Music Alive in the Archive: Legacy and Promise-65 Years of the UCLA Ethnomusicology Archive - The UCLA Herb Alpert School of Music
Oct 25 Sun
7:00pm
Free

Music Alive in the Archive: Legacy and Promise–65 Years of the UCLA Ethnomusicology Archive

world-music
Lani Hall

Masanga Marimba will perform a selection of pieces from Zimbabwe, South Africa, Cameroon, Colombia, Guatemala, and Mexico on Zimbabwean-style marimbas, mbira, drums, and percussion. Participation is appreciated!

Masanga Marimba performs traditional and popular music from Africa and Latin America. The instruments used in this ensemble consist of seven Zimbabwean marimbas of various sizes along with vocals, drums, and percussion. The word “Masanga” comes from a Shona word that means the coming together of rivers or roads representing the meeting of African and Latin musical traditions in this group. Masanga Marimba formed in the year 2000 and has performed at the Hollywood Bowl, Los Angeles County Music Center, Grand Performances, Getty Center, Skirball Cultural Center, Ford Amphitheatre, California Worldfest, Millpond Music Festival, Strawberry Festival, and many other high profile music venues. The ensemble has opened for Neil Young, Stephen Stills, Beck, Lana Del Rey, John Mayer, Nora Jones, Father John Misty, Los Lobos, Ziggy Marley, Pink Martini, and many others.

The group is led by Dr. Ric Alviso (UCLA Ethnomusicology PhD 2002), Professor of World Music at California State University Northridge. Professor Alviso studied traditional African music in Senegal, Zimbabwe, and Ghana. The members of Masanga have degrees in percussion performance, music composition, jazz performance, and music therapy. Masanga is one of the only marimba ensembles in the U.S. that combines Latin and African traditions. For more information go to: www.masanga.com

This concert is presented in conjunction with the symposium “Music Alive in the Archive: Legacy and Promise--65 Years of the UCLA Ethnomusicology Archive,” a two-day event in celebration of the 65th anniversary of the UCLA Ethnomusicology Archive.

Sponsored by the UCLA Ethnomusicology Archive, the UCLA Department of Ethnomusicology, and the Dean’s Office, UCLA Herb Alpert School of Music.

Ticketing

This event is FREE! No RSVP required. Early arrival is recommended.

PARKING

Self-service parking is available at UCLA’s Parking Structure #2 for events in Schoenberg Music Building and the Evelyn and Mo Ostin Music Center. Visitor parking is marked by a green circle and the letter “P” and is on the lower levels (do not go up the ramp to levels 3-7). Costs range from $5 for 1 hour to $17 for all day. Evening rates (after 4 p.m.) are $3-$6 for 1 to 2 hours and $12 for all night. Please verify all rates with campus parking, as they are subject to change. Learn more about campus parking.

ACCESSIBILITY

The UCLA Herb Alpert School of Music is eager to provide a variety of accommodations and services for access and communications. If you would like to request accommodations, please do so 10 days in advance of the event by emailing ADA@schoolofmusic.ucla.edu or calling (310) 825-0174.

PHOTOGRAPHY

The UCLA Herb Alpert School of Music welcomes visitors to take non‐flash, personal‐use photography except where noted. Share your images with us @UCLAalpert / #UCLAalpert on Twitter + Instagram + Facebook

FOOD & DRINK

Food and drink may not be carried into the theaters. Thank you!

Acknowledgment

The UCLA Herb Alpert School of Music acknowledges the Gabrielino/Tongva peoples as the traditional land caretakers of Tovaangar (the Los Angeles basin and So. Channel Islands). As a land grant institution, we pay our respects to the Honuukvetam (Ancestors), ‘Ahiihirom (Elders) and ‘Eyoohiinkem (our relatives/relations) past, present and emerging.

We would also like to acknowledge the impact on our city and community of the recent wildfires and their aftermath. We believe that art and scholarship can provide comfort in times of great suffering.