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May 10 2024

POSTPONED: Music Alive in the Archive: Celebrating the Music and Legacy of Rev. Tom Kurai

Rev. Tom Kurai with an odaiko, ca. 2016. (Used with the permission of Fuden Daiko, founded by Rev. Shuichi Thomas Kurai and led by Rev. Myoren Giommetti and Alessandro Shuichi Jr. Antonicelli.)

POSTPONEMENT NOTICE: Due to the ongoing disruptions on the UCLA campus, it has been decided to postpone our 10 May taiko event, "Music Alive in the Archive: Celebrating the Music and Legacy of Rev. Tom Kurai." We hope to reschedule the event for Fall 2024. Although we are disappointed that the event cannot proceed as scheduled, the safety and well-being of all students, faculty, musicians, staff, and guests is our priority.

Join us for an afternoon of music and memories to celebrate UCLA’s acquisition and digitization of Rev. Shuichi Thomas Kurai’s audiovisual holdings. Rev. Tom was a well-known taiko teacher and performer in the greater Los Angeles area as well as a Soto Zen priest. Taiko is a tradition of Japanese drumming that is immensely popular in Japan, North America, and Europe. For Japanese Americans, taiko is a heritage practice and a site of intense contemporary creativity. Rev. Tom was known for both. We will share footage from his extensive personal video collection documenting forty years of his activities as a taiko master. His former student, ethnomusicologist Deborah Wong, will provide a short keynote, followed by taiko performances by the Taiko Center of Los Angeles (Rev. Tom’s ensemble, now led by Maceo Hernandez) and UC Riverside’s Senryu Taiko. Rev. Gyokei Yokoyama from Sozenji Buddhist Temple will provide a blessing. Also performing will be Terry Nguyen (UCR’s current taiko instructor) and Shih-Wei Wu (a former student of Rev. Tom’s).

The Taiko Center of Los Angeles (TCLA) was founded by Reverend Shuichi Thomas Kurai in 1996. It members perform throughout Southern California, the U.S., and in Japan as well. Maceo Hernandez has served as its Artistic Director since 2018.

Senryu Taiko is an intercollegiate Taiko group, meaning that it was founded and has been maintained by college students. There are countless other intercollegiate Taiko groups throughout North America, and nearly every University of California campus is home to an intercollegiate Taiko group. Senryu Taiko is composed of college students who have spent a year or more learning Taiko-playing techniques and applied those techniques to teaching newcomers and writing Taiko music exclusive to Senryu Taiko. One unique aspect of Senryu Taiko, an aspect that is rare amongst the intercollegiate Taiko community, is that members of the group build the Taiko used in rehearsal and performance. Thus, Senryu Taiko does not purchase professional, manufactured Taiko, but instead builds Taiko from scratch using wine-barrels and traditional Taiko-making techniques.

Keynote Speaker: Deborah Wong

Deborah Wong is an ethnomusicologist, Professor of Music at the University of California, Riverside, and the chair of UCR’s Department Ethnic Studies for AY 2023-24. She has written three books: Louder and Faster: Pain, Joy, and the Body Politic in Asian American Taiko (2019), Speak It Louder: Asian Americans Making Music (2004), and Sounding the Center: History and Aesthetics in Thai Buddhist Ritual (2001). She served as editor for Nobuko Miyamoto’s extraordinary memoir, Not Yo’ Butterfly: My Long Song of Relocation, Race, Love, and Revolution (2021). With Sherrie Tucker and Jeremy Wallach, she is a series editor for the Wesleyan University Press Music/Culture series. Active in public sector work at the national, state, and local levels, she serves on the boards of the Chinese American Museum DC and Great Leap. Her happiest hours of the week are spent going on air with her weekly radio show Gold Mountain for KUCR 88.3 FM in Riverside. She was a member of the Taiko Center of Los Angeles for many years and still dances bon-odori every summer in Southern California Obon gatherings. She worked with Garrett Kurai to house Rev. Tom Kurai’s extensive personal archive at UCR, UCLA, and the Japanese American National Museum.

This event is co-sponsored by the UC Riverside Department of Music, the UCLA Center for Community Engagement, the UCLA Asian American Studies Center, the UCLA Paul I. and Hisako Terasaki Center for Japanese Studies, and the UCLA Ethnomusicology Archive.



Like most of The UCLA Herb Alpert School of Music’s programs, this event is FREE! Register in advance for this event via the link above. After registering, you will receive a confirmation email containing information about joining the event.  Seating is on a first-come, first-seated basis. Early arrival is recommended. Registrants receive priority up until 15 minutes before the event.


Self-service parking is available at UCLA’s Parking Structure #2 for events in Schoenberg Music Building and the Evelyn and Mo Ostin Music Center. Costs range from $4 for 1 hour to $15 for all day. Evening rates (after 4 p.m.) are $3-$5 for 1 to 2 hours and $10 for all night. Learn more about campus parking.


The UCLA Herb Alpert School of Music is eager to provide a variety of accommodations and services for access and communications. If you would like to request accommodations, please do so 10 days in advance of the event by emailing ADA@schoolofmusic.ucla.edu or calling (310) 825-0174.


The UCLA Herb Alpert School of Music welcomes visitors to take non‐flash, personal‐use photography except where noted. Share your images with us @UCLAalpert / #UCLAalpert on Twitter + Instagram + Facebook


Food and drink may not be carried into the theaters. Thank you!


The UCLA Herb Alpert School of Music acknowledges the Gabrielino/Tongva peoples as the traditional land caretakers of Tovaangar (the Los Angeles basin and So. Channel Islands). As a land grant institution, we pay our respects to the Honuukvetam (Ancestors), ‘Ahiihirom (Elders) and ‘Eyoohiinkem (our relatives/relations) past, present and emerging.