Jocelyn Ho
Assistant Professor, Music Performance

An internationally-acclaimed pianist, historical keyboardist, theorist and composer, Jocelyn Ho engages practice and scholarship in a dialogic process to challenge and enliven contemporary concert practices. Her performance interests center on the two ends of the spectrum: new music and historically informed performance practice. Her scholarship includes research in embodied cognition and gestures, and the performance practice of Haydn and Debussy.

Hailed as an artist possessing “a surprisingly unrelenting physical technique” (The Australian) and “drawing unbelievably beautiful sonorities from the piano” (2MBS Magazine), Young Steinway Artist Ho has won major piano competitions internationally such as the first prize in the 2010 Australian National Piano Award, the Kawai Award, prizes at the Bradshaw and Buono International Piano Competition, and has performed at venues around the world such as Radio France, the Sydney Opera House, Berlin’s Radialsystem V, the Melbourne Recital Centre, New York Symphony Space, Spectrum NYC, the NSW Parliament House, the Victorian Governor’s House, and the Boston Isabella Gardner Museum. Her album “Luminous Sounds,” released by Master Performers, received a five-star review in Fine Music Magazine and was featured in her interview in Limelight. She is a founding member of Sydney Piano Trio.

Ho champions new music and reinvigorates traditional music with fresh, historical perspectives. Most recently, she is the artistic director of a music-art-tech project Synaesthesia Playground, in which she leads fifteen composers, visual artists, technologists, and fashion designers from all around the world to create an interactive, immersive experience that reinvents the piano recital. On the other end of the spectrum, she is a historical keyboardist and is the winner of the Special Prize for the music of Haydn, Mozart and Beethoven at the 2010 Australian National Piano Award. Her historical work on Debussy performance practice has led to a book contract with the Springer Series, and her authoritative performances of Debussy’s works is featured in her “Preludes to Paris” program toured around the world.

Ho’s compositions have been featured internationally, including in France, Germany, Australia, and the USA. Her most recent works include multi-disciplinary collaborations with software developers and visual artists featured at the NYC Electroacoustic Music Festival, Stony Brook Faculty Art Exhibition, and the University of Florida Art Gallery. As a performing scholar, Jocelyn Ho has published and presented papers at international conferences in the area of performance analysis, embodiment theory, Debussy studies, and mathematics and music. She received her Doctor of Musical Arts from Stony Brook University, where her teachers include Gilbert Kalish (piano) and Arthur Haas (historical keyboards). Jocelyn Ho is an Assistant Professor of Performance Studies at UCLA. Jocelyn Ho is a Steinway Artist.

Welcome New Faculty
  Three new ladder faculty have joined the UCLA Herb Alpert School of Music: James K. Bass, a Grammy-nominated singer and conductor; Jocelyn Ho, one of Australia’s leading young pianists,
Elisabeth Le Guin
Chair of Musicology; Professor
Robert Winter
Distinguished Professor
James Newton
Distinguished Professor
Kay Rhie
Assistant Professor
Daniel Szabo
Adjunct Associate Professor
Mark Kligman
Chair of Ethnomusicology; Professor
Gordon Henderson
Professor; Department Vice Chair
Gary Gray
Professor Emeritus
Juliana Gondek
Associate Dean for Equity, Diversity & Inclusion; Professor
Travis J. Cross
Chair of Music; Professor
Frank Heuser
Professor; Department Vice Chair

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