Mitchell Morris
Emeriti, Musicology
Professor; Musicology
Mitchell Morris taught at UCSD and McGill University before coming to UCLA in 1997. Among his many specialties are: Music, Gender, and Sexuality; Opera Studies; Music at the last fin-de-siecle; Russian and Soviet Music; American popular song; Ecomusicology; Film and TV Music. He is a co-editor of The Oxford Handbook of the American Musical and the author of The Persistence of Sentiment: Display and Feeling in Popular Music of the 1970s. A frequent collaborator with the Los Angeles Opera, he is also an active working librettist with premieres in the U.S. and Mexico.
Related News
More Mitchell Morris News
UCLA Faculty and Opera Alumnus Share in LA Opera's Double Grammy Win
LA Opera’s 2015 production of composer John Corigliano and librettist William M. Hoffman’s “The Ghosts of Versailles” won Grammys for opera recording and engineered classical album. The former went to a team…
Elizabeth Randell Upton
Associate Professor of Musicology and Humanities
David MacFadyen
Professor
Robert Fink
Chair of Music Industry IDP, Professor of Musicology and Humanities
Shana Redmond
Professor
Kristi Brown Montesano
Lecturer in Musicology
Holley Replogle-Wong
Lecturer in Musicology, Program Director of CMH
Catherine Provenzano
Assistant Professor
Tamara Levitz
Professor
Elisabeth Le Guin
Emeriti
Nina Eidsheim
Professor of Musicology and Humanities Founder and Director of UCLA PEER Lab
Tiffany Naiman
DIRECTOR OF MUSIC INDUSTRY PROGRAMS; ASSISTANT TEACHING PROFESSOR MUSIC INDUSTRY; LECTURER, MUSICOLOGY
Thomas Hodgson
Assistant Professor of Musicology
Jessica Schwartz
Associate Professor
Mark Kligman
Professor of Musicology, Ethnomusicology, and Humanities Mickey Katz Chair of Jewish Music Director of Lowell Milken Center for Music of American Jewish Experience
Marylin Winkle
Lecturer
Raymond Knapp
Distinguished Professor of Musicology and Humanities Chair of Musicology Director, UCLA Center of Musical Humanities (CMH)
Cesar Favila
Assistant Professor
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