Hans Fjellestad
Lecturer in Music Industry (Music Supervision) , Music Industry

Los Angeles filmmaker/musician Hans Fjellestad has produced and shot on location throughout the U.S., Canada, Mexico, UK, Europe, Australia, Japan, Afghanistan and Haiti filming hundreds of interviews and numerous concerts, live events and documentary film projects. His award-winning work has screened in theaters and festivals worldwide and on Showtime, ABC, Netflix, MTV, Sony M-ON! Japan, Adult Swim, Amazon Prime, Virgin Produced Channel, Arte, BET, PBS and BBC.

Hans directed/produced the feature-length documentary films Sunset Strip (2012), Moog (2004), Radio Caroline (2018), Sounding the Space (2014), When the World Breaks (2010), Frontier Life (2002) and was writer/producer for The Heart is a Drum Machine (2009), M-ON! Monthly Icon: L’Arc-en-Ciel (2012), Rock Camp (2021). His video production work also includes projects for Mode Records, GLAAD, Health Corps Haiti, Not Real Art, Rock and Roll Fantasy Camp, California Roots Festival. He is lead producer at arts-oriented media production house Crewest Studio.

As faculty lecturer at UCLA Herb Alpert School of Music since 2015, Hans specializes in music supervision for visual media. He has also lectured at Columbia University, Amherst College, San Francisco Art Institute, McGill University, Institute of Contemporary Arts London, Centre for Contemporary Arts Glasgow, National Taiwan University, Yebisu Music Conference Tokyo, Mexico’s Centro Universitario de Estudios Cinematográficos, Universidad del Claustro de Sor Juana in Mexico City, Palomar College, Miami Art Central, Centro Cultural Tijuana and Museum of Contemporary Art San Diego.

A classically trained pianist, Hans studied music at UCSD (BA in Music, 1993) and has composed original scores for theater, dance and film. He has recorded and performed extensively, touring in over a dozen countries. He was artist-in-residence at the Steve Allen Theater in Hollywood 2008-2011, where he curated and hosted the live music series ResBox, and is a recording artist/partner at independent music label Accretions.

Jeffery Jampol
Lecturer in Music Industry (Artist Management and Promotion)
Jessica Schwartz
Associate Professor of Musicology, Music Industry (Punk and DIY)
Jason Feinberg
Lecturer in Music Industry (Digital Marketing and Promotion)
Stig Edgren
Lecturer in Music Industry (Concerts and Live Events)
Natasha Pasternak
Lecturer in Music Industry (Songwriting, Touring, Songwriter’s Workshop)
David MacFadyen
PROFESSOR OF MUSICOLOGY, MUSIC INDUSTRY, AND COMPARATIVE LITERATURE
Lauren A. Spalding
Lecturer in Music Industry (Music and Activism, Artist Management)
Tiffany Naiman
Director of Undergraduate Programs, Music Industry; Instructor, Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music)
Mark Tramo
Adjunct Associate Professor of Neuroscience (Music, Mind, and Brain)
Judith Finell
Adjunct Professor in Musicology (Forensic Musicology)
Allison Wolfe
Lecturer in Music Industry (Music Journalism, Audio Storytelling)
Don Franzen
Adjunct Professor of Music (Music and Law, Forensic Musicology)
Robert Beamer
Lecturer in Music Industry (Finance and Accounting)
Lauren Kop
Lecturer in Music Industry (Digital Production and Beat Design)
Monica Chieffo
Lecturer in Music Industry (Influence and Data Mining)
Jonathan Beard
Lecturer - Electronic Music, Audio Engineering
Thomas Hodgson
Assistant Professor of Musicology, Music Industry (Music and Data, Global Music Industry)
Lee John
Lecturer in Music Industry (Rock/Pop Ensemble)
Catherine Gregory
Lecturer in Music, Music Industry (Artistic Citizenship and Community Engagement), Director of the Gluck Fellowship Program
Kathryn Frazier
Lecturer in Music Industry
Catherine Provenzano
Assistant Professor of Musicology, Music Industry (Critical and Contemporary Perspectives on Music Technology)
Robert Fink
Chair of Music Industry Program, Professor of Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Adam Moseley
Lecturer in Music Industry (Studio Production)
Amy Kathryn Kuney
Lecturer in Music Industry (Songwriting)
Bobby Borg
Lecturer in Music Industry (Industry Fundamentals)
Dae Bogan
Lecturer in Music Industry (Entrepreneurship)
David Leaf
Adjunct Assistant Professor of Musicology, Music Industry (Music Documentary, Songwriters)
Tony Brancato
Guest Lecturer in Music Industry (Influence and Data Mining)

Explore Other Degrees

Conducting
Graduate study and training in choral, orchestral, or wind conducting
Ethnomusicology
The study of global musical traditions through performance training, research, and field work
Global Jazz Studies
Jazz performance and musicianship courses are paired with African American Studies
BA
Music Composition
Mentorship in the creation and realization of music for concerts, opera, and visual media
Music Education
Preparation for music educators leading to a BA and teaching credential in just four years
BA
Music Industry
A leadership-focused professional degree which prepares students to transform the creative, entrepreneurial, and executive structures of the music industry
Musicology
The scholarly study of the histories, cultures, and critical interpretations of music and music-making
Music Performance
Study and training towards professional performance careers in Western classical music