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Nov 30 Tue
5:00pm
Free

Fall Collaborative Piano Class Concert

classical
Ensemble Room – Room 110A – Evelyn and Mo Ostin Music Center Watch Livestream

Led by James Lent, the collaborative piano class features an evening of varied works, showcasing student performances that include backing a performer or playing in groups.

This event is made possible by the David and Irmgard Dobrow Fund. Classical music was a passion of the Dobrows, who established a generous endowment at The UCLA Herb Alpert School of Music to make programs like this possible. We are proud to celebrate this program as part of the 2021 - 22 Dobrow Series.

Like most of UCLA Herb Alpert School of Music’s programs, this event is FREE!  Early arrival is recommended. Seating is on a first-come, first-seated basis. No RSVP available.

Attendance / Entry Requirements:

Masks must be worn at all times, properly covering nose and mouth

One of the following + valid photo ID:

Proof of full vaccination against COVID 19 – This means two weeks since the final dose of the vaccine
-OR-

Proof of Negative COVID test no older than 72hrs
This test result must include: First & Last Name, Date of sample collection, Negative result

While Inside the Venue:

Masks required to be worn at all times regardless of vaccination status

No Food or Drink allowed in the building.

Attending this Program?

Ticketing

This event is FREE! No RSVP required. Early arrival is recommended.

PARKING

Self-service parking is available at UCLA’s Parking Structure #2 for events in Schoenberg Music Building and the Evelyn and Mo Ostin Music Center. Costs range from $1 for 20 minutes to $20 all day. Learn more about campus parking.

ACCESSIBILITY

The UCLA Herb Alpert School of Music is eager to provide a variety of accommodations and services for access and communications. If you would like to request accommodations, please do so 10 days in advance of the event by emailing ADA@schoolofmusic.ucla.edu or calling (310) 825-0174.

PHOTOGRAPHY

The UCLA Herb Alpert School of Music welcomes visitors to take non‐flash, personal‐use photography except where noted. Share your images with us @UCLAalpert / #UCLAalpert on Twitter + Instagram + Facebook

FOOD & DRINK

Food and drink may not be carried into the theaters. Thank you!

Acknowledgment

The UCLA Herb Alpert School of Music acknowledges the Gabrielino/Tongva peoples as the traditional land caretakers of Tovaangar (the Los Angeles basin and So. Channel Islands). As a land grant institution, we pay our respects to the Honuukvetam (Ancestors), ‘Ahiihirom (Elders) and ‘Eyoohiinkem (our relatives/relations) past, present and emerging.

Dec 7 Tue
7:30pm
Free
contemporary
It's a Tuba & Euphonium Holiday!
Join the UCLA Tuba and Euphonium Studio for a celebration of the holidays, including decorations, great music performed by the tuba & euphonium students, with pizza and snacks outdoors following the concert.
Schoenberg Hall
Dec 9 Thu
5:00pm
Free
masterclasses
Klezmer Workshop with Kurt Bjorling
Learn klezmer repertoire with the talented and versatile musician, Kurt Bjorling, who performs on basset-horn, bass clarinet, ‘tsimbl,’ saxophone, and accordion, is noted for a penetrating understanding of ‘klezmer’ music. He is the music director of the Chicago Klezmer Ensemble, founded in 1984.
Zoom
Dec 12 Sun
9:30am
Free
lectures-symposia
Kol Nidre: Audio-Visual Dramaturgies - Part 4
A 4-part Interdisciplinary Conference Series on the Relationships between Religion and the Arts, organized by Prof. Mark Kligman (UCLA) and Dr. Ruthie Abeliovich (The University of Haifa) Part 4: Kol Nidre’s Many Spaces: From the Synagogue to the Archive The Kol Nidre ritual event and its depictions in literature, music and film provide valuable examples of artistic expression. This session will explore through film, music and performance, the rare moments of inclusion during a time of solemn devotion. Kol Nidre…
Zoom
Jan 11 Tue
5:00pm
Free
lectures-symposia
Italian Opera for the Yiddish-Speaking Masses in Early 20th-Century America
This lecture delves into the interconnections between the Jewish and Italian opera spheres in the early 1900s, showing how Ivan Abramson capitalizes on the cultural overlap between the two immigrant groups as simultaneously outsiders and insiders in the world of opera to promote his popular price company.
Zoom