Center for Musical Humanities - The UCLA Herb Alpert School of Music

Center for

Musical Humanities

A Constellation
of Interests


Personnel

Director, Raymond Knapp
Distinguished Professor of Musicology, Disability Studies, and Humanities, Interim Chair of Disability Studies

Assistant Director, Joy Calico
Professor and Chair of Musicology

Program Director, Holley Replogle-Wong
Academic Administrator, Continuing Lecturer in Musicology

The Center for Musical Humanities is dedicated to advancing the interests of music and the humanities across the whole of UCLA, engaging its faculty, students, and surrounding communities in a series of events that will bring together scholarship, performance, and outreach.

The mission of the center is to foster the study of music within an interdisciplinary context by bringing together scholars and students in a variety of disciplines from around the nation and world to collaborate with scholars and students at UCLA and its associated communities, and to create an effective and vibrant face for the Herb Alpert School of Music by fostering public musical events inspired by its scholarly ventures, featuring faculty and students from across the school.

Conceived along the lines of other centers on campus—that is, dedicated to a constellation of interests shared across disciplines, and serving the needs of faculty, students, and larger community—the Center for Musical Humanities will provide support for a number of different kinds of events, including conferences, concerts informed by scholarship and other arts, or other collaborative ventures that include both scholarly and musical components. The Center is administered and funded by the UCLA Herb Alpert School of Music, but works closely with the Division of Humanities and other academic units on Campus; faculty on its Advisory Board are drawn from all three Arts schools, Humanities, and Social Sciences.

Our programs are made possible by the Joyce S. and Robert U. Nelson Fund. Robert Uriel Nelson was a revered musicologist and music professor at UCLA, who, together with his wife, established a generous endowment for the university to make programs like this possible.

Nov 16 Mon
3:00pm
Free
chamber-music, contemporary, lectures-symposia
Jonathan Hepfer, Percussionist: "Sisyphus as Artist"
Join us for the second of six workshops as part of the Modal Interchange: Conversations on 21st-Century Performance Practices series with Jonathan Hepfer, percussionist and artistic director of Monday Evening …
Room 1344 Learn More

Modal Interchange: Conversations on 21st-Century Performance Practices

Modal Interchange is a series of six workshops through 2026-27. Each workshop focuses on an element of 21st-century performing, programming, and music-making in the world of contemporary music, with special focus on the topics’ relevance in greater LA: histories of experimental music and the avant-garde, commissioning new works, concert programming, listening as an audience member, listening as a performer, score-reading and part-marking, learning and practicing contemporary works, improvisation practices, and arts activism.

Michael Beckerman and Michael Schachter on Music and Memory in Terezín
How does a composer reimagine music written in a concentration camp? Dean Michael Beckerman speaks with composer Michael Schachter about Four for Gideon, inspired by folk songs arranged by Gideon Klein …
Yvette Janine Jackson’s radio opera ‘Harvest’ sows seeds of sound at UCLA Nimoy Theater
From the Daily Bruin: The Center for Musical Humanities hosted award-winning composer Yvette Janine Jackson with her Radio Opera Workshop at the Nimoy.
Childhood and the Operatic Imaginary
Professor Joy H. Calico has curated a new collection of essays for Oxford University Press examining the role of childhood in opera. Featuring perspectives on opera from around the globe, …