Marylin Winkle
Lecturer

Marylin Winkle is a performer, scholar, and advocate. As Artistic Director of L.A. Camerata, she promotes the performance of works for and by women and “others” who have been underrepresented throughout history. She performs predominantly as a historical string player (baroque cello, violas da gamba, vielle), but also directs for the theatrical stage, including a recent world-premiere revival of Isabella Andreini’s La Mirtilla (1588). A passionate educator, Marylin believes fiercely in the power of the arts to affect lives and create change.

Marylin Winkle Publishes Rare Edition of Eighteenth-Century Cantata
School of Music musicologist Marylin Winkle has just published what promises to be the definitive version of Camilla de Rossi’s Fra Dori, e Fileno (c. 1710). Dulcamara Press, a company
Recovering Lost Stories in Early Music
It is tempting to fit diversity, equity, and inclusion (DEI) into a box labeled campus practice and politics. But for the Early Music Ensemble at The UCLA Herb Alpert School
Who's Invited to Early Music? A Mother's Take on Audience Inclusivity
By Marylin Winkle. Published in Early Music America. In addition to being a professional early-music ensemble director, performer, and educator, I am also a mom; juggling these jobs during a
Elizabeth Randell Upton
Associate Professor - Musicology and Humanities
Holley Replogle-Wong
Lecturer in Musicology, Program Director of CMH
Tiffany Naiman
Instructor - Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music), Director of Undergraduate Programs in Music Industry
Mitchell Morris
Professor Emeritus - Musicology
Mark Kligman
Mickey Katz Chair of Jewish Music and Professor - Musicology, Ethnomusicology, and Humanities, Director of Lowell Milken Center for Music of American Jewish Experience
Nina Eidsheim
Professor of Musicology, Founder and Director of UCLA PEER Lab
Joy H. Calico
Professor and Chair of Musicology, Director of Graduate Studies
Jenny Olivia Johnson
Associate Dean for Diversity, Equity and Inclusion, Associate Professor - Musicology
Jessica Schwartz
Associate Professor - Musicology and Music Industry (Punk and DIY)
Thomas Hodgson
Assistant Professor - Musicology and Music Industry (Music and Data, Global Music Industry)
Cesar Favila
Associate Professor - Musicology, Director of Undergraduate Studies
Robert Fink
Associate Dean for Academics, Professor - Music Industry, Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Kat De Nicola
Assistant to the Chair - Department of Musicology and Global Jazz Studies Program
Raymond Knapp
Distinguished Professor - Musicology and Humanities, Director of UCLA Center for Musical Humanities
Catherine Provenzano
Assistant Professor - Musicology and Music Industry (Critical and Contemporary Perspectives on Music Technology)
David MacFadyen
Professor and Chair of Music Industry, Professor - Musicology and Comparative Literature

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