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Apr 30 2024

Kendra Wheeler and Kyle Hutchins in Residence – Masterclass

Lani Hall

Join the UCLA Herb Alpert School of Music as we welcome Dr. Kendra Wheeler and Dr. Kyle Hutchins for a masterclass with students from the studio of Dr. Jan Berry Baker.

About our esteemed guests:

Kendra Wheeler

Innovative and passionate, Dr. Kendra Wheeler has established herself as a well-known performer, teacher, and scholar. She actively promotes, advocates, and performs a new repertoire, as seen in her modern and diverse programming and commissioning. Composer Ziv Slama has described her playing as: “combining technical ability from the highest levels of saxophone playing and unique levels of expression and interpretation.”

Wheeler has built and maintained a national and international profile as an artist, scholar, and educator. She has appeared at major venues and festivals across North America, South America, and Europe including Chicago Symphony Center (Chicago, IL), Ordway Center for Performing Arts (St. Paul, MN), Capitol Theatre (Yakima, WA), Muzička akademija u Zagrebu (Croatia), New Music Gathering (Portland), Gruss Music Center (Hartford, CT, SPLICE Festival (Detroit, MI), Universidad Nacional Autónoma de México, UNAM (Mexico City, Mexico), and more.

Other appearances include solo recitals, masterclasses, and guest artist residencies at institutions across the United States and Europe, including Virginia Tech, the University of the Republic of Uruguay, Las Palmas de Gran Canaria, Spain, the University of California Los Angeles, among others. International and nationally renowned organizations and competitions like the Concert Artist Guild (CAG), Vandoren Emerging Artist Competition (VEA), DOWNBEAT Magazine, and Pan-American International Saxophone Competition have recognized Wheeler’s work. Moreover, Wheeler is an active adjudicator for regional, state, and national solo and ensemble competitions, honor bands, and saxophone competitions.

As an advocate for innovation through performance, Dr. Wheeler embraces new mediums for the saxophone through interdisciplinary collaborations and chamber music. Since 2018, she has been a member of Alecto Collective, along with Kakia Gkoudina (composer, electronics, visuals). While often political, Alecto Duo’s work is audiovisual, consisting of elements of contemporary music and cinematic tradition. In addition, she is in a contemporary saxophone duo that explores multimedia and modern works with Dr. Kyle Hutchins. Moreover, Dr. Wheeler is the alto saxophonist in the Medusa Saxophone Quartet, whose mission is to support young, historically excluded saxophonists and composers using performance, educational outreach, and advocacy through the saxophone quartet.

Within her teaching, her pedagogy often engages with and incorporates theories of identity, agency, and intersectionality as a framework for complete musicianship, as it provides critical perspective and aids in informing one's overall musical practice and instruction. She believes utilizing these frameworks is vital to creating inclusive communities and one's ability to attain the highest level of musicianship and pedagogy. She has presented guest lectures on the importance of understanding the intersection of music and identity to be more inclusive musicians and pedagogues at major venues, conferences, and institutions across North America and Europe, including the Jagiellonian University (Kraków, Poland), International Conference on Society and the Arts (Zaragoza, Spain), University of Hartford, Hartt School of Music (Hartford, CT), the International Alliance for Women in Music (Eugene, Oregon), among others.

Wheeler’s music and identity focus and research, combined with her keen awareness and understanding of the various intersections of identity, make her a distinguishable musical and pedagogical voice within the field. Regarding her teaching, this allows her students to understand how to best advocate for themselves, develop a strong sense of agency, and become their best teachers, ultimately aiding in their success in every area of their lives: personal, professional, and musical. Regarding performance, this translates to Wheeler’s ability to create an open and inviting musical space, allowing for a deep connection between her and her audience.

Despite a performance and conference itinerary that has covered North America, Latin America, and Europe, Dr. Wheeler has established a thriving teaching career. Dr. Wheeler serves as an Assistant Professor of Saxophone at Central Washington University, where she teaches applied classical saxophone, music theory, and aural skills and courses within the music education curriculum. Previous appointments include serving on the faculty of SUNY Potsdam, in Potsdam, NY, as an adjunct saxophone instructor.

Hailing from Chicago, where she attended the Merit School of Music, studying with Shawn Tracy and Bryan Polacek, Dr. Wheeler then earned her undergraduate degree from the University of Minnesota under the study of Eugene Rousseau. She subsequently received a Master of Music from the University of Minnesota, studying with Preston Duncan. She completed her Doctor of Musical Arts in saxophone performance at Michigan State University under Joseph Lulloff.

