Classically
Oriented

The Department of Music offers undergraduate and graduate degrees in Western classical music, with concentrations in composition and performance and a specialized undergraduate program in music education. Jazz performance is also offered at the graduate level, in partnership with the Herbie Hancock Institute of Jazz Performance at UCLA.

The four-year Bachelor of Arts curriculum in music prepares students for professional success in an ever-changing musical world, combining practical training and individual study with the development of theoretical and historical context and artistic imagination. The major, designed for students who seek to combine fine musicianship with academic excellence, centers on a core curriculum of academic music courses, one-on-one work with artist-teaching faculty, and opportunities to collaborate with peers in large and small ensembles.

In addition to these foundational music studies, the Music Education major offers professional preparation leading to a Bachelor of Arts degree and teaching credential in just four years. Students develop pedagogical skills and innovative insights into theories and practices essential to teach music to California’s diverse student population and provide leadership in the field of arts education.

At the graduate level, specialized studies lead to Master of Arts (M.A.) and Doctor of Philosophy (Ph.D.) degrees in composition; Master of Music (M.M.) and Doctor of Musical Arts (D.M.A.) degrees in all classical solo instruments, voice, and conducting; and the master of music degree in jazz performance.

Students interested in a concentration in music history and literature should consider the major in Musicology, and those interested in a concentration in world music should consider the major in Ethnomusicology.

The Department of Music, aligned with the departments of Ethnomusicology and Musicology in the UCLA Herb Alpert School of Music, fosters creative collaboration between performance and scholarship; a cross-cultural understanding and appreciation of musical expression in many forms; and transformative engagement with fellow artists, audiences, and communities both local and global. In short, we strive to prepare students to make the music our world needs now and into the future.

Explore Music Degrees

Conducting
Graduate study and training in choral, orchestral, or wind conducting
Music Composition
Mentorship in the creation and realization of music for concerts, opera, and visual media
Music Education
Preparation for music educators leading to a B.A. and teaching credential in just four years
BA
Music Performance
Study and training towards professional performance careers in Western classical music
Music Performance Jazz
A highly selective M.M. program in partnership with the Thelonious Monk Institute of Jazz
MM

