Assaf Shelleg: about Jews; New Affordances in Contemporary Music
New music written by or about Jews no longer abides by exoticisms, national paraphernalia, or the prestige of “art music.” Instead, growing disillusioned with (or disinterested in) ideological apparatuses and tropes of Otherness, composers navigate through signs associated with Judaism while introducing new ethnographies in the form of fieldwork recordings, simulations of their oral behavioral