Talented Singers,
Expert Guidance

The Voice and Opera program at UCLA is widely regarded as the top vocal degree program in the West, and among the top programs nationwide. With a maximum student enrollment of just 35 singers (undergraduate plus graduate), an average of 12 new students are accepted into the program each year from over 300 applicants. This selective, highly specialized environment allows close interaction between students and an internationally renowned voice faculty.

The UCLA Voice and Opera program is dedicated to the success of its graduates. The faculty members continue to expand the program in new ways, ensuring that it constantly evolves to meet the needs of the talented singers who have come here for expert guidance. It is this dedicated, caring environment that has made the Voice and Opera program at UCLA so successful in training the next generation of professional singers, and in playing a significant role in shaping the future of vocal music.

Voice Faculty

Professor and Chair of the Department of Music, Director of Choral Studies
James Bass
James K. Bass, GRAMMY®-winning singer and conductor, is Professor and Chair of the Department of Music, and Director of Choral Studies at The Herb Alpert School of Music at UCLA.
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Lecturer - Choral Studies and Music Education
Ryan Brown
Dr. Ryan R. Brown has been praised for his evocative conducting, flexible vocalism, and charismatic leadership. Committed to broadening the choral audience through captivating programming and innovative performance practices, Brown
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Lecturer--Choral Studies, Voice
John Buffett
Baritone John Buffett enjoys a versatile career lending his “warm tone and ringing top notes” (Salt Lake Tribune) to music from the early baroque through the 21st century.  Recent solo
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Lecturer - Vocal Coaching
Wendy Caldwell
Wendy Caldwell, a native of Canada, graduated with her Bachelor of Music in Piano Performance from Acadia University in Nova Scotia, receiving the Birks Medal in Music as the top
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Distinguished Professor - Voice Performance
Vladimir Chernov
Internationally renowned Russian baritone Vladmir Chernov joined the Music Department faculty at UCLA In January 2006 as a Professor of Vocal Studies. Vladimir Chernov was born in a small village
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Professor - Director of Opera UCLA
James Darrah
James Darrah joined The UCLA Herb Alpert School of Music faculty as the director of Opera UCLA in 2024. Darrah is a GRAMMY Award-nominated director and of opera, theater and
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Professor - Voice Performance
Michael Dean
Michael Dean, Professor of Voice Performance at UCLA, has performed to great acclaim worldwide in both concert and operatic repertoire, appearing in leading bass-baritone roles with many of the leading
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Lecturer - Vocal Diction and Vocal Coaching
Cheryl Lin Fielding
“Warm, grand, and rich”, Cheryl Lin Fielding’s pianism has been praised by the New York Sun, and throughout the world. Her performances have taken her to major venues including Alice
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Distinguished Professor - Voice Performance
Juliana Gondek
Juliana Gondek is a renowned vocal pedagogue whose success with students has been informed by a more than 40-year performance and recording career on the world’s most celebrated opera, symphony,
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Continuing Lecturer - Opera UCLA
Rakefet Hak
After pursuing studies at the Hartt and Manhattan Schools of Music on full scholarship, Ms. Hak apprenticed as coach/pianist with the Merola Opera Program. She then joined the Lindeman Young
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Lecturer - Vocal Coaching
Victoria Kirsch
Victoria Kirsch is a Southern California-based collaborative pianist and vocal coach known for creating and performing innovative programs, including staged art song/poetry programs and concerts based on museum exhibitions (USC
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Lecturer - Vocal Coaching
Iris Malkin
Israeli born Mezzo-Soprano, Pianist and Vocal Coach Iris Malkin graduated from the Jerusalem Academy of Music with a Master’s Degree in Vocal Performance and an Artist Diploma in Piano – with
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Lecturer - Vocal Diction and Vocal Coaching
Lucy Yates
After apprenticeships at Ravinia and Aldeburgh, and appearances with the New-York Collegium and at the Boston Early Music Festival, Miss Yates made her Italian singing debut as Violetta in a
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Students

UCLA’s Voice and Opera program attracts highly gifted, intelligent young singers from around the world. Rigorous auditions are held each year to select the most qualified candidates to fill an average of twelve positions.

Students enjoy a nurturing and stimulating atmosphere of mutual encouragement and support among their professors and peers, where the only sense of competition is against the international standard of excellence to which they will be held as professionals entering a challenging job market.

The outstanding achievements of our students in regional, national, and international performing organizations and competitions bear witness to the success of UCLA’s approach to vocal training. UCLA’s current and recently graduated students have appeared with such prestigious institutions as:

  • Metropolitan Opera (and the Lindemann Young Artist Development Program), Metropolitan Opera Council Western Region and National Competitions (Grand Prize Winner, national finalists), New York City Opera, Paris Opera Centre, San Francisco Opera (and the Merola Program), Santa Fe Opera Festival, Lyric Opera of Chicago and Ryan Opera Center, Houston Grand Opera, Los Angeles Opera (and the Domingo-Thornton Young Artist Program), Opera Theatre of St. Louis, Colorado Opera, Opera Pacific, Opera San Jose, Tanglewood Festival, Wolf Trap Opera, Center City Opera, Lake George Opera Festival, Aspen Festival, Pittsburgh Opera Center, Boston Opera Institute, Santa Barbara Music Academy of the West, Ojai Festival, Los Angeles Philharmonic, and New York Philharmonic, just to name a few.

Curriculum

The UCLA voice faculty recognizes that today’s emerging singers must be expertly trained in a healthy vocal technique that will carry them through decades of successful professional singing, as well as a wide spectrum of performance repertoire. Special attention is paid to ensuring all students graduate with the technical and stylistic facility necessary to perform operatic roles and arias, art songs in at least 6 languages, and oratorio, early music, and symphonic solo repertoire. UCLA’s Voice program also offers training and performance experience in musical theater repertoire, and occasionally accepts exceptionally gifted “legit Broadway” singers as Voice Performance majors with an emphasis in Musical Theater.