Tiffany Naiman
Instructor - Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music), Director of Undergraduate Programs in Music Industry

Tiffany Naiman is the Director of Music Industry Programs and an Assistant Teaching Professor at UCLA’s Herb Alpert School of Music, as well as a lecturer in the Musicology department. She is a scholar of popular music, temporality, and disability studies. She currently serves as co-chair of the LGBTQ Study Group of the American Musicological Society. Tiffany has developed specialization as a David Bowie scholar and her work is published in Blackstar Rising, Purple Rain (Duke University Press, 2024), The Bloomsbury Handbook of Popular Music Video Analysis (Bloomsbury, 2019), David Bowie: Critical Perspectives (Routledge, 2015), and Enchanting David Bowie: Space/Time/Body/Memory (Bloomsbury, 2015).

Tiffany is also a DJ and electronic musician performing under the moniker NeonGray; the experimental film and music Senior Programmer for Outfest Los Angeles; manager of musical artist Cusses; creator of a multiplicity of club nights and one-off musical events in Los Angeles, San Francisco, and Philadelphia; and an award-winning documentary film producer. Tiffany serves on the boards of FEMME HOUSE, The 100 Percenters, and Theatre Exile.

Jason Feinberg
Lecturer - Music Industry (Digital Marketing and Promotion)
Adam Moseley
Lecturer - Music Industry (Studio Production)
Jonathan Beard
Lecturer - Music Industry (Electronic Music, Audio Engineering)
Amy Kathryn Kuney
Lecturer - Music Industry (Songwriting)
Monica Chieffo
Lecturer - Music Industry (Influence and Data Mining)
Dawnyelle Addison
Manager - Music Industry Program
Robert Fink
Special Academic Senior Associate Dean, Professor - Music Industry, Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Jessica Schwartz
Associate Professor - Musicology and Music Industry (Punk and DIY)
Tony Brancato
Guest Lecturer - Music Industry (Influence and Data Mining)
Kathryn Frazier
Lecturer - Music Industry
Justin Paul
Lecturer - Music Industry
Allison Wolfe
Lecturer - Music Industry (Music Journalism, Audio Storytelling)
Lee John
Lecturer in Music Industry (Rock/Pop Ensemble)
Michelle Moreno
Lecturer - Music Industry (Finance and Accounting)
Hans Fjellestad
Lecturer - Music Industry (Music Supervision)
Don Franzen
Adjunct Professor - Music Industry (Music and Law, Forensic Musicology)
Ryan Svendsen
Lecturer, Music Industry (Advanced Music Supervision)
Lauren A. Spalding
Lecturer - Music Industry (Music and Activism, Artist Management)
Erik Madrid
Lecturer - Music Industry (Mixing)
Catherine Gregory
Lecturer - Music, Music Industry (Artistic Citizenship and Community Engagement), Director of the Gluck Fellowship Program
Mark Tramo
Adjunct Associate Professor - Neuroscience and Music Industry (Music, Mind, and Brain)
Jeffery Jampol
Lecturer - Music Industry (Artist Management and Promotion)
Marc Cimino
Lecturer - Music Industry (Music Publishing)
David MacFadyen
Professor and Chair of Music Industry, Professor - Musicology and Comparative Literature
Lauren Kop
Lecturer - Music Industry (Digital Production and Beat Design)
David Leaf
Adjunct Associate Professor - Music Industry and Musicology
Stig Edgren
Lecturer - Music Industry
Natasha Pasternak
Lecturer - Music Industry (Songwriting, Touring, Songwriter’s Workshop)
Catherine Provenzano
Assistant Professor - Musicology and Music Industry (Critical and Contemporary Perspectives on Music Technology)
Judith Finell
Adjunct Professor - Musicology and Music Industry (Forensic Musicology)
Chyna Ellis
Assistant to the Chair - Music Industry Program
Thomas Hodgson
Assistant Professor - Musicology and Music Industry (Music and Data, Global Music Industry)

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