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Jan 16 Thu
5:00pm
Free

Music as Psychotherapy in Early Modern France

Musicology Distinguished Lecture Series Music as Psychotherapy in Early Modern France
lectures-symposia
Room 1440 – Schoenberg Music Building

Distinguished Lecture Series: Musicologist Melinda Latour on Stoic Remedies: Music as Psychotherapy in Early Modern France

Although the scope and significance of the ailments varied greatly, the interest in music as a remedy was a continuous thread in the premodern European tradition–––offering miraculous as well as practical treatments for everything from lovesickness to civil discord. The most influential source of these views was the Pythagorean/Platonic lineage, which forged a connection between the vibrational harmony of the spheres and the proper working of bodies and souls here in the earthly realm. However, an alternate lineage of early modern therapy with clear musical applications emerged with the revival of Stoicisim, a broad intellectual and cultural movement that reached its full power in Europe between the 1580s and the 1630s. This more psychological and cognitive approach to therapy was not dependent upon an enchanted worldview for its efficacy (although Stoicism supported a belief in the divine), and its use of music as a remedy went beyond the commonplace medicinal recommendations to enjoy music for health, relaxation, or bodily refreshment. Stoic therapy, in contrast, was built upon a richly detailed philosophy of mind and moral psychology. This cognitive framework offers fresh insight into our understanding of an imaginative corpus of late sixteenth-century vocal music settings of Stoic and Neostoic texts, in particular, Paschal de L’Estocart’s double collection of Octonaires de la vanité du monde (1582).

Dr. Melinda Latour is an Assistant Professor of Musicology at Tufts University. Her research is centered on Renaissance music history, early modern music jurisprudence, music and ethics, tone and timbre in popular music, and Mexican music.

Reception to follow in the Green Room.

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Ticketing

This event is FREE! Let us know you’ll be coming by RSVP.

PARKING

Self-service parking is available at UCLA’s Parking Structure #2 for events in Schoenberg Music Building and the Evelyn and Mo Ostin Music Center. Costs range from $1 for 20 minutes to $20 all day. Learn more about campus parking.

ACCESSIBILITY

The UCLA Herb Alpert School of Music is eager to provide a variety of accommodations and services for access and communications. If you would like to request accommodations, please do so 10 days in advance of the event by emailing ADA@schoolofmusic.ucla.edu or calling (310) 825-0174.

PHOTOGRAPHY

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FOOD & DRINK

Food and drink may not be carried into the theaters. Thank you!

The Herb Alpert School of Music at UCLA acknowledges the Gabrielino/Tongva peoples as the traditional land caretakers of Tovaangar (the Los Angeles basin and So. Channel Islands). As a land grant institution, we pay our respects to the Honuukvetam (Ancestors), ‘Ahiihirom (Elders) and ‘Eyoohiinkem (our relatives/relations) past, present and emerging.

Jun 24 Thu
10:00am
Free
lectures-symposia
Test Kitchen: Decolonize Music Theory through Multi-Sensory Writing with Nina Eidsheim and Juliette Bellocq
What if we listened to music with our tongue, feet, or skin? In this interactive event, we will experiment with multi-sensory experience of music. Engaging with a writing model from PEER Lab graphic designer Julliet Bellocq and founder Nina Eidsheim can help us relate to our senses more fully, and deepen our relationship with music and ourselves.
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