Music Faculty

Supeena Adler
Adjunct Associate Professor - Ethnomusicology, World Music Instrument Curator and Conservator, Director, Music of Thailand Ensemble;
Francis Kofi Akotuah
Lecturer - Ethnomusicology, Director of Music and Dance of Ghana Ensemble
Boris Allakhverdyan
Lecturer - Clarinet Performance, Principal Clarinet LA Philharmonic
Ji Young An
Lecturer - Violin Performance
Jan Berry Baker
Professor of Saxophone, Vice Chair of the Department of Music, Special Assistant to the Dean for Faculty Mentoring
James Bass
Professor and Chair of the Department of Music, Director of Choral Studies
Robert Beamer
Lecturer - Music Industry (Finance and Accounting)
Jonathan Beard
Lecturer - Music Industry (Electronic Music, Audio Engineering)
Münir Beken
Associate Professor - Ethnomusicology (world music theory and composition), Director of Music of Turkey Ensemble
Melissa Bilal
The Promise Chair in Armenian Music, Arts, and Culture, Director of Armenian Music Program
Dae Bogan
Lecturer - Music Industry (Entrepreneurship)
Bobby Borg
Lecturer - Music Industry (Industry Fundamentals)
David Bragger
Lecturer - Ethnomusicology, Director of Old-Time String Band Ensemble
Tony Brancato
Guest Lecturer - Music Industry (Influence and Data Mining)
David Brennan
Lecturer - Music Education
Ryan Brown
Lecturer - Voice Performance
John Buffett
Lecturer--Choral Studies, Voice
Christoph Bull
Adjunct Professor - Organ Performance
Wendy Caldwell
Lecturer - Vocal Coaching
Joy H. Calico
Professor and Chair of Musicology, Director of Graduate Studies
Clayton Cameron
Lecturer - Percussion, Director of Jazz Combo
Che-Yen Chen
Professor - Viola Performance
Lily Chen-Hafteck
Professor - Music Education, Special Assistant to the Inaugural Dean for Curricular Reform
Gloria Cheng
Adjunct Professor - Contemporary Music, Performance Studies
Vladimir Chernov
Distinguished Professor - Voice Performance
Monica Chieffo
Lecturer - Music Industry (Influence and Data Mining)
Travis J. Cross
Professor - Conducting, Director of Bands
Richard Danielpour
Distinguished Professor - Co-Area Head, Composition
Jonathan Davis
Lecturer - Oboe Performance
Dante De Silva
Lecturer - Composition and Music Theory
Michael Dean
Professor - Voice Performance
Alison Deane
Associate Adjunct Professor
Nick DePinna
Adjunct Assistant Professor - Musicianship
Theresa Dimond
Lecturer - Percussion Performance
Stig Edgren
Lecturer - Music Industry
Nina Eidsheim
Professor of Musicology, Founder and Director of UCLA PEER Lab
Inna Faliks
Professor - Head of Piano
Cesar Favila
Associate Professor - Musicology, Director of Undergraduate Studies
Cheryl Lin Fielding
Lecturer - Vocal Diction and Vocal Coaching
Judith Finell
Adjunct Professor - Musicology and Music Industry (Forensic Musicology)
Robert Fink
Associate Dean for Academics, Professor - Music Industry, Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Hans Fjellestad
Lecturer - Music Industry (Music Supervision)
Aubrey Foard
Lecturer - Tuba Performance
Don Franzen
Adjunct Professor - Music Industry (Music and Law, Forensic Musicology)
Johanna Gamboa-Kroesen
Assistant Professor - Music Education
Adam Gilberti
Lecturer - Music Education/Woodwinds, Instrument Curator
Peter Golub
Lecturer - Composition, Music and Film
Juliana Gondek
Distinguished Professor - Voice Performance
Gregory Goodall
Lecturer - Percussion Performance
Catherine Gregory
Lecturer - Music, Music Industry (Artistic Citizenship and Community Engagement), Director of the Gluck Fellowship Program
Rakefet Hak
Lecturer - Music Director of Opera UCLA
Chris Hanulik
Adjunct Professor - String Bass Performance; Principal Bass LA Phil
Charley Harrison
Lecturer, Director of UCLA Jazz Orchestra and Jazz Combo
Tamir Hendelman
Lecturer - Keyboards (Jazz Keyboard Harmony, Jazz Improvisation and Analysis)
Thomas Hodgson
Assistant Professor - Musicology and Music Industry (Music and Data, Global Music Industry)
Ben Hong
Lecturer - Cello Performance
Jeffery Jampol
Lecturer - Music Industry (Artist Management and Promotion)
Lee John
Lecturer in Music Industry (Rock/Pop Ensemble)
Jenny Olivia Johnson
Associate Dean for Diversity, Equity and Inclusion, Associate Professor - Musicology
Gamin Kang
Lecturer - Ethnomusicology, Director of Music of Korea Ensemble
David Kaplan
Inaugural Shapiro Family Chair in Piano Performance
Peter Kazaras
Distinguished Professor - Director of Opera UCLA
Cheryl L. Keyes
Professor - Global Jazz Studies and Ethnomusicology (Contemporary Jazz, Hip Hop)
