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Oct 21 Sat
12:00pm
Free

Root Progressions – A Workshop with Gloria Cheng and star Jazz Composer-Improvisers

contemporary, jazz
Lani Hall Watch Livestream

In partnership with Angel City Jazz, Piano Spheres, and the UCLA Herb Alpert School of Music, Grammy-winning faculty pianist Gloria Cheng launches her latest commissioning project: Root Progressions (named for a seminal jazz theory method). The intent is to bridge two genres steeped in experimentation and exploration—jazz and contemporary classical music—yet perennially divided by genre labels. Cheng invited six composer/improvisers: Pulitzer Prize-winning Anthony Davis, San Francisco pianist Jon Jang, Grammy-winning bassist Linda May Han Oh, Grammy-nominated Gernot Wolfgang, and our own Distinguished Emeritus Professor James Newton (global jazz studies) and multiple Grammy-winning Prof. Arturo O”Farrill (global jazz studies), to write solo works for her, and will lead a discussion and workshop with them, culminating in a school-wide jam session. The commissions were generously supported by UCLA Arts Initiative, Hugo and Christine Davise Fund, and the NEA, and will be premiered by Ms. Cheng in her recital that evening at Zipper Hall. Guest performers will be HASOM Director of Contemporary Jazz Ensemble Hitomi Oba, and Grammy-nominated pianist Fabian Almazan.

 

This event is supported by the Christine and Hugo Davise Fund.

Like most of UCLA Herb Alpert School of Music’s programs, this event is FREE!  Early arrival is recommended. Seating is on a first-come, first-seated basis. No RSVP required.

While Inside the Venue:

No Food or Drink allowed in the building.

Ticketing

This event is FREE! No RSVP required. Early arrival is recommended.

PARKING

Self-service parking is available at UCLA’s Parking Structure #2 for events in Schoenberg Music Building and the Evelyn and Mo Ostin Music Center. Costs range from $1 for 20 minutes to $20 all day. Learn more about campus parking.

ACCESSIBILITY

The UCLA Herb Alpert School of Music is eager to provide a variety of accommodations and services for access and communications. If you would like to request accommodations, please do so 10 days in advance of the event by emailing ADA@schoolofmusic.ucla.edu or calling (310) 825-0174.

PHOTOGRAPHY

The UCLA Herb Alpert School of Music welcomes visitors to take non‐flash, personal‐use photography except where noted. Share your images with us @UCLAalpert / #UCLAalpert on Twitter + Instagram + Facebook

FOOD & DRINK

Food and drink may not be carried into the theaters. Thank you!

Acknowledgment

The UCLA Herb Alpert School of Music acknowledges the Gabrielino/Tongva peoples as the traditional land caretakers of Tovaangar (the Los Angeles basin and So. Channel Islands). As a land grant institution, we pay our respects to the Honuukvetam (Ancestors), ‘Ahiihirom (Elders) and ‘Eyoohiinkem (our relatives/relations) past, present and emerging.

Oct 5 Thu
7:00pm
Free
talks
Ric'key Pageot
Join pianist, music director, and Steinway Artist Ric’key Pageot performing and discussing his new educational initiative and documentary project “Classic Black” celebrating Black excellence in Classical music showcasing historically significant symphonic composers of African descent spanning the 18th, 19th and 20th centuries. Montreal-born pianist, accordionist, producer, composer, music director and Steinway Artist Ric’key Pageot will
Lani Hall
Oct 18 Wed
1:00pm
Free
lectures-symposia
Nabil Ayers—His Life in the Sunshine: The Intersection of Music, Race, and Family
In 1971, a white, Jewish, former ballerina chose to have a child with the famous Black jazz musician Roy Ayers, fully expecting and agreeing to his absenteeism. Like Roy, Nabil became deeply involved in the music industry, first as a musician, and currently as the President of Beggars Group USA. The title of Nabil’s memoir
Lani Hall
Oct 27 Fri
1:00pm
Free
lectures-symposia, world-music
Nexus: Ethnomusicology and Education
Alan P. Merriam once remarked on the presence of a few scattered teachers in SEM working at the cusp of ethnomusicology, and had referred to them as “sandbox ethnomusicologists.” More recently, there appears to be change of heart within the field of ethnomusicology that includes attention to (1) the musical agency of children (and as such, children as important contributors to the study of music in cultures and communities), (2) teachers as collaborators with ethnomusicologists in school and community work, and (3) research by ethnomusicologists and educators together on pedagogical approaches to the development of intercultural understanding in and through music. I offer observations of ethnomusicology’s evolving commitment, often through collaborative efforts with teachers, to understanding and activating on questions of music, education, and culture for learners of every age, experience, and circumstance.
Zoom
Oct 29 Sun
3:00pm
Free
classical
Second Annual Judith L. Smith Voice Recital Featuring Issachah Savage
Tenor Issachah Savage is the featured artist of the second annual Judith L. Smith Voice Recital Series, celebrating talented vocalists and the distinguished tenure of UCLA Herb Alpert School of Music, Founding Dean Judith Smith. Issachah will join us again on October 31st to hold a masterclass for students of the Department of Music.
Schoenberg Hall
Oct 31 Tue
8:00pm
Free
classical
UCLA Fall Philharmonia Halloween Concert
Join us as the UCLA Philharmonia opens its 2023-24 season with a special Halloween program. This event is made possible by the David and Irmgard Dobrow Fund. Classical music was a passion of the Dobrows, who established a generous endowment at The UCLA Herb Alpert School of Music to make programs like this possible. We
Schoenberg Hall