Tiffany Naiman
Director of Undergraduate Programs; Academic Administrator for Music Industry (Critical Perspectives, Capstone Sequence); Music Industry, Musicology

Tiffany Naiman is the Director of Music Industry Programs and an Assistant Teaching Professor at UCLA’s Herb Alpert School of Music, as well as a lecturer in the Musicology department. She is a scholar of popular music, temporality, and disability studies. She currently serves as co-chair of the LGBTQ Study Group of the American Musicological Society. Tiffany has developed specialization as a David Bowie scholar and her work is published in Blackstar Rising, Purple Rain (Duke University Press, 2023), The Bloomsbury Handbook of Popular Music Video Analysis (Bloomsbury, 2019), David Bowie: Critical Perspectives (Routledge, 2015), and Enchanting David Bowie: Space/Time/Body/Memory (Bloomsbury, 2015).

Tiffany is also a DJ and electronic musician performing under the moniker NeonGray; the experimental film and music Senior Programmer for Outfest Los Angeles; manager of musical artist Cusses; creator of a multiplicity of club nights and one-off musical events in Los Angeles, San Francisco, and Philadelphia; and an award-winning documentary film producer. Tiffany serves on the boards of FEMME HOUSE, The 100 Percenters, and Theatre Exile.

Allison Wolfe
Lecturer in Music Industry (Music Journalism, Audio Storytelling)
Natasha Pasternak
Lecturer in Music Industry (Songwriting, Touring, Songwriter’s Workshop)
Thomas Hodgson
Assistant Professor of Musicology, Music Industry (Music and Data, Global Music Industry)
David Leaf
Adjunct Assistant Professor of Musicology, Music Industry (Music Documentary, Songwriters)
Stig Edgren
Lecturer in Music Industry (Concerts and Live Events)
Catherine Provenzano
Assistant Professor of Musicology, Music Industry (Critical and Contemporary Perspectives on Music Technology)
Jeffery Jampol
Lecturer in Music Industry (Artist Management and Promotion)
Lee John
Lecturer in Music Industry (Rock/Pop Ensemble)
Monica Chieffo
Lecturer in Music Industry (Influence and Data Mining)
Robert Fink
Chair of Music Industry Program, Professor of Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Don Franzen
Adjunct Professor of Music (Music and Law, Forensic Musicology)
Jonathan Beard
Lecturer in Music (Electronic Music), Music Industry (Audio Engineering)
Jessica Schwartz
Associate Professor of Musicology, Music Industry (Punk and DIY)
Robert Beamer
Lecturer in Music Industry (Finance and Accounting)
Adam Moseley
Lecturer in Music Industry (Studio Production)
Lauren A. Spalding
Lecturer in Music Industry (Music and Activism, Artist Management)
Lauren Kop
Lecturer in Music Industry (Digital Production and Beat Design)
Dae Bogan
Lecturer in Music Industry (Entrepreneurship)
Gigi Johnson
Academic Administrator (Emeritus), Director, Center for Music Innovation
Mark Tramo
Adjunct Associate Professor of Neuroscience (Music, Mind, and Brain)
David MacFadyen
Professor of Musicology, Music Industry (History of Music Industry, Music and the Internet, Digital Humanities)
Judith Finell
Adjunct Professor in Musicology (Forensic Musicology)
Catherine Gregory
Lecturer in Music, Music Industry (Artistic Outreach and Citizenship)
Tony Brancato
Guest Lecturer in Music Industry (Influence and Data Mining)
Amy Kathryn Kuney
Lecturer in Music Industry (Songwriting)
Bobby Borg
Lecturer in Music Industry (Industry Fundamentals)
Hans Fjellestad
Lecturer in Music Industry (Music Supervision)

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