Kendra is an Eastman Artist, playing the EAS 850 Rue Saint Georges, and a Légère Reeds, Silverstein Works, and Key Leaves performing artist.



Kyle Hutchins

Hailed as “epic” (Jazz Times), "formidable" (The Saxophone Symposium), and "gripping" (Star Tribune), Kyle Hutchins is an internationally acclaimed performing artist and improviser. He has performed concerts and taught masterclasses across five continents at major festivals and venues in Australia, Belgium, Canada, Chile, China, Croatia, the Czech Republic, England, France, Germany, Ireland, Latvia, Mexico, Scotland, South Korea, and across the United States including Carnegie Hall, The Walker Art Center, World Saxophone Congress, Internationales Musikinstitut Darmstadt, International Computer Music Conference, among many others. He has recorded over two dozen albums on labels such as Carrier, Klavier, GIA, farpoint, Mother Brain, and his work has been recognized by awards and grants from DOWNBEAT, New Music USA, The American Prize, American Protégé International Competition, Music Teachers National Association, Mu Phi Epsilon Foundation, and others.

As a specialist in experimental performance practice and electroacoustic new music, Kyle has performed well over 200 world premieres of new works for the saxophone. He has worked with some of the leading composers and performers of our time including Pauline Oliveros, George Lewis, Chaya Czernowin, Georges Aperghis, Richard Barrett, Steven Takasugi, Claire Chase, Douglas Ewart, Duo Gelland, and Zeitgeist. Over the past fifteen years, Kyle has built long standing collaborations and championed the music of many close collaborators such as Ted Moore, Tiffany M. Skidmore, Joey Crane, Emily Lau, Elizabeth A. Baker, Charles Nichols, Eric Lyon, and many more wonderful artists and dear friends.

Kyle has numerous performance projects currently such as 113 (One Thirteen), a collective of composers and performers of experimental new music who curate concerts, educational programs, festivals, seminars, and masterclasses around the world; Binary Canary, a woodwind-laptop improvisation duo alongside electronicist Ted Moore; and the Roanoke-based surf rock/exotica band Cinémathèque.

Kyle has served on the faculty of Virginia Tech since 2016 where he is Assistant Professor of Practice and Director of the New Music + Technology Festival at the Institute of Creativity, Arts, and Technology.

Kyle has a Doctor of Musical Arts and Master of Music degree from the University of Minnesota, and Bachelors of Music in performance and Bachelors of Music Education degrees from the University of North Texas. His teachers include Eugene Rousseau, Eric Nestler, Marcus Weiss, and James Dillon.

Kyle is a Yamaha, Légère, and E. Rousseau Mouthpiece Performing Artist.

This event is made possible by the David and Irmgard Dobrow Fund. Classical music was a passion of the Dobrows, who established a generous endowment at The UCLA Herb Alpert School of Music to make programs like this possible. We are proud to celebrate this program as part of the 2023 - 24 Dobrow Series.

Like most of UCLA Herb Alpert School of Music’s programs, this event is FREE!  Early arrival is recommended. Seating is on a first-come, first-seated basis. No RSVP required.

While Inside the Venue:

No Food or Drink allowed in the building.


This event is FREE! No RSVP required. Early arrival is recommended.


Self-service parking is available at UCLA’s Parking Structure #2 for events in Schoenberg Music Building and the Evelyn and Mo Ostin Music Center. Costs range from $4 for 1 hour to $15 for all day. Evening rates (after 4 p.m.) are $3-$5 for 1 to 2 hours and $10 for all night. Learn more about campus parking.


The UCLA Herb Alpert School of Music is eager to provide a variety of accommodations and services for access and communications. If you would like to request accommodations, please do so 10 days in advance of the event by emailing ADA@schoolofmusic.ucla.edu or calling (310) 825-0174.


The UCLA Herb Alpert School of Music welcomes visitors to take non‐flash, personal‐use photography except where noted. Share your images with us @UCLAalpert / #UCLAalpert on Twitter + Instagram + Facebook


Food and drink may not be carried into the theaters. Thank you!


The UCLA Herb Alpert School of Music acknowledges the Gabrielino/Tongva peoples as the traditional land caretakers of Tovaangar (the Los Angeles basin and So. Channel Islands). As a land grant institution, we pay our respects to the Honuukvetam (Ancestors), ‘Ahiihirom (Elders) and ‘Eyoohiinkem (our relatives/relations) past, present and emerging.