Tiffany Naiman
Lecturer, Music Industry

Tiffany Naiman is an award-winning documentary film producer, a DJ and electronic musician performing under the moniker Bit Faker, is the manger of musical artists Cusses and Edith Crash, and is the experimental film and music programmer for the Outfest film festival in Los Angeles. Her film productions have been screened world-wide in festivals, at art museums, in theaters, and have been released digitally. The films include Bight of the Twin (2016), The Glamour & The Squalor (2015), The Cardboard Artist (2015), Exile Nation: The Plastic People (2014), Viva Cuba Libre: Rap Is War (2013), and The Mechanical Bride (2012). She is currently in production with two new films: Welcome to My Daydream (2020) and Revival: Confessions of the Queer and Unholy (2020).

Tiffany is also currently lecturer in The Stanford Storytelling Project (SSP) and is the managing editor and a producer for The Storytelling Project’s podcast, State of the Human. She is also the manager of the Braden Grant Program at Stanford University. Prior to her appointment in SSP, Tiffany was a Thinking Matters Fellow at Stanford University. She received her Ph.D. in Musicology from the University of California, Los Angeles (UCLA) in 2017.

Tiffany has developed a specialization as a David Bowie scholar and her work is published in The Bloomsbury Handbook of Popular Music Video Analysis (Bloomsbury, 2019), David Bowie: Critical Perspectives (Routledge, 2015) and Enchanting David Bowie: Space/Time/Body/Memory (Bloomsbury, 2015). She is currently working simultaneously on two monographs; David Bowie in America and Live Through This: Women and the Politics of Illness and Aging in Popular Music where she examines the struggles that female and female identifying artist face within the music industry as they age or become ill.

Explore Other Degrees

Conducting
Graduate study and training in choral, orchestral, or wind conducting
Ethnomusicology
The study of global musical traditions through performance training, research, and field work
Global Jazz Studies
Jazz performance and musicianship courses are paired with African American Studies
Music Composition
Mentorship in the creation and realization of music for concerts, opera, and visual media
Music Education
Preparation for music educators leading to a B.A. and teaching credential in just four years
Music History & Industry
Combining Musicology and the Music Industry minor for practical hands-on training with the study of music within the context of different societies, cultures, and theories
Music Industry
Industry professionals and UCLA faculty prepare students for music-related careers
Musicology
The scholarly study of the histories, cultures, and critical interpretations of music and music-making
Music Performance
Study and training towards professional performance careers in Western classical music
Music Performance Jazz
A highly selective M.M. program in partnership with the Herbie Hancock Institute of Jazz