The new Bachelor of Arts in Music Industry is a leadership-focused professional degree which prepares students to transform the creative, entrepreneurial, and executive structures of the music industry. Designed from the ground up to center creativity, social justice, and experiential learning, the curriculum combines a rigorous introduction to the artistic, financial, and managerial skills necessary to succeed in the music industry with the critical and creative space to imagine changing it.

Program Highlights:

  • Learn from an innovative faculty of industry executives, research academics, experienced teachers and professional artists who represent today’s diverse, rapidly-changing music industry
  • Develop critical and ethical perspectives with courses on the history and culture of music, social justice and musical activism, and the global music industry
  • Capitalize on L.A.’s prime position as a hub for global media, music production, and independent record producers/artist managers with an industry internship
  • Craft a senior year capstone course that allows you to develop music industry focused projects under the guidance of UCLA faculty and industry mentors
Amelie McGrath Entrances Listeners with Vulnerable, Relatable Lyrics
From the Daily Bruin: Amelie McGrath – who performs as amelie kalia – released her first single June 28. Though the rising third-year music industry student has been writing songs since she was nine years old, “good kid” marks the first work she has shared with the rest of the world. 
Music Industry Students Association Networks Behind the Scenes
UCLA is becoming the music industry’s new home, thanks to a new student organization. The Music Industry Students Association is dedicated to helping students navigate the broad scope of the music industry, said lead director Trinity Drummond, a rising fourth-year music history and industry student. 
What is Music's Value? A Conversation with Tim Taylor
Tim Taylor, professor of ethnomusicology and musicology at The UCLA Herb Alpert School of Music, has always been curious about how we assess the value of music. The author of over 50 articles and a shelf of books, Taylor has explored music and capitalism, global pop, western music in the world, and more. His new

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