released by Master Performers, received a five-star review in Fine Music Magazine and was featured in her interview in Limelight. She is a founding member of Sydney Piano Trio.

Ho champions new music and reinvigorates traditional music with fresh, historical perspectives. Most recently, she is the artistic director of a music-art-tech project Synaesthesia Playground, in which she leads fifteen composers, visual artists, technologists, and fashion designers from all around the world to create an interactive, immersive experience that reinvents the piano recital. On the other end of the spectrum, she is a historical keyboardist and is the winner of the Special Prize for the music of Haydn, Mozart and Beethoven at the 2010 Australian National Piano Award. Her historical work on Debussy performance practice has led to a book contract with the Springer Series, and her authoritative performances of Debussy’s works is featured in her “Preludes to Paris” program toured around the world.

Ho’s compositions have been featured internationally, including in France, Germany, Australia, and the USA. Her most recent works include multi-disciplinary collaborations with software developers and visual artists featured at the NYC Electroacoustic Music Festival, Stony Brook Faculty Art Exhibition, and the University of Florida Art Gallery. As a performing scholar, Jocelyn Ho has published and presented papers at international conferences in the area of performance analysis, embodiment theory, Debussy studies, and mathematics and music. She received her Doctor of Musical Arts from Stony Brook University, where her teachers include Gilbert Kalish (piano) and Arthur Haas (historical keyboards). Jocelyn Ho is an Assistant Professor of Performance Studies at UCLA. Jocelyn Ho is a Steinway Artist.

Dean Anderson
Lecturer --Interim Director, Philharmonia and Symphony
Gordon Henderson
Professor; Department Vice Chair
Wendy Caldwell
Lecturer - Vocal Coaching
Terence Blanchard
Professor and Kenny Burrell Chair in Jazz Studies; LA Phil Guest Artist
Joshua Ranz
Lecturer - Clarinet Performance
John Steinmetz
Lecturer - Bassoon Performance
Sumner Arano
Lecturer - Reed Making, Bassoon
Rakefet Hak
Lecturer - Music Director of the UCLA Opera Workshop
Mark Kligman
Chair of Ethnomusicology; Professor
Frank Heuser
Professor; Department Vice Chair
Gloria Cheng
Adjunct Professor - Contemporary Music, Performance Studies
Che-Yen Chen
Professor - Viola Performance
William Kinderman
Professor -- Elaine Krown Klein Chair in Performance Studies
Victoria Kirsch
Lecturer - Vocal Coaching
Inna Faliks
Professor - Piano Performance and Keyboard Area Head
James Miller
Lecturer - Trombone Performance; Associate Principal Trombone LA Phil
Aubrey Foard
Lecturer - Tuba Performance
Vladimir Chernov
Professor - Voice Performance
Kay Rhie
Assistant Professor
Gregory Goodall
Lecturer - Percussion Performance
James Bass
Professor - Director of Choral Studies
Gary Gray
Professor Emeritus - Clarinet Performance
Jens Lindemann
Professor - Trumpet Performance and Brass Area Head
Lou Anne Neill
Lecturer - Harp Performance; Harp LA Phil
Michael Dean
Professor - Voice Performance
Chris Hanulik
Adjunct Professor - String Bass Performance; Principal Bass LA Phil
Amy Sanchez
Lecturer - Horn Performance
Kevin McKeown
Adjunct Assistant Professor
Peter Kazaras
Professor - Director of Opera UCLA
Antonio Lysy
Professor - Cello Performance and Strings Area Head
David Kaplan
Lecturer - Piano Performance
Jonathan Davis
Lecturer - Oboe Performance
Juliana Gondek
Associate Dean for Equity, Diversity & Inclusion; Professor - Voice Performance and Voice Area Head
Denis Bouriakov
Lecturer - Flute Performance; Principal Flute LA Phil
Christoph Bull
Adjunct Professor - Organ Performance
Varty Manouelian
Lecturer - Violin Performance; Violin LA Phil
Katherine Syer
Adjunct Associate Professor
Erin Bouriakov
Lecturer - Flute Performance
Travis J. Cross
Chair of Music; Professor
Herbie Hancock
Adjunct Professor; LA Phil Guest Artist
Kenny Burrell
Distinguished Professor
Paul Floyd
Lecturer - Vocal Coaching
James Darrah
Lecturer - Stagecraft
Douglas Masek
Adjunct Professor - Saxophone Performance and Woodwinds Area Head
Peter Yates
Adjunct Professor - Guitar Performance
Wayne Shorter
Adjunct Professor; Star-Studded Tribute LA Phil (April 2020)
Iris Malkin
Lecturer - Vocal Coaching
Maria Fortuna Dean
Lecturer - Voice Performance
Movses Pogossian
Professor, Director of Armenian Music Program
Elisabeth Le Guin
Chair of Musicology; Professor
James Newton
Distinguished Professor
Boris Allakhverdyan
Lecturer - Clarinet Performance; Principal Clarinet LA Phil
Daniel Szabo
Adjunct Associate Professor
Theresa Dimond
Lecturer - Percussion Performance

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