Catherine Gregory
Lecturer - Music, Music Industry (Artistic Citizenship and Community Engagement), Director of the Gluck Fellowship Program

Australian flutist Catherine Gregory, winner of the Pro Musicis International Award, enjoys a dynamic career as a soloist, ensemble player, and teaching artist. Her performances of music old and new have taken her across the globe from Alice Tully Hall in New York, to London’s Milton Court, Hamburg’s new Elbphilharmonie, and the Sydney Opera House.

Catherine, who first came to the United States as a Fulbright Scholar, is a sought-after recitalist and chamber musician, with performances at Carnegie Hall, with the Chamber Music Societies of Lincoln Center and Philadelphia, Camerata Pacifica, Caramoor, Bay Chamber Festival, Við Djúpið Festival in Iceland and the Southern Cross Soloists. She has toured internationally with the Orpheus Chamber Orchestra and the Australian Chamber Orchestra, and has played numerous cycles as guest principal flute with the Malaysian Philharmonic Orchestra.  Catherine is a core-artist of Decoda, the affiliate ensemble of Carnegie Hall, serving as co-artistic director of the group from 2017-2020.

Catherine is deeply passionate about the power of music to forge direct and impactful connections with all communities. Catherine’s current project, Just Breathe, embodies her creative spirit as a commissioner of new music and artist citizen: it is both a performance of new commissions from leading composers such as Clarice Assad, Viet Cuong, Timo Andres and Juhi Bansal, as well as a series of interactive performance workshops for cancer patients, providers and caregivers that explore the intersection of breath and music.

Committed to nurturing the next generation of young artists, Catherine has established herself as an accomplished pedagogue, having served as visiting Flute Lecturer at Lawrence University in Wisconsin, and as the flute faculty member for the Decoda Chamber Music Festival and the Emerging Composers Intensive.

Catherine is a faculty member of The UCLA Herb Alpert School of Music as a lecturer in music, music industry (artistic citizenship and community engagement), and is also the newly appointed director of the Gluck Fellowship Program, leading the UCLA Gluck Fellows in their music ensembles to engage, connect and share live chamber music performances at non-traditional venues all around the city of Los Angeles. Catherine also serves on the faculty of The Colburn School and has given masterclasses and led residencies at leading music schools internationally, from The Tianjin Juilliard School, to Curtis, to the Guildhall School in London. Catherine’s recent album together with pianist David Kaplan, entitled Vent, was released on the Bright Shiny Things label in September 2023.

GRAMMY Award Nominations in 2024
The UCLA Herb Alpert School of Music is proud to share that faculty and alumni were well represented at this year’s GRAMMY Awards. In all, twelve faculty and four alums
Meet the New Director of the UCLA Gluck Fellows Program
Originally from Australia, Catherine Gregory is the new director of the UCLA Gluck Fellows Program which wrapped up its 2023-24 season with its annual showcase. Gregory, who performs internationally as
Decoda's Album Reviewed in New York Times
The New York Times picked its monthly five albums you can listen to right now, and Decoda’s debut, self-titled album made the list. Praising (among other things) Catherine Gregory’s skillful
Catherine Provenzano
Assistant Professor - Musicology and Music Industry (Critical and Contemporary Perspectives on Music Technology)
Stig Edgren
Lecturer - Music Industry
Don Franzen
Adjunct Professor - Music Industry (Music and Law, Forensic Musicology)
Lauren Kop
Lecturer - Music Industry (Digital Production and Beat Design)
Thomas Hodgson
Assistant Professor - Musicology and Music Industry (Music and Data, Global Music Industry)
Justin Paul
Lecturer - Music Industry
Judith Finell
Adjunct Professor - Musicology and Music Industry (Forensic Musicology)
Ryan Svendsen
Lecturer, Music Industry (Advanced Music Supervision)
Chyna Ellis
Assistant to the Chair - Music Industry Program
Hans Fjellestad
Lecturer - Music Industry (Music Supervision)
Michelle Moreno
Lecturer - Music Industry (Finance and Accounting)
Kathryn Frazier
Lecturer - Music Industry
Tiffany Naiman
Instructor - Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music), Director of Undergraduate Programs in Music Industry
Dawnyelle Addison
Manager - Music Industry Program
Lee John
Lecturer in Music Industry (Rock/Pop Ensemble)
Jessica Schwartz
Associate Professor - Musicology and Music Industry (Punk and DIY)
Jeffery Jampol
Lecturer - Music Industry (Artist Management and Promotion)
Erik Madrid
Lecturer - Music Industry (Mixing)
Lauren A. Spalding
Lecturer - Music Industry (Music and Activism, Artist Management)
Adam Moseley
Lecturer - Music Industry (Studio Production)
Allison Wolfe
Lecturer - Music Industry (Music Journalism, Audio Storytelling)
Tony Brancato
Guest Lecturer - Music Industry (Influence and Data Mining)
Amy Kathryn Kuney
Lecturer - Music Industry (Songwriting)
Natasha Pasternak
Lecturer - Music Industry (Songwriting, Touring, Songwriter’s Workshop)
Jonathan Beard
Lecturer - Music Industry (Electronic Music, Audio Engineering)
David Leaf
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Robert Fink
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Mark Tramo
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Jason Feinberg
Lecturer - Music Industry (Digital Marketing and Promotion)
David MacFadyen
Professor and Chair of Music Industry, Professor - Musicology and Comparative Literature
Monica Chieffo
Lecturer - Music Industry (Influence and Data Mining)
Marc Cimino
Lecturer - Music Industry (Music Publishing)

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