Marc T. Gaspard Bolin
Lecturer - Ethnomusicology (History of Jazz)

Marc T. Gaspard Bolin is a performer/scholar with a nearly three-decade-long career as a professional musician, arranger, and educator. As a performer and arranger, Marc has worked with some of the music industry’s most exceptional entertainers, including Stevie Wonder, B.B. King, Kamasi Washington, Kanye West, Black Eyed Peas, John Legend, Evanescence, Florence & The Machine, Aloe Blacc, Big Sean, and Deltron 3030, among others. His arranging work includes commissions for diverse ensembles, notably a 15-minute suite from Duke Ellington’s unfinished opera Queenie Pie for the Lexington Philharmonic Society. Marc originally completed Queenie Pie in 2008 for the Oakland Opera Theater. The work has been performed by prestigious opera programs nationwide, including the Butler School of Music Opera Program at the University of Texas, Austin (2009), the Long Beach Opera (2014), and the Chicago Opera Theater (2014).

Marc’s recent publication, “Congo Square and the Second Line: Their Relevance to Shifting Narratives about Jazz History” (Journal of Jazz Studies; https://doi.org/10.14713/jjs.v15i1.255), explores overlooked aspects of New Orleans’ jazz heritage. Building on this research, he is currently working on a book manuscript, Continuities at the Center of the Jazz Universe, under contract with the University Press of Mississippi. This project aims to contribute to a more comprehensive understanding of jazz history by amplifying marginalized narratives and examining often-overlooked facets of New Orleans’ rich musical traditions.

Marc joined the speaking faculty at the Los Angeles Philharmonic’s UPBEAT LIVE Series in 2022. Since then, he has presented several pre-concert talks, including “Tchaikovsky & Ellington” and “Marginalized Mavericks: Minority Composers Redefining Classical Traditions.” He has also facilitated Q&A sessions with notable artists such as Elim Chan, Leila Josefowicz, Clarice Assad, and Victor Wooten.

Marc serves as Secretary for Silver Swan Ragtime Innovations, Inc., a Board member of the Louisiana Cultural Foundation of California, and Archivist for the AZZ-IS Venice Jazz/Not-Jazz Festival in Venice, CA, reflecting his ongoing engagement with diverse musical traditions. He is also a proud Eastman Winds, Denis Wick, and HornFX Recording and Performing artist.

Research interests: Jazz history and heritage; New Orleans brass band tradition; marginalized narratives in jazz; jazz and social justice; sensory ethnography; documentary filmmaking

Education: Ph.D. and M.A., Ethnomusicology, University of California, Los Angeles; M.M., Tuba Performance, UCLA; B.M., Tuba and Trombone Performance, UCLA

Amy Catlin-Jairazbhoy
Adjunct Professor - Ethnomusicology (Folk and Classical Music of South Asia; Bollywood)
Rahul Neuman
Lecturer - Ethnomusicology, Co-Director of Music of India Ensemble
Roger Savage
Professor and Chair of Ethnomusicology
Miles Shrewsbery
Lecturer - Ethnomusicology, Music of India Ensemble
Jesús Guzmán
Lecturer - Ethnomusicology, Director of Music of Mexico Ensemble
Mark Kligman
Mickey Katz Chair of Jewish Music and Professor - Musicology, Ethnomusicology, and Humanities, Director of Lowell Milken Center for Music of American Jewish Experience
Supeena Adler
Adjunct Associate Professor - Ethnomusicology, World Music Instrument Curator and Conservator, Director of Music of Thailand Ensemble;
Helen Rees
Professor - Ethnomusicology, Director of World Music Center (Music of China, Intangible Cultural Heritage in East Asia)
Steven Loza
Professor - Global Jazz Studies, Ethnomusicology, Director of the UCLA Center for Latino Arts
Robert F. Reigle
Lecturer - Ethnomusicology (Musical Cultures of the World: Europe and the Americas)
Armen Adamian
Instructor of Armenian Woodwinds; Ph.D. Student in Ethnomusicology
Francis Kofi Akotuah
Lecturer - Ethnomusicology, Director of Music and Dance of Ghana Ensemble
Abhiman Kaushal
Adjunct Professor - Ethnomusicology, Co-Director of Music of India Ensemble
Cheryl L. Keyes
Professor - Global Jazz Studies and Ethnomusicology (Contemporary Jazz, Hip Hop)
Maureen Russell
Adjunct Professor - Ethnomusicology (Audiovisual Archiving), Archivist of the Ethnomusicology Archive
Soheil Nadimi
Lecturer - Ethnomusicology, Co-Director of Music of Persia Ensemble
Gamin Kang
Lecturer - Ethnomusicology, Director of Music of Korea Ensemble
Timothy D. Taylor
Professor - Ethnomusicology (Popular Musics, World Music, Cultural Theory)
Donna Armstrong
Assistant to the Chair - Ethnomusicology
Chi Li
Adjunct Professor - Ethnomusicology, Director of Music of China Ensemble
I Nyoman Wenten
Adjunct Associate Professor - Ethnomusicology, Director of Music of Bali Ensemble
David Bragger
Lecturer - Ethnomusicology, Director of Old-Time String Band Ensemble
Joko Sutrisno
Lecturer - Ethnomusicology, Director of Music of Java Ensemble
Guangming Li
Lecturer - Ethnomusicology, Chinese Instrumental Music
Münir Beken
Associate Professor - Ethnomusicology (World Music Theory and Composition), Director of Music of Turkey Ensemble
Pejman Hadadi
Lecturer - Ethnomusicology, Co-Director of Music of Persia Ensemble
Diane White-Clayton
Lecturer - Ethnomusicology, Director of African American Music Ensemble
John Lee
Manager, Ethnomusicology & Musicology Departments
Sumeet Anand
Visiting Associate Professor
Mohsen Mohammadi
Director of Indo-Persian Music
Behzad Nadimi
Lecturer - Ethnomusicology, Co-Director of Music of Persia Ensemble
Janice Mautner Markham
Lecturer - Ethnomusicology, Director of Klezmer Music Ensemble
Anna Morcom
Mohindar Brar Sambhi Chair of Indian Music, Professor - Ethnomusicology

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