Mitchell Morris
Professor Emeritus - Musicology

Mitchell Morris taught at UCSD and McGill University before coming to UCLA in 1997. Among his many specialties are: Music, Gender, and Sexuality; Opera Studies; Music at the last fin-de-siecle; Russian and Soviet Music; American popular song; Ecomusicology; Film and TV Music. He is a co-editor of The Oxford Handbook of the American Musical and the author of The Persistence of Sentiment: Display and Feeling in Popular Music of the 1970s. A frequent collaborator with the Los Angeles Opera, he is also an active working librettist with premieres in the U.S. and Mexico.

UCLA Faculty and Opera Alumnus Share in LA Opera's Double Grammy Win
LA Opera’s 2015 production of composer John Corigliano and librettist William M. Hoffman’s “The Ghosts of Versailles” won Grammys for opera recording and engineered classical album. The former went to a team
Nina Eidsheim
Professor of Musicology, Founder and Director of UCLA PEER Lab
Mark Kligman
Mickey Katz Chair of Jewish Music and Professor - Musicology, Ethnomusicology, and Humanities, Director of Lowell Milken Center for Music of American Jewish Experience
Catherine Provenzano
Assistant Professor - Musicology and Music Industry (Critical and Contemporary Perspectives on Music Technology)
Joy H. Calico
Professor and Chair of Musicology
Cesar Favila
Associate Professor - Musicology, Director of Undergraduate Studies
Raymond Knapp
Distinguished Professor of Musicology, Disability Studies, and Humanities; Director of the UCLA Center for Musical Humanities; Director of Graduate Studies in Musicology
David MacFadyen
Professor and Chair of Music Industry, Professor - Musicology and Comparative Literature
Tiffany Naiman
Instructor - Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music), Director of Undergraduate Programs in Music Industry
John Lee
Manager, Ethnomusicology & Musicology Departments
Kat De Nicola
Assistant to the Chair - Department of Musicology and Global Jazz Studies Program
Thomas Hodgson
Assistant Professor - Musicology and Music Industry (Music and Data, Global Music Industry)
Elizabeth Randell Upton
Associate Professor - Musicology and Humanities
Jenny Olivia Johnson
Associate Dean for Diversity, Equity and Inclusion, Associate Professor - Musicology
Jessica Schwartz
Associate Professor - Musicology and Music Industry (Punk and DIY)
Holley Replogle-Wong
Lecturer in Musicology, Program Director of Center for Musical Humanities
Robert Fink
Special Academic Senior Associate Dean, Professor - Music Industry, Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)

Explore Other Degrees

Conducting
Graduate study and training in choral, orchestral, or wind conducting
Ethnomusicology
The study of global musical traditions through performance training, research, and field work
Global Jazz Studies
Jazz performance and musicianship courses are paired with African American Studies
Music Composition
Mentorship in the creation and realization of music for concerts, opera, and visual media
Music Education
Preparation for music educators leading to a BA and teaching credential in just four years
Music Industry
A leadership-focused professional degree which prepares students to transform the creative, entrepreneurial, and executive structures of the music industry
Musicology
The scholarly study of the histories, cultures, and critical interpretations of music and music-making
Music Performance
Study and training towards professional performance careers in Western classical music