
UCLA Herb Alpert School of Music
Tuesday June 2, 2026
St. Paul the Apostle Catholic Church
8:00pm

Grammy-Award winning composer Richard Danielpour has established himself as one of the most gifted and sought-after composers of his generation. His music has attracted an international and illustrious array of champions, and, as a devoted mentor and educator, he has also had a significant impact on the younger generation of composers over the past 30 years. His list of commissions include some of the most celebrated artists of our day including Yo-Yo Ma, Jessye Norman, Susan Graham, Dawn Upshaw, Emanuel Ax, Gil Shaham, Frederica von Stade, Thomas Hampson, Gary Graffman, Anthony McGill, the Kalichstein-Laredo-Robinson Trio, the Guarneri and Emerson String Quartets, the New York City, Pacific Northwest and Nashville Ballets, and institutions such as the New York Philharmonic, Philadelphia Orchestra, San Francisco Symphony, Maryinsky Orchestra, Vienna Chamber Orchestra, Orchestre National de France, Chamber Music Society of Lincoln Center, Santa Fe Chamber Music Festival, and many more. With Nobel Laureate Toni Morrison, Danielpour created Margaret Garner, his first opera, which premiered in 2005 and had a second production with New York City Opera. He has received two awards from the American Academy and Institute of Arts & Letters, including a Lifetime Achievement Award, a Guggenheim Award, the Bearns Prize from Columbia University, two Rockefeller Foundation Fellowships, and The Berlin Prize from the American Academy in Berlin. He served on the composition faculty of Manhattan School of Music from 1993 to 2017. In 2017, Danielpour relocated to Los Angeles where he accepted the position of Professor of Music at The UCLA Herb Alpert School of Music. He is also a member of the faculty of the Curtis Institute of Music where he has taught since 1997.
In April 2019, JoAnn Faletta lead the Buffalo Philharmonic Orchestra and Chorus in performances of The Passion of Yeshua, where it was recorded by Naxos. The album was released in March of 2020 to critical acclaim and was nominated for three GRAMMYs in 2021, including Best Contemporary Classical Composition; it won a GRAMMY in the category of Best Choral Performance. In 2019, Danielpour composed five works, the most significant of them being A Standing Witness, a series of 14 songs which are settings of poems written by Pulitzer Prize-winning poet Rita Dove. Composed for mezzo-soprano Susan Graham and Music from Copland House, this 70-minute monodrama which remembers the last 50 years of our American history was premiered at the University of Chicago in October 2021 and later received performances at the Kennedy Center and at Tanglewood.
In 2020, The Oregon Bach Festival commissioned Danielpour to compose An American Mosaic as a response to the Covid-19 pandemic. It was also written to pay homage to the heroes of this crisis. Pianist Simone Dinnerstein gave a livestreamed premiere via YouTube and the corresponding album release through Supertrain Records in March 2021 garnered immediate critical acclaim while receiving over 3,000,000 streams on Apple Music alone and was recently nominated for a GRAMMY for Best Classical Instrumental Solo.
In 2021, Danielpour was commissioned by Orchestra Della Toscana to write a piece for the Dante anniversary, making him the first American composer in nearly 40 years to be commissioned by a major Italian Orchestra. That same year, clarinetist Anthony McGill premiered Danielpour’s Four Angels with the Catalyst Quartet. The work was commissioned by the Metropolitan Museum of Art in New York, as part of a celebration of Black Lives Mattering in America. In September, he was given a lifetime achievement award from the Cremona Music Festival and later that Fall was awarded the Covel Chair from UCLA to support the composition and production of his new two act opera The Grand Hotel Tartarus, making him only the second recipient of this coveted award.
Upcoming premieres in 2023-24 include The Unhealed Wound, a cantata composed for baritone Eric Owens and mezzo-soprano Amanda Lynn Bottoms. This work, written in collaboration with Rita Dove, was commissioned by Skidmore College as part of a McCormick Residency in September 2023. In October 2023, the ROCO Chamber Orchestra in Houston will premiere the first of two newly commissioned works, Breaking the Veil, which was written as a tribute to the heroic women of Iran. ROCO will also premiere a second commissioned work, Triptych, which is a three-movement symphony based on The Divine Comedy of Dante. In February 2024, The Golden Bridge Chorus, conducted by Suzie Digby, will premiere Danielpour’s Agnus Dei in Los Angeles. On May 17, 2024, Danielpour’s full length opera The Grand Hotel Tartarus will receive its world premiere at the Freud Theater in Los Angeles.
