Center for Musical Humanities - The UCLA Herb Alpert School of Music

Center for

Musical Humanities



A Constellation
of Interests


Personnel

Director, Raymond Knapp
Distinguished Professor of Musicology, Disability Studies, and Humanities, Interim Chair of Disability Studies

Program Director, Holley Replogle-Wong
Continuing Lecturer in Musicology

The Center for Musical Humanities is dedicated to advancing the interests of music and the humanities across the whole of UCLA, engaging its faculty, students, and surrounding communities in a series of events that will bring together scholarship, performance, and outreach.

The mission of the center is to foster the study of music within an interdisciplinary context by bringing together scholars and students in a variety of disciplines from around the nation and world to collaborate with scholars and students at UCLA and its associated communities, and to create an effective and vibrant face for the Herb Alpert School of Music by fostering public musical events inspired by its scholarly ventures, featuring faculty and students from across the school.

Conceived along the lines of other centers on campus—that is, dedicated to a constellation of interests shared across disciplines, and serving the needs of faculty, students, and larger community—the Center for Musical Humanities will provide support for a number of different kinds of events, including conferences, concerts informed by scholarship and other arts, or other collaborative ventures that include both scholarly and musical components. The Center is administered and funded by the UCLA Herb Alpert School of Music, but works closely with the Division of Humanities and other academic units on Campus; faculty on its Advisory Board are drawn from all three Arts schools, Humanities, and Social Sciences.

Our programs are made possible by the Joyce S. and Robert U. Nelson Fund. Robert Uriel Nelson was a revered musicologist and music professor at UCLA, who, together with his wife, established a generous endowment for the university to make programs like this possible.

Oct 14 Wed
3:00pm
Free
chamber-music, classical, contemporary, lectures-symposia
Pianist Vicki Ray: Concert Curation IS Composition!
Join us for the first of six workshops as part of the Modal Interchange: Conversations on 21st-Century Performance Practices series with Vicki Ray, a Los Angeles based composer and pianist,
Green Room (1230 Schoenberg Music Building) Learn More
Nov 16 Mon
3:00pm
Free
chamber-music, contemporary, lectures-symposia
Jonathan Hepfer, Percussionist: "Sisyphus as Artist"
Join us for the second of six workshops as part of the Modal Interchange: Conversations on 21st-Century Performance Practices series with Jonathan Hepfer, percussionist and artistic director of Monday Evening
Room 1344 Learn More
Childhood and the Operatic Imaginary
Professor Joy H. Calico has curated a new collection of essays for Oxford University Press examining the role of childhood in opera. Featuring perspectives on opera from around the globe,
Catherine Provenzano Talks Autotune and Modern Music
From the NY Times: Autotune is ubiquitous, and Catherine Provenzano, musicologist and music industry professor, helps explain it.
Dean Beckerman's New Book Asks Whether Meaning in Art Can Ever Be Shared
OUT NOW: Dean Michael Beckerman’s new book, “The Doctrine of One: Personal Encounters with Film, Art and Music,” explores one of the most intriguing questions in the humanities: Can meaning