Roger Savage
Professor, Ethnomusicology

Systematic Musicology

Roger Savage’s interdisciplinary research focuses on the connections between hermeneutics, critical theory, music criticism, aesthetics, and politics. He is the author of Music, Time, and Its Other: Aesthetic Reflections on Finitude, Temporality, and Alterity (Routledge), Hermeneutics and Music Criticism (Routledge), and Structure and Sorcery: The Aesthetics of Post-War Serial Composition and Indeterminacy (Garland). He also edited Paul Ricoeur in the Age of Hermeneutical Reason: Poetics, Praxis, and Critique (Lexington, 2015), which brings together essays that address contemporary issues of justice, the role of imagination in political judgment, interreligious hospitality, and carnal hermeneutics. Savage has published articles in Philosophy Today, Études Ricoeuriennes/Ricoeur Studies, Philosophy and Literature, the Journal of French Philosophy, Social Imaginaries, World of Music, Telos, The European Legacy, the British Journal of Aesthetics, ex tempore, Symposium, and Selected Reports in Ethnomusicology. His articles have also appeared in translation in Logoi and Archivio di Filosofia. He is a contributing author to Ricoeur across the Disciplines (Continuum) and Paul Ricoeur and the Task of Political Philosophy (Lexington Books, 2012). He co-edited Perspectives in Systematic Musicology: Selected Reports in Ethnomusicology and has presented papers at numerous national and international conferences.

Savage was a 2010 Fulbright Scholar at the Centre for Irish Studies at the National University of Ireland, Galway (NUI, Galway), where he taught and conducted research on cultural politics and Irish traditional music. In 2014 he was the recipient of a Moore Institute Visiting Fellowship at NUI, Galway. He is a founding member of the Society for Ricoeur Studies, for which he is also a past President.

Music criticism, aesthetics and politics, hermeneutics and critical theory.

D.Phil., University of Sussex, England; M.M., McGill University; B.M., University of Saskatchewan

Kenny Burrell
Distinguished Professor
A. J. Racy
Distinguished Professor
Daniel Szabo
Adjunct Associate Professor
Ivan Varimezov
Adjunct Assoc. Professor
I Nyoman Wenten
Adjunct Assoc. Professor
James Roberson
Adjunct Asst. Professor
Supeena Adler
Adjunct Assistant Professor
Chi Li
Adjunct Professor
Steven Loza
Chair of Global Jazz Studies; Professor
Aaron Bittel
Adjunct Associate Professor
Mark Kligman
Chair of Ethnomusicology; Professor

Explore Other Degrees

Composition
Mentorship in the creation and realization of music for concerts, opera, and visual media
Conducting
Graduate study and training in choral, orchestral, or wind conducting
Ethnomusicology
The study of global musical traditions through performance training, research, and field work
Global Jazz Studies
Jazz performance and musicianship courses are paired with African American Studies
Music Education
Preparation for music educators leading to a B.A. and teaching credential in just four years
Music Industry
Industry professionals and UCLA faculty prepare students for music-related careers
Musicology
The scholarly study of the histories, cultures, and critical interpretations of music and music-making
Music Performance
Study and training towards professional performance careers in Western classical music
Music Performance Jazz
A highly selective M.M. program in partnership with the Thelonious Monk Institute of Jazz