Hitomi Oba
Lecturer and Director of Contemporary Jazz Ensemble

Hailed by the LA Times as a “powerfully inventive” and “remarkably versatile L.A. musician with a penchant for crossing all over the musical place,” saxophonist and composer Hitomi Oba’s work emphasizes the integration of improvisation with pre-composed music.
She has written for and performed in various jazz and classical new music settings, including commissions by the Los Angeles Philharmonic’s Green Umbrella series and the Seattle Symphony’s chamber series, and as a member of Kenny Burrell’s Los Angeles Jazz Orchestra Unlimited and the Jon Jangtet. In addition to leading her own ensembles, ranging from trios to big band, Oba is a co-founder of the new music collective, LA Signal Lab, premiering and recording stylistically diverse new music including a collaborative, multi-genre cantata. Her second jazz album, “Negai,” released under Japanese label M&I and distributor Pony Canyon, received a prestigious “Swing Journal 42nd Annual Jazz Disc Award.” Her most recent album, “Water Stem,” was released from Asian Improv Records in May 2023. A new orchestral work, co-composed with Erika Oba and based on the writing of award-winning author and organic farmer, David “Mas” Masumoto, will be premiered by the Fresno Philharmonic in February 2025.

Originally from Berkeley, CA, Oba is currently based in Los Angeles, teaching at the University of California, Los Angeles directing several progressive and exploratory jazz ensembles, teaching jazz saxophone lessons, and developing and teaching multi-genre music theory curricula. Oba was previously a faculty member at Cal State Los Angeles and Pasadena City College and presents masterclasses and workshops on improvisation, composition, and saxophone at various institutions.

Musicians turn the Big Dipper into an ‘Interstellar Cantata,’ with Help from NASA
“L.A. Signal Lab” is a collective of musicians, including Hitomi Oba, global jazz studies and music department saxophonist. Mark Swed reviewed their Koreatown premiere of “URSA: an interstellar cantata” for
Arturo O’Farrill
Director, UCLA Afro Latin Jazz Orchestra; Professor
Tamir Hendelman
Lecturer - Keyboards (Jazz Keyboard Harmony, Jazz Improvisation and Analysis)
Roberto Miranda
Adjunct Assoc. Professor
Steven Loza
Professor - Global Jazz Studies, Ethnomusicology, Director of the UCLA Center for Latino Arts
Daniel Rosenboom
Lecturer - Trumpet Performance
Salim Washington
Professor and Chair of Global Jazz Studies
Alison Deane
Associate Adjunct Professor
Cheryl L. Keyes
Professor - Global Jazz Studies and Ethnomusicology (Contemporary Jazz, Hip Hop)
Ruth Price
Adjunct Assoc. Professor
Clayton Cameron
Lecturer - Percussion, Director of Jazz Combo
Charley Harrison
Lecturer, Director of UCLA Jazz Orchestra and Jazz Combo
Kat De Nicola
Assistant to the Chair - Department of Musicology and Global Jazz Studies Program

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