Talented Singers,
Expert Guidance

The Voice and Opera program at UCLA is widely regarded as the top vocal degree program in the West, and among the top programs nationwide. With a maximum student enrollment of just 35 singers (undergraduate plus graduate), an average of 12 new students are accepted into the program each year from over 300 applicants. This selective, highly specialized environment allows close interaction between students and an internationally renowned voice faculty.

The UCLA Voice and Opera program is dedicated to the success of its graduates. The faculty members continue to expand the program in new ways, ensuring that it constantly evolves to meet the needs of the talented singers who have come here for expert guidance. It is this dedicated, caring environment that has made the Voice and Opera program at UCLA so successful in training the next generation of professional singers, and in playing a significant role in shaping the future of vocal music.

Voice Faculty

Professor and Chair of the Department of Music, Director of Choral Studies
James Bass
James K. Bass, GRAMMY®-winning singer and conductor, is Professor and Chair of the Department of Music, and Director of Choral Studies at The Herb Alpert School of Music at UCLA. He is the Associate Conductor and Director of Education for the Miami-based ensemble Seraphic Fire and is the Artistic Director of the Long Beach Camerata Singers. Bass is an active
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Lecturer - Choral Studies and Music Education
Ryan Brown
Dr. Ryan R. Brown has been praised for his evocative conducting, flexible vocalism, and charismatic leadership. Committed to broadening the choral audience through captivating programming and innovative performance practices, Brown cultivates passionate and expressive vocal artistry which empowers performers to connect with their humanity and inspire audiences. Brown is a Lecturer of Music at The UCLA Herb Alpert School of
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Lecturer--Choral Studies, Voice
John Buffett
Baritone John Buffett enjoys a versatile career lending his “warm tone and ringing top notes” (Salt Lake Tribune) to music from the early baroque through the 21st century.  Recent solo engagements include Haydn’s Lord Nelson Mass with the Flagstaff Symphony, Bach’s St. John Passion and St. Matthew Passion with Musica Angelica, The American Festival Chorus, and the Oregon and Charlotte
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Lecturer - Vocal Coaching
Wendy Caldwell
Wendy Caldwell, a native of Canada, graduated with her Bachelor of Music in Piano Performance from Acadia University in Nova Scotia, receiving the Birks Medal in Music as the top graduate. She went on to study at the University of Toronto where she obtained her Artist Diploma. Ms. Caldwell has coached and been a collaborative artist at Acadia University, University
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Distinguished Professor - Voice Performance
Vladimir Chernov
Internationally renowned Russian baritone Vladmir Chernov joined the Music Department faculty at UCLA In January 2006 as a Professor of Vocal Studies. Vladimir Chernov was born in a small village near the city of Krasnodar in southern Russia. Although there was no established musical tradition in his family, music was an important part of family life. His grandmother had a
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Professor - Voice Performance
Michael Dean
Michael Dean, Professor of Voice Performance at UCLA, has performed to great acclaim worldwide in both concert and operatic repertoire, appearing in leading bass-baritone roles with many of the leading opera houses of the U.S. and Europe. He has made frequent appearances at New York City Opera, where he performed the title role in The Marriage of Figaro, Leporello in
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Lecturer - Vocal Diction and Vocal Coaching
Cheryl Lin Fielding
“Warm, grand, and rich”, Cheryl Lin Fielding’s pianism has been praised by the New York Sun, and throughout the world. Her performances have taken her to major venues including Alice Tully Hall at Lincoln Center, Carnegie Weill Recital Hall, Merkin Recital Hall, Tanglewood Music Center, Music Academy of the West, Aspen Music Festival, Jacob’s Pillow Dance Festival, Juilliard Theater, the
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Distinguished Professor - Voice Performance
Juliana Gondek
Juliana Gondek is a renowned vocal pedagogue whose success with students has been informed by a more than 40-year performance and recording career on the world’s most celebrated opera, symphony, festival, and recital stages. She has starred in both soprano and mezzo-soprano roles with renowned conductors, including Aaron Copland, Leonard Bernstein, Herbert von Karajan, James Levine, Carlos Kleiber, Nello Santi,
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Lecturer - Music Director of Opera UCLA
Rakefet Hak
After pursuing studies at the Hartt and Manhattan Schools of Music on full scholarship, Ms. Hak apprenticed as coach/pianist with the Merola Opera Program. She then joined the Lindeman Young Artist development Program and the Metropolitan Opera music staff as one of its youngest members and the first Israeli in history to do so. During her tenure at the Met,
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Distinguished Professor - Director of Opera UCLA
Peter Kazaras
Peter Kazaras is the Director of Opera UCLA and was the Inaugural Susan G. and Michel D. Covel MD Chair at the UCLA Herb Alpert School of Music from 2016 to 2021. A stage director and Professor of Music, he was also Artistic Director of the Seattle Opera Young Artists Program from 2006 to 2013. Earlier in his career, he
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Lecturer - Vocal Coaching
Victoria Kirsch
Collaborative pianist/vocal coach Victoria Kirsch has created and performed innovative programs throughout Southern California, including concerts based on museum exhibitions and staged art song/poetry programs. She serves as a vocal and opera coach at UCLA’s Herb Alpert School of Music. Victoria has worked with national and regional opera companies, including LA Opera and Long Beach Opera, and served as an official
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Lecturer - Vocal Coaching
Iris Malkin
Israeli born Mezzo-Soprano, Pianist and Vocal Coach Iris Malkin graduated from the Jerusalem Academy of Music with a Master’s Degree in Vocal Performance and an Artist Diploma in Piano – with a Vocal Coaching emphasis. Iris has performed widely both as a singer andasa pianist in concerts and festivals in Israel, Europe, and the United States, and her performances have been broadcast
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Lecturer - Vocal Diction and Vocal Coaching
Lucy Yates
After apprenticeships at Ravinia and Aldeburgh, and appearances with the New-York Collegium and at the Boston Early Music Festival, Miss Yates made her Italian singing debut as Violetta in a Franco Zeffirelli/Plácido Domingo production of La traviata (Teatro Verdi di Busseto), and was immediately engaged by Gian Carlo Menotti for Spoleto (Monica in The Medium, under his direction) and Francesco
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Students

