Cellobration of Antonio Lysy

Join pianist, music director, and Steinway Artist Ric’key Pageot performing and discussing his new educational initiative and documentary project “Classic Black” celebrating Black excellence in Classical music showcasing historically significant symphonic composers of African descent spanning the 18th, 19th and 20th centuries. Montreal-born pianist, accordionist, producer, composer, music director and Steinway Artist Ric’key Pageot will

In 1971, a white, Jewish, former ballerina chose to have a child with the famous Black jazz musician Roy Ayers, fully expecting and agreeing to his absenteeism. Like Roy, Nabil became deeply involved in the music industry, first as a musician, and currently as the President of Beggars Group USA. The title of Nabil’s memoir

In partnership with Angel City Jazz, Piano Spheres, and the UCLA Herb Alpert School of Music, Grammy-winning faculty pianist Gloria Cheng launches her latest commissioning project: Root Progressions (named for a seminal jazz theory method). The intent is to bridge two genres steeped in experimentation and exploration—jazz and contemporary classical music—yet perennially divided by genre

Alan P. Merriam once remarked on the presence of a few scattered teachers in SEM working at the cusp of ethnomusicology, and had referred to them as “sandbox ethnomusicologists.” More recently, there appears to be change of heart within the field of ethnomusicology that includes attention to (1) the musical agency of children (and as such, children as important contributors to the study of music in cultures and communities), (2) teachers as collaborators with ethnomusicologists in school and community work, and (3) research by ethnomusicologists and educators together on pedagogical approaches to the development of intercultural understanding in and through music. I offer observations of ethnomusicology’s evolving commitment, often through collaborative efforts with teachers, to understanding and activating on questions of music, education, and culture for learners of every age, experience, and circumstance.

Tenor Issachah Savage is the featured artist of the second annual Judith L. Smith Voice Recital Series, celebrating talented vocalists and the distinguished tenure of UCLA Herb Alpert School of Music, Founding Dean Judith Smith. Issachah will join us again on October 31st to hold a masterclass for students of the Department of Music.