Hans Fjellestad
Lecturer - Music Industry (Music Supervision)

Los Angeles filmmaker/musician Hans Fjellestad has produced and shot on location throughout the U.S., Canada, Mexico, UK, Europe, Australia, Japan, Afghanistan and Haiti filming hundreds of interviews and numerous concerts, live events and documentary film projects. His award-winning work has screened in theaters and festivals worldwide and on Showtime, ABC, Netflix, MTV, Sony M-ON! Japan, Adult Swim, Amazon Prime, Virgin Produced Channel, Arte, BET, PBS and BBC.

Hans directed/produced the feature-length documentary films Sunset Strip (2012), Moog (2004), Radio Caroline (2018), Sounding the Space (2014), When the World Breaks (2010), Frontier Life (2002) and was writer/producer for The Heart is a Drum Machine (2009), M-ON! Monthly Icon: L’Arc-en-Ciel (2012), Rock Camp (2021). His video production work also includes projects for Mode Records, GLAAD, Health Corps Haiti, Not Real Art, Rock and Roll Fantasy Camp, California Roots Festival. He is lead producer at arts-oriented media production house Crewest Studio.

As faculty lecturer at UCLA Herb Alpert School of Music since 2015, Hans specializes in music supervision for visual media. He has also lectured at Columbia University, Amherst College, San Francisco Art Institute, McGill University, Institute of Contemporary Arts London, Centre for Contemporary Arts Glasgow, National Taiwan University, Yebisu Music Conference Tokyo, Mexico’s Centro Universitario de Estudios Cinematográficos, Universidad del Claustro de Sor Juana in Mexico City, Palomar College, Miami Art Central, Centro Cultural Tijuana and Museum of Contemporary Art San Diego.

A classically trained pianist, Hans studied music at UCSD (BA in Music, 1993) and has composed original scores for theater, dance and film. He has recorded and performed extensively, touring in over a dozen countries. He was artist-in-residence at the Steve Allen Theater in Hollywood 2008-2011, where he curated and hosted the live music series ResBox, and is a recording artist/partner at independent music label Accretions.

Jonathan Beard
Lecturer - Music Industry (Electronic Music, Audio Engineering)
David Leaf
Adjunct Associate Professor - Music Industry and Musicology
Jeffery Jampol
Lecturer - Music Industry (Artist Management and Promotion)
Lauren A. Spalding
Lecturer - Music Industry (Music and Activism, Artist Management)
Natasha Pasternak
Lecturer - Music Industry (Songwriting, Touring, Songwriter’s Workshop)
Justin Paul
Lecturer - Music Industry
Kathryn Frazier
Lecturer - Music Industry
David MacFadyen
Professor and Chair of Music Industry, Professor - Musicology and Comparative Literature
Chyna Ellis
Assistant to the Chair - Music Industry Program
Dawnyelle Addison
Manager - Music Industry Program
Adam Moseley
Lecturer - Music Industry (Studio Production)
Jason Feinberg
Lecturer - Music Industry (Digital Marketing and Promotion)
Erik Madrid
Lecturer - Music Industry (Mixing)
Stig Edgren
Lecturer - Music Industry
Monica Chieffo
Lecturer - Music Industry (Influence and Data Mining)
Lee John
Lecturer in Music Industry (Rock/Pop Ensemble)
Michelle Moreno
Lecturer - Music Industry (Finance and Accounting)
Lauren Kop
Lecturer - Music Industry (Digital Production and Beat Design)
Marc Cimino
Lecturer - Music Industry (Music Publishing)
Tony Brancato
Guest Lecturer - Music Industry (Influence and Data Mining)
Judith Finell
Adjunct Professor - Musicology and Music Industry (Forensic Musicology)
Mark Tramo
Adjunct Associate Professor - Neuroscience and Music Industry (Music, Mind, and Brain)
Allison Wolfe
Lecturer - Music Industry (Music Journalism, Audio Storytelling)
Tiffany Naiman
Instructor - Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music), Director of Undergraduate Programs in Music Industry
Thomas Hodgson
Assistant Professor - Musicology and Music Industry (Music and Data, Global Music Industry)
Amy Kathryn Kuney
Lecturer - Music Industry (Songwriting)
Catherine Provenzano
Assistant Professor - Musicology and Music Industry (Critical and Contemporary Perspectives on Music Technology)
Robert Fink
Special Academic Senior Associate Dean, Professor - Music Industry, Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Catherine Gregory
Lecturer - Music, Music Industry (Artistic Citizenship and Community Engagement), Director of the Gluck Fellowship Program
Jessica Schwartz
Associate Professor - Musicology and Music Industry (Punk and DIY)
Don Franzen
Adjunct Professor - Music Industry (Music and Law, Forensic Musicology)

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