Jessica Schwartz
Associate Professor - Musicology and Music Industry (Punk and DIY)

Jessica A. Schwartz approaches research on musical representations and sonic histories of militarization and imperial violence through community-focused collaborations, movements, and creative dissent. Schwartz is the author of Radiation Sounds: Marshallese Music and Nuclear Silences (Duke University Press, 2021) and articles in American Quarterly, Music & Politics, Women & Musicthe Journal of American Music, Punk & Post-Punk, the Journal of Transnational American Studies, Journal of Interdisciplinary Voice StudiesAmerasia, Shima, Riffs: Experimental Writing on Popular Music, among others, which showcase her work on American studies, Pacific studies, environmental anthropology, and Indigenous studies. As a disability scholar, Schwartz interrogates institutional, intersectional ableism and workshops radical accessibility in and beyond the classroom in courses such as “DIY: Punk Organizing as Social Justice” and “Unsettling Pedagogies: Music & Education.” Schwartz’s hosts the Punkast Series (podcast), is the cofounder/Academic Advisor of the Marshallese Educational Initiative, an Arkansas-based non-profit, and plays in noise/punk bands.

Jessica Schwartz: Professor of Punk
On a sunny Tuesday morning, students shuffling into the Jan Popper Theater were handed a five-question quiz. One of the questions asked students to listen to a short clip of a
Adam Moseley
Lecturer - Music Industry (Studio Production)
Lauren Kop
Lecturer - Music Industry (Digital Production and Beat Design)
Jeffery Jampol
Lecturer - Music Industry (Artist Management and Promotion)
Dawnyelle Addison
Manager - Music Industry Program
Allison Wolfe
Lecturer - Music Industry (Music Journalism, Audio Storytelling)
Hans Fjellestad
Lecturer - Music Industry (Music Supervision)
Tiffany Naiman
Instructor - Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music), Director of Undergraduate Programs in Music Industry
Don Franzen
Adjunct Professor - Music Industry (Music and Law, Forensic Musicology)
Mark Tramo
Adjunct Associate Professor - Neuroscience and Music Industry (Music, Mind, and Brain)
Amy Kathryn Kuney
Lecturer - Music Industry (Songwriting)
Robert Fink
Special Academic Senior Associate Dean, Professor - Music Industry, Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Lee John
Lecturer in Music Industry (Rock/Pop Ensemble)
Michelle Moreno
Lecturer - Music Industry (Finance and Accounting)
Chyna Ellis
Assistant to the Chair - Music Industry Program
Marc Cimino
Lecturer - Music Industry (Music Publishing)
David MacFadyen
Professor and Chair of Music Industry, Professor - Musicology and Comparative Literature
Jason Feinberg
Lecturer - Music Industry (Digital Marketing and Promotion)
Justin Paul
Lecturer - Music Industry
Ryan Svendsen
Lecturer, Music Industry (Advanced Music Supervision)
Kathryn Frazier
Lecturer - Music Industry
Tony Brancato
Guest Lecturer - Music Industry (Influence and Data Mining)
Stig Edgren
Lecturer - Music Industry
Catherine Provenzano
Assistant Professor - Musicology and Music Industry (Critical and Contemporary Perspectives on Music Technology)
Lauren A. Spalding
Lecturer - Music Industry (Music and Activism, Artist Management)
Jonathan Beard
Lecturer - Music Industry (Electronic Music, Audio Engineering)
David Leaf
Adjunct Associate Professor - Music Industry and Musicology
Thomas Hodgson
Assistant Professor - Musicology and Music Industry (Music and Data, Global Music Industry)
Catherine Gregory
Lecturer - Music, Music Industry (Artistic Citizenship and Community Engagement), Director of the Gluck Fellowship Program
Erik Madrid
Lecturer - Music Industry (Mixing)
Natasha Pasternak
Lecturer - Music Industry (Songwriting, Touring, Songwriter’s Workshop)
Judith Finell
Adjunct Professor - Musicology and Music Industry (Forensic Musicology)
Monica Chieffo
Lecturer - Music Industry (Influence and Data Mining)

Explore Other Degrees

Conducting
Graduate study and training in choral, orchestral, or wind conducting
Ethnomusicology
The study of global musical traditions through performance training, research, and field work
Global Jazz Studies
Jazz performance and musicianship courses are paired with African American Studies
Music Composition
Mentorship in the creation and realization of music for concerts, opera, and visual media
Music Education
Preparation for music educators leading to a BA and teaching credential in just four years
Music Industry
A leadership-focused professional degree which prepares students to transform the creative, entrepreneurial, and executive structures of the music industry
Musicology
The scholarly study of the histories, cultures, and critical interpretations of music and music-making
Music Performance
Study and training towards professional performance careers in Western classical music