Adam Moseley
Lecturer - Music Industry (Studio Production)
Adam Moseley started at the legendary Trident Studios in London in 1978 and quickly became established as an innovative engineer, mixer and producer.
Adam has an impressive reputation for his eclectic work with John Cale, Wolfmother, U2, Nikka Costa/Lenny Kravitz/Prince, Beck/Jack White, Roxette, Maxi Priest, Richard Marx, The Cure, Kiss, Visage, Rush, Ketama, The Buggles, The Blow Monkeys, Jose Carreras, Michael Brecker, Branford Marsalis, Tina Turner, Baaba Maal, Earth Wind and Fire, Hoagy Carmichael.
Film and TV score mixing credits include “The Big Wedding” (Robert De Niro, Diane Keaton, Susan Sarandon, Robin Williams), Spike Jonze’s “I Am Here, “The Americans”, “True Blood” and Oscar nominated movie “The Dark Valley.”
Masters of
the Craft
– Adam Moseley
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Beyond the Speakers | Innovating Music Podcast
Find all episodes on Apple Podcasts or at this link. Gigi Johnson, director of the Center for Music Innovation, interviewed Adam Moseley, a long-time producer/mixer/engineer who is exploring new adventures…
Tiffany Naiman
Instructor - Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music), Director of Undergraduate Programs in Music Industry
Erik Madrid
Lecturer - Music Industry (Mixing)
David Leaf
Adjunct Associate Professor - Music Industry and Musicology
Justin Paul
Lecturer - Music Industry
Kathryn Frazier
Lecturer - Music Industry
Allison Wolfe
Lecturer - Music Industry (Music Journalism, Audio Storytelling)
David MacFadyen
Professor and Chair of Music Industry, Professor - Musicology and Comparative Literature
Tina Farris
Lecturer, Music Industry (Live Music Touring)
Hans Fjellestad
Lecturer - Music Industry (Music Supervision)
Stig Edgren
Lecturer - Music Industry
Michelle Moreno
Lecturer - Music Industry (Finance and Accounting)
Amy Kathryn Kuney
Lecturer - Music Industry (Songwriting)
Monica Chieffo
Lecturer - Music Industry (Influence and Data Mining)
Jessica Schwartz
Associate Professor - Musicology and Music Industry (Punk and DIY)
Natasha Pasternak
Lecturer - Music Industry (Songwriting, Touring, Songwriter’s Workshop)
Jason Feinberg
Lecturer - Music Industry (Digital Marketing and Promotion)
Catherine Gregory
Lecturer - Music, Music Industry (Artistic Citizenship and Community Engagement), Director of the Gluck Fellowship Program
Don Franzen
Adjunct Professor - Music Industry (Music and Law, Forensic Musicology)
Ryan Svendsen
Lecturer, Music Industry (Advanced Music Supervision)
Lauren A. Spalding
Lecturer - Music Industry (Music and Activism, Artist Management)
The Vanderveers: Bruce “Automatic” Vanderveer & Ebony Rae Vanderveer
Lecturers - Music Industry (Creativity and Artist Development)
Catherine Provenzano
Assistant Professor - Musicology and Music Industry (Critical and Contemporary Perspectives on Music Technology)
Marc Cimino
Lecturer - Music Industry (Music Publishing)
Lauren Kop
Lecturer - Music Industry (Digital Production and Beat Design)
Robert Fink
Special Academic Senior Associate Dean, Professor - Music Industry, Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Mark Tramo
Adjunct Associate Professor - Neuroscience and Music Industry (Music, Mind, and Brain)
Chyna Ellis
Assistant to the Chair - Music Industry Program
Tony Brancato
Guest Lecturer - Music Industry (Influence and Data Mining)
Judith Finell
Adjunct Professor - Musicology and Music Industry (Forensic Musicology)
Thomas Hodgson
Assistant Professor - Musicology and Music Industry (Music and Data, Global Music Industry)
Jeffery Jampol
Lecturer - Music Industry (Artist Management and Promotion)
Jonathan Beard
Lecturer - Music Industry (Electronic Music, Audio Engineering)
Dawnyelle Addison
Manager - Music Industry Program
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