Robert Fink
Chair of Music Industry Program, Professor of Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships); Music Industry, Musicology

Robert Fink is Professor of Musicology and Chair of Music Industry Programs at UCLA, and serves as Associate Dean for Academic Affairs in the Alpert School of Music. Trained as a music theorist and musicologist, his primary areas of interest include musical analysis, avant-garde and minimal music, popular music studies, timbre and rhythm in music, and the history of electronic dance music. He has published widely on contemporary and popular music in academic journals, and is the author of Repeating Ourselves, a 2005 study of American minimal music as cultural practice; and The Relentless Pursuit of Tone, an interdisciplinary survey of research into the “sound” of popular music, awarded the American Musicological Society’s Ruth Solie Prize for best edited collection in 2018. Professor Fink also has extensive experience as a forensic musicologist in copyright litigation; a list of clients and fee structure is available upon request.

 
Billboard Breaks the News about New Music Industry Program at UCLA
Billboard Magazine took note of the new Music Industry BA at The UCLA Herb Alpert School of Music. According to Robert Fink, founding chair of the program, students will be
Leonard Bernstein at 100: Four UCLA Professors Reflect on an American Music Icon
World-wide celebrations are underway honoring American composer, conductor and educator Leonard Bernstein, who died in 1990 and would have been 100 on August 25, 2018. A multitalented musician, Bernstein rose
Dae Bogan
Lecturer in Music Industry (Entrepreneurship)
Tiffany Naiman
Director of Undergraduate Programs, Music Industry; Instructor, Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music)
Gigi Johnson
Academic Administrator (Emeritus), Director, Center for Music Innovation
Thomas Hodgson
Assistant Professor of Musicology, Music Industry (Music and Data, Global Music Industry)
Allison Wolfe
Lecturer in Music Industry (Music Journalism, Audio Storytelling)
Natasha Pasternak
Lecturer in Music Industry (Songwriting, Touring, Songwriter’s Workshop)
Lauren Kop
Lecturer in Music Industry (Digital Production and Beat Design)
Lee John
Lecturer in Music Industry (Rock/Pop Ensemble)
Hans Fjellestad
Lecturer in Music Industry (Music Supervision)
Lauren A. Spalding
Lecturer in Music Industry (Music and Activism, Artist Management)
Bobby Borg
Lecturer in Music Industry (Industry Fundamentals)
Jeffery Jampol
Lecturer in Music Industry (Artist Management and Promotion)
Monica Chieffo
Lecturer in Music Industry (Influence and Data Mining)
Adam Moseley
Lecturer in Music Industry (Studio Production)
Stig Edgren
Lecturer in Music Industry (Concerts and Live Events)
David MacFadyen
Professor of Musicology, Music Industry (History of Music Industry, Music and the Internet, Digital Humanities)
Catherine Gregory
Lecturer in Music, Music Industry (Artistic Outreach and Citizenship)
Tony Brancato
Guest Lecturer in Music Industry (Influence and Data Mining)
David Leaf
Adjunct Assistant Professor of Musicology, Music Industry (Music Documentary, Songwriters)
Mark Tramo
Adjunct Associate Professor of Neuroscience (Music, Mind, and Brain)
Don Franzen
Adjunct Professor of Music (Music and Law, Forensic Musicology)
Judith Finell
Adjunct Professor in Musicology (Forensic Musicology)
Jessica Schwartz
Associate Professor of Musicology, Music Industry (Punk and DIY)
Jonathan Beard
Lecturer in Music (Electronic Music), Music Industry (Audio Engineering)
Catherine Provenzano
Assistant Professor of Musicology, Music Industry (Critical and Contemporary Perspectives on Music Technology)
Amy Kathryn Kuney
Lecturer in Music Industry (Songwriting)
Robert Beamer
Lecturer in Music Industry (Finance and Accounting)

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