UCLA’s Voice and Opera program attracts highly gifted, intelligent young singers from around the world. Rigorous auditions are held each year to select the most qualified candidates to fill an average of twelve positions.

Students enjoy a nurturing and stimulating atmosphere of mutual encouragement and support among their professors and peers, where the only sense of competition is against the international standard of excellence to which they will be held as professionals entering a challenging job market.

The outstanding achievements of our students in regional, national, and international performing organizations and competitions bear witness to the success of UCLA’s approach to vocal training. UCLA’s current and recently graduated students have appeared with such prestigious institutions as:

  • Metropolitan Opera (and the Lindemann Young Artist Development Program), Metropolitan Opera Council Western Region and National Competitions (Grand Prize Winner, national finalists), New York City Opera, Paris Opera Centre, San Francisco Opera (and the Merola Program), Santa Fe Opera Festival, Lyric Opera of Chicago and Ryan Opera Center, Houston Grand Opera, Los Angeles Opera (and the Domingo-Thornton Young Artist Program), Opera Theatre of St. Louis, Colorado Opera, Opera Pacific, Opera San Jose, Tanglewood Festival, Wolf Trap Opera, Center City Opera, Lake George Opera Festival, Aspen Festival, Pittsburgh Opera Center, Boston Opera Institute, Santa Barbara Music Academy of the West, Ojai Festival, Los Angeles Philharmonic, and New York Philharmonic, just to name a few.

Curriculum

The UCLA voice faculty recognizes that today’s emerging singers must be expertly trained in a healthy vocal technique that will carry them through decades of successful professional singing, as well as a wide spectrum of performance repertoire. Special attention is paid to ensuring all students graduate with the technical and stylistic facility necessary to perform operatic roles and arias, art songs in at least 6 languages, and oratorio, early music, and symphonic solo repertoire. UCLA’s Voice program also offers training and performance experience in musical theater repertoire, and occasionally accepts exceptionally gifted “legit Broadway” singers as Voice Performance majors with an emphasis in Musical Theater.