Marylin Winkle
Lecturer

Marylin Winkle is a performer, scholar, and advocate. As Artistic Director of L.A. Camerata, she promotes the performance of works for and by women and “others” who have been underrepresented throughout history. She performs predominantly as a historical string player (baroque cello, violas da gamba, vielle), but also directs for the theatrical stage, including a recent world-premiere revival of Isabella Andreini’s La Mirtilla (1588). A passionate educator, Marylin believes fiercely in the power of the arts to affect lives and create change.

Marylin Winkle Publishes Rare Edition of Eighteenth-Century Cantata
School of Music musicologist Marylin Winkle has just published what promises to be the definitive version of Camilla de Rossi’s Fra Dori, e Fileno (c. 1710). Dulcamara Press, a company
Recovering Lost Stories in Early Music
It is tempting to fit diversity, equity, and inclusion (DEI) into a box labeled campus practice and politics. But for the Early Music Ensemble at The UCLA Herb Alpert School
Who's Invited to Early Music? A Mother's Take on Audience Inclusivity
By Marylin Winkle. Published in Early Music America. In addition to being a professional early-music ensemble director, performer, and educator, I am also a mom; juggling these jobs during a
Kat De Nicola
Assistant to the Chair - Department of Musicology and Global Jazz Studies Program
Nina Eidsheim
Professor of Musicology, Founder and Director of UCLA PEER Lab
Cesar Favila
Associate Professor - Musicology, Director of Undergraduate Studies
Tiffany Naiman
Instructor - Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music), Director of Undergraduate Programs in Music Industry
Raymond Knapp
Distinguished Professor of Musicology, Disability Studies, and Humanities; Director of the UCLA Center for Musical Humanities; Director of Graduate Studies in Musicology
David MacFadyen
Professor and Chair of Music Industry, Professor - Musicology and Comparative Literature
Elizabeth Randell Upton
Associate Professor - Musicology and Humanities
Jessica Schwartz
Associate Professor - Musicology and Music Industry (Punk and DIY)
Jenny Olivia Johnson
Associate Dean for Diversity, Equity and Inclusion, Associate Professor - Musicology
Joy H. Calico
Professor and Chair of Musicology
John Lee
Manager, Ethnomusicology & Musicology Departments
Catherine Provenzano
Assistant Professor - Musicology and Music Industry (Critical and Contemporary Perspectives on Music Technology)
Holley Replogle-Wong
Lecturer in Musicology, Program Director of Center for Musical Humanities
Mark Kligman
Mickey Katz Chair of Jewish Music and Professor - Musicology, Ethnomusicology, and Humanities, Director of Lowell Milken Center for Music of American Jewish Experience
Thomas Hodgson
Assistant Professor - Musicology and Music Industry (Music and Data, Global Music Industry)
Robert Fink
Special Academic Senior Associate Dean, Professor - Music Industry, Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Mitchell Morris
Professor Emeritus - Musicology

Explore Other Degrees

Conducting
Graduate study and training in choral, orchestral, or wind conducting
Ethnomusicology
The study of global musical traditions through performance training, research, and field work
Global Jazz Studies
Jazz performance and musicianship courses are paired with African American Studies
Music Composition
Mentorship in the creation and realization of music for concerts, opera, and visual media
Music Education
Preparation for music educators leading to a BA and teaching credential in just four years
Music Industry
A leadership-focused professional degree which prepares students to transform the creative, entrepreneurial, and executive structures of the music industry
Musicology
The scholarly study of the histories, cultures, and critical interpretations of music and music-making
Music Performance
Study and training towards professional performance careers in Western classical music