Amy Kathryn Kuney
Lecturer in Music Industry (Songwriting) , Music Industry

Ames was born in Tulsa, Oklahoma, but spent her most formative years in San Pedro Sula, Honduras living as a ‘missionary kid’ with her siblings and parents. While being raised in a fundamentalist Christian home, she came to the early realization that she was queer. “…The ‘dissonance’ between my identity and my environment has strongly influenced my music throughout my career.”

Ames began performing at four years old, competing in classical piano competitions around the state of Oklahoma. She also began singing in church, taking part in various praise and worship groups while accompanying herself on guitar. In 2004 Ames moved to Los Angeles and began her solo career as a singer-songwriter, performing shows around the country and opening for such artists as The Veronicas, Andy Grammar, and Gavin Rossdale.

After signing with Kobalt Music Publishing in 2015, Ames began co-writing with other artists like Kelly Clarkson, Rita Ora, Kali Uchis, AKON, Jason Mraz, and Chappell Roan. She’s worked alongside Grammy-Award-winning producers such as FINNEAS, Dan Nigro, and Patrick Carney of the Black Keys. Along with Molly Kate Kestner and Nick Ruth, Ames had cuts on Kelly Clarkson’s “Meaning of Life”, which was nominated for a Grammy in 2018.

Ames’ performances and songs can be heard in a multitude of TV/film placements including The Blacklist, Keeping Up with the Kardashians, One Tree Hill, Gilmore Girls, The Equalizer, and Warrior Nun. She has also secured commercial campaigns with Samsung, Kleenex, Macy’s, ESPN, and Pringles.

As well as lecturing at the Herb Alpert School of Music, Ames also teaches songwriting at the Berklee Summer Sessions at the Colburn School of Music DTLA.

 

Hans Fjellestad
Lecturer in Music Industry (Music Supervision)
Lauren Kop
Lecturer in Music Industry (Digital Production and Beat Design)
Catherine Provenzano
Assistant Professor of Musicology, Music Industry (Critical and Contemporary Perspectives on Music Technology)
Natasha Pasternak
Lecturer in Music Industry (Songwriting, Touring, Songwriter’s Workshop)
Bobby Borg
Lecturer in Music Industry (Industry Fundamentals)
Jason Feinberg
Lecturer in Music Industry (Digital Marketing and Promotion)
Thomas Hodgson
Assistant Professor of Musicology, Music Industry (Music and Data, Global Music Industry)
Jeffery Jampol
Lecturer in Music Industry (Artist Management and Promotion)
Monica Chieffo
Lecturer in Music Industry (Influence and Data Mining)
David Leaf
Adjunct Assistant Professor of Musicology, Music Industry (Music Documentary, Songwriters)
Robert Beamer
Lecturer in Music Industry (Finance and Accounting)
Lauren A. Spalding
Lecturer in Music Industry (Music and Activism, Artist Management)
Tiffany Naiman
Director of Undergraduate Programs, Music Industry; Instructor, Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music)
Don Franzen
Adjunct Professor of Music (Music and Law, Forensic Musicology)
Allison Wolfe
Lecturer in Music Industry (Music Journalism, Audio Storytelling)
Robert Fink
Chair of Music Industry Program, Professor of Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Stig Edgren
Lecturer in Music Industry (Concerts and Live Events)
Tony Brancato
Guest Lecturer in Music Industry (Influence and Data Mining)
Judith Finell
Adjunct Professor in Musicology (Forensic Musicology)
Jessica Schwartz
Associate Professor of Musicology, Music Industry (Punk and DIY)
Lee John
Lecturer in Music Industry (Rock/Pop Ensemble)
Jonathan Beard
Lecturer - Electronic Music, Audio Engineering
Mark Tramo
Adjunct Associate Professor of Neuroscience (Music, Mind, and Brain)
Dae Bogan
Lecturer in Music Industry (Entrepreneurship)
Kathryn Frazier
Lecturer in Music Industry
Adam Moseley
Lecturer in Music Industry (Studio Production)
Catherine Gregory
Lecturer in Music, Music Industry (Artistic Citizenship and Community Engagement), Director of the Gluck Fellowship Program
David MacFadyen
PROFESSOR OF MUSICOLOGY, MUSIC INDUSTRY, AND COMPARATIVE LITERATURE

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