Danielpour is one of the most recorded composers of his generation; many of his recordings can be found on the Naxos of America and Sony Classical labels. Danielpour’s music is published by Lean Kat Music and Associated Music Publishers. For more information about Richard Danielpour, please visit his website at: www.Richard-Danielpour.com

James K. Bass, GRAMMY®-winning singer and conductor, is Professor and Chair of the Department of Music, and Director of Choral Studies at The Herb Alpert School of Music at UCLA. He is the associate conductor for the Miami-based ensemble Seraphic Fire and is the Artistic Director of the Long Beach Camerata Singers.
Bass is an active soloist and ensemble artist. In 2017 he made his Cleveland Orchestra solo debut singing with Franz Welser-Möst and the orchestra in Miami and in Severance Hall, Cleveland. Other engagements as a soloist include the New World Symphony with Michael Tilson-Thomas, The Florida Orchestra, Grand Rapids Symphony, Back Bay Chorale and Orchestra, Firebird Chamber Orchestra, and The Sebastians. He has appeared with numerous professional vocal ensembles including Seraphic Fire, Conspirare, the Santa Fe Desert Chorale, Apollo Master Chorale, Vox Humanae, True Concord, and Spire. He was the featured baritone soloist on the GRAMMY-nominated recording Pablo Neruda: The Poet Sings with fellow singer Lauren Snouffer, conductor Craig Hella-Johnson, and the GRAMMY-winning ensemble Conpirare. He is one of 13 singers on the GRAMMY®-nominated disc A Seraphic Fire Christmas and appears on CD recordings on the Harmonia Mundi, Naxos, Albany, and Seraphic Fire Media labels.
Bass was selected by the master conductor of the Amsterdam Baroque Soloists, Ton Koopman, to be one of only 20 singers for a presentation of Cantatas by J. S. Bach in Carnegie Hall and was an auditioned member of Robert Shaw’s workshop choir at Carnegie. He has appeared as conductor with the Florida Orchestra during their annual education concerts.
During his tenure as Artistic Director for the Master Chorale of Tampa Bay, the official chorus of the Florida Orchestra, he was responsible for five recordings and multiple world premieres. In 2012 he served as chorusmaster and co-editor for the Naxos recording entitled Delius: Sea Drift and Appalachia featuring the Florida Orchestra and conducted by Stefan Sanderling. In 2014 he was the principal preparer for the recording Holiday Pops Live! conducted by the principal pops conductor Jeff Tyzik. During his tenure as a chorusmaster, he has prepared choirs for Sir Colin Davis, Sir David Willcocks, Jahja Ling, Michael Tilson-Thomas, Gerard Schwarz, Giancarlo Guerrero, Michael Francis, Marcelo Lehninger, Stefan Sanderling, Evan Rogister, Danail Rachlev, Joshua Weilerstein, Markus Huber, David Lockington, Xian Zhang, Patrick Quigley, and Neal Stulberg.
His professional career has coincided with the development of Seraphic Fire as one of the premier vocal ensembles in the United States. He has been actively involved as soloist, ensemble artist, editor, producer, and preparer for 14 of the ensemble’s recordings and routinely conducts the ensemble in Miami and on tour. During the summer of 2011, he co-founded the Professional Choral Institute. In its inaugural year of recording, Seraphic Fire and PCI received the GRAMMY® nomination for Best Choral Performance for their recording of Johannes Brahms’ Ein Deuthches Requiem. As the Director of Education for the ensemble, he has been involved with annual events that service more than 2000 students in the Miami-Dade county area each year. In 2017 Seraphic Fire and UCLA launched a new educational initiative entitled the Ensemble Artist Program that aims to identify and train the next generation of high-level ensemble singers.
Bass received his Doctor of Musical Arts degree from the University of Miami, where he was a doctoral fellow, and is a graduate of the Interlochen Arts Academy.
Scene I – (Voce Mea!)
Scene II – (The Answer)
Scene III – (Is he insane?)
Scene IV – (Sanctus)
Interlude – prelude to Scene V
Scene V – (Francis and Sultan)
Scene VI – (Creation – Bethlehem)
Scene VII – (Dark Angels)
Scene VIII – (The Death of Francis)
Scene IX – (Epilogue: Canticle of the Sun)