Apr 30 Wed
1:00pm
Free

Arab American Experimentalism as a Horizon of Futurity

lectures-symposia
Room B544, Schoenberg Music Building Watch Livestream

Lecture by Michael A. Figueroa
Associate Professor and Associate Chair for Academic Studies,
Department of Music, University of North Carolina at Chapel Hill

In the years following 9/11, Arab Americans have confronted a shifting paradigm of racialization that has altered their orientation to available identity frameworks. In the face of the US surveillance regime, wars abroad, and intensifying Islamophobic and nativist rhetoric driving continuous political upheaval, Arabs have struggled to define themselves in relation to the racial projections of other groups while also negotiating a host of issues—faith, sexuality, class, and otherwise—that shape their sense of self, safety, and belonging. In this lecture, Michael A. Figueroa will share his ethnographic research on musical confrontations with this reality in Arab American communities, drawing on fieldwork in Chicago, Dearborn/Detroit, New York, Oakland/San Francisco, Philadelphia, and Washington, D.C. His talk will focus on performers who turn to diverse experimental practices as pathways toward futurity, imagining new social worlds and configurations of community.

 

Michael A. Figueroa is Associate Professor and Associate Chair of Academic Studies in the Department of Music and Director of the New Faculty Program of the Institute for the Arts and Humanities at the University of North Carolina at Chapel Hill. A researcher of the SWANA region (Southwest Asia and North Africa) and its diasporas, he is the author of City of Song: Music and the Making of Modern Jerusalem (Oxford University Press, 2022) and co-editor of Performing Commemoration: Musical Reenactment and the Politics of Trauma (University of Michigan Press, 2020). His writings on music and trauma, decoloniality, Zionism, Arab American aesthetics, and other subjects have appeared in Ethnomusicology, Ethnomusicology Forum, Journal of Music History Pedagogy, Journal of Musicology, and multiple edited volumes. At present, he is writing an ethnographic book on experimental performance, race, and sexuality in Arab diasporic communities in the US.

Part of the Nazir Ali Jairazbhoy Colloquium Series, this event is sponsored by The UCLA Herb Alpert School of Music Department of Ethnomusicology and the Mickey Katz Endowed Chair in Jewish Music.

Like most of The UCLA Herb Alpert School of Music’s programs, this event is FREE! Register in advance for this event via the link below. After registering, you will receive a confirmation email containing information about joining the event.  Seating is on a first-come, first-seated basis. Early arrival is recommended. Registrants receive priority up until 15 minutes before the event, and after that time any open seats will be released to patrons on our waitlist.

While Inside the Venue:

No Food or Drink allowed in the theater.

Ticketing

This event is FREE! No RSVP required. Early arrival is recommended.

PARKING

Self-service parking is available at UCLA’s Parking Structure #2 for events in Schoenberg Music Building and the Evelyn and Mo Ostin Music Center. Visitor parking is marked by a green circle and the letter “P” and is on the lower levels (do not go up the ramp to levels 3-7). Costs range from $4 for 1 hour to $15 for all day. Evening rates (after 4 p.m.) are $3-$5 for 1 to 2 hours and $10 for all night. Learn more about campus parking.

ACCESSIBILITY

The UCLA Herb Alpert School of Music is eager to provide a variety of accommodations and services for access and communications. If you would like to request accommodations, please do so 10 days in advance of the event by emailing ADA@schoolofmusic.ucla.edu or calling (310) 825-0174.

PHOTOGRAPHY

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FOOD & DRINK

Food and drink may not be carried into the theaters. Thank you!

Acknowledgment

The UCLA Herb Alpert School of Music acknowledges the Gabrielino/Tongva peoples as the traditional land caretakers of Tovaangar (the Los Angeles basin and So. Channel Islands). As a land grant institution, we pay our respects to the Honuukvetam (Ancestors), ‘Ahiihirom (Elders) and ‘Eyoohiinkem (our relatives/relations) past, present and emerging.

We would also like to acknowledge the impact on our city and community of the recent wildfires and their aftermath. We believe that art and scholarship can provide comfort in times of great suffering.