If you’re a lover of jazz and are curious about the west coast jazz scene that once dominated some of L.A.’s most famous nightclubs in the 1960s and 70s, then get ready to be transported back to that era.
Thanks to the UCLA Ethnomusicology Archive, more than 60 recordings of performances by trumpeter, composer and bandleader Don Ellis (1934-1978) were recently made available for your online listening pleasure through the California Light and Sound Collection on the Internet Archive. California Light and Sound is part of the California Audiovisual Preservation Project, which aims to preserve the state’s rich audiovisual heritage by partnering with 127 libraries, archives and museums.
Deep in the holdings of the ethnomusicology archive, located in Schoenberg Music Building, is the complete Don Ellis collection, which includes 944 folders of musical scores, 300 reel tapes, 36 sound discs, photographs, personal papers, elaborate costumes and two trumpets, all donated to UCLA by Ellis’ heirs.
Ellis, an enduring presence on L.A.’s Sunset Strip and other avenues where legendary jazz clubs drew in fans from everywhere, won a Grammy in 1972 for best instrumental arrangement for the “Theme from the French Connection.” He is probably best known for his extensive musical experimentation, said Maureen Russell, UCLA ethnomusicology archivist. Ellis’ rhythmic innovations, according to the archivist, came largely as a result of his studies in non-Western musical cultures when he was a graduate student at UCLA’s Institute of Ethnomusicology, which later became the only department of ethnomusicology in the country. The archive is now part of the UCLA Herb Alpert School of Music.
Ellis’ California concert performances, now a click away on the internet, offer listeners a front-row seat at the club scene — Bonesville in Hollywood where he began to gain a significant following in the 1960s; Donte’s on Lankershim Boulevard in North Hollywood; the iconic Baked Potato in North Hollywood, which provided live jazz seven nights a week; and the Great American Music Hall, San Francisco’s oldest and grandest nightclub.
Ellis was also a familiar performer on the college circuit, which included a variety of concerts at UCLA.
Here are just some of the audio offerings, curated by Russell, featuring Ellis and his band.
Don Ellis and the Hindustani Jazz Sextet “live” at UCLA, March 24, 1966.
Don Ellis “live” at Basin Street West, May 24, 1971.
Don Ellis “live” at the Great American Music Hall, April 30, 1973.
Don Ellis “live” at the Baked Potato, July 29, 1974.
Don Ellis “live” at Donte’s, Feb. 9, 1975.
Don Ellis “live” at the Starlight Bowl, August 22, 1976.
Don Ellis “live” at the Westside Room, April 21, 1978. This was Ellis’ last known public performance. He died Dec. 17, 1978.
Don Ellis’ “Make a Joyful Noise!” at the Pilgrimage Theater (now the John Anson Ford Amphitheatre), June 4, 1978. “Make A Joyful Noise!” was written in summer 1978 for an outdoor music festival at the Pilgrimage. It is his last major work before he died.
Take a peek at one of the most-watched videos featuring Ellis. “It’s very evocative of the California club scene,” said Russell. In the opening sequence, the camera captures the vibrance of the Sunset Strip, a destination for crowds streaming into Dino’s Lounge, Sneeky Pete’s, The Galaxy, The Whisky, Shelly’s Manne Hole and Ellis Island.