Adam Moseley
Lecturer - Music Industry (Studio Production)
Adam Moseley started at the legendary Trident Studios in London in 1978 and quickly became established as an innovative engineer, mixer and producer.
Adam has an impressive reputation for his eclectic work with John Cale, Wolfmother, U2, Nikka Costa/Lenny Kravitz/Prince, Beck/Jack White, Roxette, Maxi Priest, Richard Marx, The Cure, Kiss, Visage, Rush, Ketama, The Buggles, The Blow Monkeys, Jose Carreras, Michael Brecker, Branford Marsalis, Tina Turner, Baaba Maal, Earth Wind and Fire, Hoagy Carmichael.
Film and TV score mixing credits include “The Big Wedding” (Robert De Niro, Diane Keaton, Susan Sarandon, Robin Williams), Spike Jonze’s “I Am Here, “The Americans”, “True Blood” and Oscar nominated movie “The Dark Valley.”
Masters of
the Craft
– Adam Moseley
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More Adam Moseley News
Beyond the Speakers | Innovating Music Podcast
Find all episodes on Apple Podcasts or at this link. Gigi Johnson, director of the Center for Music Innovation, interviewed Adam Moseley, a long-time producer/mixer/engineer who is exploring new adventures…
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Lecturer - Music Industry (Songwriting)
Don Franzen
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Kathryn Frazier
Lecturer - Music Industry
Tiffany Naiman
Instructor - Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music), Director of Undergraduate Programs in Music Industry
Robert Fink
Special Academic Senior Associate Dean, Professor - Music Industry, Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Lauren Kop
Lecturer - Music Industry (Digital Production and Beat Design)
The Vanderveers: Bruce “Automatic” Vanderveer & Ebony Rae Vanderveer
Lecturers - Music Industry (Creativity and Artist Development)
Erik Madrid
Lecturer - Music Industry (Mixing)
Catherine Provenzano
Assistant Professor - Musicology and Music Industry (Critical and Contemporary Perspectives on Music Technology)
Jeffery Jampol
Lecturer - Music Industry (Artist Management and Promotion)
Jessica Schwartz
Associate Professor - Musicology and Music Industry (Punk and DIY)
David MacFadyen
Professor and Chair of Music Industry, Professor - Musicology and Comparative Literature
Allison Wolfe
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Justin Paul
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Ryan Svendsen
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Dawnyelle Addison
Manager - Music Industry Program
Hans Fjellestad
Lecturer - Music Industry (Music Supervision)
Jason Feinberg
Lecturer - Music Industry (Digital Marketing and Promotion)
Michelle Moreno
Lecturer - Music Industry (Finance and Accounting)
David Leaf
Adjunct Associate Professor - Music Industry and Musicology
Lauren A. Spalding
Lecturer - Music Industry (Music and Activism, Artist Management)
Catherine Gregory
Lecturer - Music, Music Industry (Artistic Citizenship and Community Engagement), Director of the Gluck Fellowship Program
Jonathan Beard
Lecturer - Music Industry (Electronic Music, Audio Engineering)
Marc Cimino
Lecturer - Music Industry (Music Publishing)
Thomas Hodgson
Assistant Professor - Musicology and Music Industry (Music and Data, Global Music Industry)
Judith Finell
Adjunct Professor - Musicology and Music Industry (Forensic Musicology)
Monica Chieffo
Lecturer - Music Industry (Influence and Data Mining)
Natasha Pasternak
Lecturer - Music Industry (Songwriting, Touring, Songwriter’s Workshop)
Chyna Ellis
Assistant to the Chair - Music Industry Program
Tony Brancato
Guest Lecturer - Music Industry (Influence and Data Mining)
Mark Tramo
Adjunct Associate Professor - Neuroscience and Music Industry (Music, Mind, and Brain)
Stig Edgren
Lecturer - Music Industry
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