Lauren Kop
Lecturer - Music Industry (Digital Production and Beat Design)

As a producer, DJ, vocalist, and composer, LA native Lauren Kop has cultivated a vivid musical aesthetic and gained the respected roles of mentor and emerging talent within their community. Blending musical styles and drawing inspiration from 80s, Y2K pop, R&B, and dance influences, Lauren has written, produced, and released multiple EPs and an album under the artist name mini bear. Passionate about community building and helping to create opportunities and representation for folks of marginalized genders as producers, they’ve taught music production at Girl’s Rock camp and IO Music Academy, and they are the Chief Education Officer at FEMME HOUSE, a 501(C)  whose mission is to create opportunities for women and gender-expansive creatives in the technical areas of music.

An avid Ableton Live user and synth maven, they have collaborated with companies such as Moog, Ableton, Apogee, Splice, and BandLab. They were featured in Patch & Tweak with Moog, the ultimate book resource for synth enthusiasts, released sample packs for Splice and BandLab, and created a demo song for the app Ableton Note. With years of experience and dedication to mastery of Ableton Live and music production, their passion for sharing their expertise and empowering producers has led them to teaching workshops and courses that focus on maximizing creative potential through technology.

Don Franzen
Adjunct Professor - Music Industry (Music and Law, Forensic Musicology)
Stig Edgren
Lecturer - Music Industry
Jessica Schwartz
Associate Professor - Musicology and Music Industry (Punk and DIY)
Lee John
Lecturer in Music Industry (Rock/Pop Ensemble)
Allison Wolfe
Lecturer - Music Industry (Music Journalism, Audio Storytelling)
Robert Beamer
Lecturer - Music Industry (Finance and Accounting)
Bobby Borg
Lecturer - Music Industry (Industry Fundamentals)
Thomas Hodgson
Assistant Professor - Musicology and Music Industry (Music and Data, Global Music Industry)
Dawnyelle Addison
Manager - Music Industry Program
Justin Paul
Lecturer - Music Industry
Jonathan Beard
Lecturer - Music Industry (Electronic Music, Audio Engineering)
Kathryn Frazier
Lecturer - Music Industry
David Leaf
Adjunct Assistant Professor - Musicology and Music Industry (Music Documentary, Songwriters)
David MacFadyen
Professor and Chair of Music Industry, Professor - Musicology and Comparative Literature
Lauren A. Spalding
Lecturer - Music Industry (Music and Activism, Artist Management)
Amy Kathryn Kuney
Lecturer - Music Industry (Songwriting)
Chyna Ellis
Assistant to the Chair - Music Industry Program
Adam Moseley
Lecturer - Music Industry (Studio Production)
Jason Feinberg
Lecturer - Music Industry (Digital Marketing and Promotion)
Jeffery Jampol
Lecturer - Music Industry (Artist Management and Promotion)
Dae Bogan
Lecturer - Music Industry (Entrepreneurship)
Catherine Provenzano
Assistant Professor - Musicology and Music Industry (Critical and Contemporary Perspectives on Music Technology)
Natasha Pasternak
Lecturer - Music Industry (Songwriting, Touring, Songwriter’s Workshop)
Mark Tramo
Adjunct Associate Professor - Neuroscience and Music Industry (Music, Mind, and Brain)
Catherine Gregory
Lecturer - Music, Music Industry (Artistic Citizenship and Community Engagement), Director of the Gluck Fellowship Program
Robert Fink
Associate Dean for Academics, Professor - Music Industry, Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Tiffany Naiman
Instructor - Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music), Director of Undergraduate Programs in Music Industry
Tony Brancato
Guest Lecturer - Music Industry (Influence and Data Mining)
Hans Fjellestad
Lecturer - Music Industry (Music Supervision)
Monica Chieffo
Lecturer - Music Industry (Influence and Data Mining)
Judith Finell
Adjunct Professor - Musicology and Music Industry (Forensic Musicology)

Explore Other Degrees

Conducting
Graduate study and training in choral, orchestral, or wind conducting
Ethnomusicology
The study of global musical traditions through performance training, research, and field work
Global Jazz Studies
Jazz performance and musicianship courses are paired with African American Studies
BA
Music Composition
Mentorship in the creation and realization of music for concerts, opera, and visual media
Music Education
Preparation for music educators leading to a BA and teaching credential in just four years
BA
Music Industry
A leadership-focused professional degree which prepares students to transform the creative, entrepreneurial, and executive structures of the music industry
Musicology
The scholarly study of the histories, cultures, and critical interpretations of music and music-making
Music Performance
Study and training towards professional performance careers in Western classical music