Hans Fjellestad - The UCLA Herb Alpert School of Music
Hans Fjellestad
Lecturer - Music Industry (Music Supervision)

Los Angeles filmmaker/musician Hans Fjellestad has produced and shot on location throughout the USA, Canada, Mexico, UK, Europe, Australia, Japan, Taiwan, Turkey, Afghanistan and Haiti filming hundreds of interviews and numerous concerts, live events and documentary film projects. His award-winning work has screened in theaters and festivals worldwide and on Netflix, Showtime, ABC, MTV, Sony Japan, Adult Swim, Amazon Prime, Documentary Channel, Arte, BBC, MTV, PBS.

Hans directed/produced the feature-length documentary films Sunset Strip (2012), Moog (2004), Radio Caroline (2018), Sounding the Space (2014), When the World Breaks (2010), Frontier Life (2002) and was writer/producer for The Heart is a Drum Machine (2009), M-ON! Monthly Icon: L’Arc-en-Ciel (2012), Rock Camp (2021) and cinematographer for American Clown (2025). His video production work also includes projects for Mode Records, Steinway, Titmouse, GLAAD, Health Corps Haiti, Community Corporation of Santa Monica, Rock and Roll Fantasy Camp, Not Real Art and California Roots Festival. He is lead producer at arts-oriented media production house Crewest Studio.

A classically trained pianist and electronic music composer/performer, Hans studied music at UCSD (BA in Music, 1993) and has composed original scores for theater, dance and film. He has recorded and performed extensively, appearing on over 50 albums and touring in over a dozen countries. He was artist-in-residence at the Steve Allen Theater in Hollywood 2008-2011, where he curated and hosted the live music series ResBox, and is a recording artist/partner at independent music label Accretions.

As faculty lecturer at UCLA Herb Alpert School of Music since 2015, Hans specializes in music supervision for visual media. He has also lectured at Columbia University, Amherst College, San Francisco Art Institute, McGill University, Institute of Contemporary Arts London, Centre for Contemporary Arts Glasgow, National Taiwan University, Yebisu Music Conference Tokyo, Mexico’s Centro Universitario de Estudios Cinematográficos, Universidad del Claustro de Sor Juana in Mexico City, Palomar College, Miami Art Central, Centro Cultural Tijuana and Museum of Contemporary Art San Diego.

Lauren A. Spalding
Lecturer - Music Industry (Music and Activism, Artist Management)
Erik Madrid
Lecturer - Music Industry (Mixing)
David Leaf
Adjunct Associate Professor - Music Industry and Musicology (Music Documentaries, Songwriting, History of Popular Music)
Adam Moseley
Continuing Lecturer - Music Industry (Studio Production)
Dawnyelle Addison
Manager - Music Industry Program
Jaime Nack
Lecturer - Music Industry (Music and Sustainability)
Thomas Hodgson
Associate Professor - Musicology and Music Industry (Music and Data, Global Music Industry)
Jeffery Jampol
Lecturer - Music Industry (Artist Management and Promotion)
Nicky Berger
Lecturer - Music Industry (Global Music Industry)
Catherine Provenzano
Assistant Professor - Musicology and Music Industry (Critical and Contemporary Perspectives on Music Technology)
Ryan Svendsen
Lecturer, Music Industry (Advanced Music Supervision)
Lee John
Lecturer - Music Industry (Rock/Pop Ensemble)
Kathryn Frazier
Lecturer - Music Industry (Effective Communication and Self-Actualization)
Chyna Ellis
Assistant to the Chair - Music Industry Program
Tony Brancato
Lecturer - Music Industry (Influence and Data Mining)
Amy Kathryn Kuney
Lecturer - Music Industry (Songwriting)
Allison Wolfe
Lecturer - Music Industry (Music Journalism, Audio Storytelling)
Jason Feinberg
Lecturer - Music Industry (Digital Marketing and Promotion)
Robert Fink
Professor and Chair – Music Industry, Professor - Musicology And Humanities (History and Analysis of Popular Music, Internships And Industry Partnerships), Director Of The Berry Gordy Music Industry Center
Jonathan Beard
Continuing Lecturer - Music Industry (Electronic Music) and Composition
Lauren Kop
Lecturer - Music Industry (Digital Production and Beat Design)
Justin Paul
Lecturer - Music Industry (DJ as Performer, Music Industry Fundamentals)
Stig Edgren
Lecturer - Music Industry (Concert Promotion)
Tiffany Naiman
Academic Administrator and Instructor - Music Industry (Critical Perspectives, Capstone Sequence, History of Popular Music), Director of Undergraduate Programs in Music Industry, Career Services
Lyric Jones
Lecturer - Music Industry (Songwriting)
Monica Chieffo
Lecturer - Music Industry (Influence and Data Mining)
Michelle Moreno
Lecturer - Music Industry (Finance and Accounting)
David MacFadyen
Professor - Music Industry, Musicology and Comparative Literature (Career Skills, History of Music Industry, Internships), Director of Graduate Programs
Marc Cimino
Lecturer - Music Industry (Music Publishing)
Adam Hirsch
Lecturer - Music Industry (How Music Works)
Judith Finell
Adjunct Professor - Musicology and Music Industry (Forensic Musicology)
Tina Farris
Lecturer, Music Industry (Live Music Touring)
Stephen Doniger
Lecturer - Music and Law
Don Franzen
Adjunct Professor - Music Industry (Music and Law, Forensic Musicology)
Jessica Schwartz
Associate Professor - Musicology and Music Industry (Punk and DIY)

Explore Other Degrees

Conducting
Graduate study and training in choral, orchestral, or wind conducting
Ethnomusicology
The study of global musical traditions through performance training, research, and field work
Global Jazz Studies
Jazz performance and musicianship courses are paired with African American Studies
Music Composition
Mentorship in the creation and realization of music for concerts, opera, and visual media
Music Education
Preparation for music educators leading to a BA and teaching credential in just four years
Music Industry
A leadership-focused professional degree which prepares students to transform the creative, entrepreneurial, and executive structures of the music industry
Musicology
The scholarly study of the histories, cultures, and critical interpretations of music and music-making
Music Performance
Study and training towards professional performance careers in Western classical music