William Kinderman
Distinguished Professor and Elaine Krown Klein Chair in Performance Studies
Victoria Kirsch
Lecturer - Vocal Coaching
Mark Kligman
Mickey Katz Chair of Jewish Music and Professor - Musicology, Ethnomusicology, and Humanities, Director of Lowell Milken Center for Music of American Jewish Experience
Raymond Knapp
Distinguished Professor - Musicology and Humanities, Director of UCLA Center for Musical Humanities
Sarah Koo Freeman
Visiting Professor - Cello Performance
Lauren Kop
Lecturer - Music Industry (Digital Production and Beat Design)
Ian Krouse
Distinguished Professor - Co-Area Head, Composition
Amy Kathryn Kuney
Lecturer - Music Industry (Songwriting)
David Leaf
Adjunct Assistant Professor - Musicology and Music Industry (Music Documentary, Songwriters)
David Lefkowitz
Professor - Composition, Vice Chair of the Department of Music
James Lent
Lecturer - Collaborative Piano
Jacques Lesure
Lecturer - Jazz Guitar
Chi Li
Adjunct Professor - Ethnomusicology, Director of Music of China Ensemble
Jens Lindemann
Distinguished Professor - Trumpet Performance
Steven Loza
Professor - Global Jazz Studies, Ethnomusicology, Director of the UCLA Center for Latino Arts
David MacFadyen
Professor and Chair of Music Industry, Professor - Musicology and Comparative Literature
Iris Malkin
Lecturer - Vocal Coaching
Varty Manouelian
Lecturer - Violin Performance, Violin LA Philharmonic
Janice Mautner Markham
Lecturer - Ethnomusicology, Director of Klezmer Music Ensemble
Brendan McBrien
Lecturer - Music Education
Noah Meites
Lecturer - Music Theory
Dwayne Milburn
Lecturer - Conducting and Composition
James Miller
Lecturer - Trombone Performance, Associate Principal Trombone LA Phil
Roberto Miranda
Adjunct Assoc. Professor
Mohsen Mohammadi
Director of Indo-Persian Music
Anna Morcom
Mohindar Brar Sambhi Chair of Indian Music, Professor - Ethnomusicology
Mitchell Morris
Professor Emeritus - Musicology
Adam Moseley
Lecturer - Music Industry (Studio Production)
Tiffany Naiman
Instructor - Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music), Director of Undergraduate Programs in Music Industry
Lou Anne Neill
Lecturer - Harp Performance, Harp LA Philharmonic
Rahul Neuman
Lecturer - Ethnomusicology, Co-Director of Music of India Ensemble
Arturo O’Farrill
Director, UCLA Afro Latin Jazz Orchestra; Professor
Hitomi Oba
Lecturer and Director of Contemporary Jazz Ensemble
Andrew Ordonez
Events Manager, Department of Music Performance, Education and Composition
Shahāb Pāranj
Lecturer and Postdoctoral Scholar - Composition, contemporary concert music
Natasha Pasternak
Lecturer - Music Industry (Songwriting, Touring, Songwriter’s Workshop)
Movses Pogossian
Distinguished Professor of Violin; Founder and Advisor, Armenian Music Program - Music Performance
Ruth Price
Adjunct Assoc. Professor
Catherine Provenzano
Assistant Professor - Musicology and Music Industry (Critical and Contemporary Perspectives on Music Technology)
Joshua Ranz
Lecturer - Clarinet Performance
Helen Rees
Professor - Ethnomusicology
Holley Replogle-Wong
Lecturer in Musicology, Program Director of CMH
Kay Rhie
Assistant Professor - Composition
Wendy Richman
Lecturer - Music Education
Amy Sanchez
Lecturer - Horn Performance
Roger Savage
Professor and Chair of Ethnomusicology
Jessica Schwartz
Associate Professor - Musicology and Music Industry (Punk and DIY)
Miles Shrewsbery
Lecturer - Ethnomusicology, Music of India Ensemble
Benjamin Smolen
Lecturer - Flute Performance
Lauren A. Spalding
Lecturer - Music Industry (Music and Activism, Artist Management)
John Steinmetz
Lecturer - Bassoon Performance
Neal Stulberg
Professor - Conducting, Director of Orchestral Studies
Joko Sutrisno
Lecturer - Ethnomusicology, Director of Music of Java Ensemble
Timothy D. Taylor
Professor - Ethnomusicology (Popular musics, world music, cultural theory)
Mark Tramo
Adjunct Associate Professor - Neuroscience and Music Industry (Music, Mind, and Brain)
Elizabeth Randell Upton
Associate Professor - Musicology and Humanities
Salim Washington
Professor and Chair of Global Jazz Studies
I Nyoman Wenten
Adjunct Associate Professor - Ethnomusicology, Director of Music of Bali Ensemble
Diane White-Clayton
Lecturer - Ethnomusicology, Director of African American Music Ensemble
Allison Wolfe
Lecturer - Music Industry (Music Journalism, Audio Storytelling)
Lucy Yates
Lecturer - Vocal Diction and Vocal Coaching
Mildred Yi
Lecturer - Music Education
Train with Guest Artists

