Fall Saxophone Studio Recital
UCLA Herb Alpert School of Music
Sunday November 17, 2024
Ensemble Room: Evelyn and Mo Ostin Music Center
11:00am
Instruction
Jan Berry Baker
Professor - Saxophone, Head of Woodwinds, Vice Chair of the Department of Music, Special Assistant to the Dean for Faculty Mentoring See BioCanadian-American saxophonist Jan Berry Baker has performed as a soloist, chamber, and orchestral musician on many of the world’s great stages. Recent engagements include performances across the United States, Canada, Japan, Mexico, France, Germany, Scotland, England, Ukraine, Switzerland, Austria, and the Czech Republic. She has been featured as a concerto soloist with orchestras in Canada, Ukraine, USA, and most recently with the Sinfonica de Oaxaca in Mexico.
An advocate of contemporary music, Jan is Co-Artistic Director and saxophonist with Atlanta-based new music ensemble Bent Frequency. Founded in 2003, Bent Frequency brings the avant-garde to life through adventurous and socially conscious programming, cross-disciplinary collaborations, and community engagement. Committed to exploding marginalized programming in classical music, one of BF’s primary goals is championing music by women, composers of color and LGBTQIA+. In the last few years, she and Co-Artistic Director and percussionist Stuart Gerber have formed the Bent Frequency Duo Project. Together, they have commissioned over 50 new works for saxophone and percussion and have given countless performances of these works across the USA, Mexico, and Europe including their Carnegie Hall debut in 2016. Their work to fund the creation, performance and recording of new music has been supported by numerous national and international grants such as the Copland Foundation, French American Cultural Exchange (FACE), Barlow Foundation, Amphion Foundation, Ditson Foundation, Mid Atlantic Arts Foundation (National Endowment for the Arts/Andrew Mellon Foundation), and Culture Ireland to name a few.
Jan regularly performs with orchestras such as the LA Philharmonic, Lyric Opera of Chicago, Grant Park Orchestra, Chicago Philharmonic, Atlanta Opera and Atlanta Ballet and has appeared with the Chicago Symphony Orchestra, Atlanta Symphony Orchestra, Joffrey Ballet, Paris Opera Ballet, Chicago Chamber Players, and American Ballet Theater. She can be heard on American Orchestral Works with Grant Park Orchestra (Cedille), The Golden Ticket with the Atlanta Opera (Albany), The BF Duo Project recording Diamorpha (Centaur), Citizens of Nowhere featuring works for clarinet and saxophone (Albany) and is a featured performer on John Liberatore’s Line Drawings (Albany) and Robert Scott Thompson’s Folio, Vol.1, Vol. 2 and Solace (Aucourant).
As an artist and educator, Jan has held residencies at the Summer Institute for Contemporary Performance Practice (SICPP), Nürnberg Tage Aktueller Musik, Sam Houston State New Music Festival (TX), Charlotte New Music Festival, University of Georgia, New Music on the Point (VT) and Dakota Chamber Music Festival. She is highly sought after as a masterclass teacher and speaker, and has given presentations on contemporary music, entrepreneurship, nonprofits and grant writing, community engagement, socially conscious programming, career development and mentoring at major schools of music across the country.
Dr. Baker is Professor of Saxophone and Woodwind Area Head at the Herb Alpert School of Music at UCLA and currently serves as the Vice Chair of the Department of Music and Special Assistant to the Dean for Faculty Mentoring. Prior academic appointments include Georgia State University, Chicago College of Performing Arts at Roosevelt University, Northwestern University and University of Alberta. She studied with Frederick L. Hemke, William H. Street and Barbara Lorenz and earned a Doctor of Music degree in saxophone performance from Northwestern University. She is a founding member of the Committee on Gender Equity in the North American Saxophone Alliance and served as the inaugural leader of the CGE Mentoring Program. Jan Berry Baker is a Selmer Paris, Vandoren, and Key Leaves performing artist.
Repertoire
Vincent David
Nuée Ardente (2018)
Daniel Reyes-Velarde
Takashi Yoshimatsu
Cyber Bird Concerto Op. 59 (1993-94)
Mvt. II. Bird in Grief
Austin Hailey
Nikolai Kaputsin
Arr. Richards
Nearly Waltz for Tenor Saxophone and Piano (1999, arr. 2022)
Owen Richards
William Albright
Postcard from Kansas: Welcome to Interstate-70 (1997)
Pauline Oliveros
Mirrorim (1994)
Marilyn Shrude
Continuum (Postscript ’97) (1997)
Mathew Harget
Marc Mellits
Splinter (2014)
V. Cherry
III. Linden
VII. Weeping Willow
I. Scarlet Oak
MODEM Reeds
Emma Crawford, oboe
Max Kaminsky, clarinet
Matthew Chavez, alto saxophone
Dani Santana, bassoon
Owen Richards, bass clarinet
INTERMISSION
Pedro Iturralde
Pequeña Czarda (1949)
Catrina Currier
Andy Scott
Westland (2016)
Olivia Phaneuf
Jennifer Jolley
Lilac Tears (2022)
Ella Scoville
Alexander Glazunov
Concerto in Eb minor op. 109 (1934)
Jiei Joyce
Fenrnade Decruck
Variations Saxophoniques (1939)
Var. 1
Var. 2
Var. 5
Var. 6
Scope
Mathew Harget, soprano saxophone
Austin Hailey, alto saxophone
Olivia Phaneuf, tenor saxophone
Daniel Reyes-Velarde, baritone saxophone
Donor Acknowledgement
This event is made possible by the David and Irmgard Dobrow Fund. Classical music was a passion of the Dobrows, who established a generous endowment at The UCLA Herb Alpert School of Music to make programs like this possible. We are proud to celebrate this program as part of the 2024 – 25 Dobrow Series.