Each year, dozens of guests from Los Angeles and around the world work with our students in masterclasses and performances, helping them further develop their talents. Recent guests have included John Adams, Grammy and Pulitzer Prize-winning composer; Tim Buzbee, Principal Tuba, Melbourne Symphony Orchestra; Placido Domingo, internationally renowned tenor; Hershey Felder, pianist, actor, playwright and composer;  Gilbert Kalish, pianist, pedagogue and recording artist; Matthew Howard, principal percussionist LA Philharmonic; Kronos Quartet; Esa-Pekka Salonen, composer and conductor of London’s Philharmonia Orchestra; David Starobin, critically acclaimed jazz guitarist; and John Williams, composer.

John Williams Guest Artist Mask C Left Mask Image John Williams John Williams
Alumnus Will Baker Wins Position with Chicago Lyric Opera Orchestra
William A. Baker graduated cum laude from The UCLA Herb Alpert School of Music in 2010 with a bachelor’s in music performance, studying euphonium and bass trombone. He earned a master’s degree at Northwestern University and spent several years in Chicago before relocating to the San Francisco Bay Area, where he played frequently with the
Yoni Fogelman: Nurturing a Passion for Composition
Yoni Fogelman, graduating with a degree in Music Composition from The Herb Alpert School of Music, grew up in a family with broad musical tastes which served as early fuel for a joyful determination to learn, grow and thrive as an artist.
Decoda's Album Reviewed in New York Times
The New York Times picked its monthly five albums you can listen to right now, and Decoda’s debut, self-titled album made the list. Praising (among other things) Catherine Gregory’s skillful flute playing, the review concludes that “with performances of this quality, you can see why Carnegie – which just named Decoda its first affiliate ensemble
Jake Heggie, Composer and Alum, to Give 2024 Commencement Address
By Robert Baker By any measure, 2023 was good to Jake Heggie. He had several high-profile world premieres, including his new opera Intelligence with the Houston Grand Opera and his instrumental work “Fire” (part of violinist Joshua Bell’s five-composer commission collectively called The Elements) with the New York Philharmonic. And the New York Metropolitan Opera
Graduate Commencement Speaker Robby Good, Composer and Collaborator
Robby Good was an undergraduate at UCLA when a friend of his pitched him an idea for a musical: Imagine a future where the Disney Corporation thawed the frozen head of Walt Disney so he could realize his dream of constructing a utopian city. Now imagine an idealistic college graduate (and self-professed “Disney Adult”) who
James Bass Leads Chicago Symphony Chorus in Stunning Rendition of Mahler's Symphony No. 2
James Bass, director of choral studies and chair of the music department, has recently served as the guest director of the Chicago Symphony Chorus. Under his direction, the chorus achieved "rich and lustrous vocalism, clearly delineated sections, and impressively clear articulation of the German text, even with 119 singers." The Chicago Symphony likewise soared. Read the full review by Lawrence A. Johnson in Chicago Classical Review.

Explore Our Degrees

Conducting
Graduate study and training in choral, orchestral, or wind conducting
Ethnomusicology
The study of global musical traditions through performance training, research, and field work
Global Jazz Studies
Jazz performance and musicianship courses are paired with African American Studies
BA
Music Composition
Mentorship in the creation and realization of music for concerts, opera, and visual media
Music Education
Preparation for music educators leading to a BA and teaching credential in just four years
BA
Music Industry
A leadership-focused professional degree which prepares students to transform the creative, entrepreneurial, and executive structures of the music industry
Musicology
The scholarly study of the histories, cultures, and critical interpretations of music and music-making
Music Performance
Study and training towards professional performance careers in Western classical music