Alexandro Hernandez
Lecturer, Ethnomusicology

Chicano Music in the U.S.

Alexandro D. Hernández conducts research on U.S. protest music within the Chicana/o, Latina/o, and black populations. Hernández focuses his research on the jaranera and jaranero movement in the United States, a community of activist-musicians that utilize the son jarocho as music for social justice primarily for immigrant inclusion, housing rights, and peace movements.

His research on the son jarocho is featured on National Public Radio’s Alt.Latino

Hernández is a two-time Smithsonian Institution Fellow and is published in the anthology Sounds of Resistance: The Role of Music in Multicultural Activism, The Journal of Pan-African Studies, and Smithsonian Folkways.

In addition, Hernández is an active performer of Mexican traditional music and in artcore post-punk band ¡Aparato!  He is the producer of Afro-Mexican folk music group Las Cafeteras and their album It’s Time, has collaborated with quintessential Chicano rock band Los Lobos, and is a featured musician on an upcoming Smithsonian Folkways release of children’s music.

Ph.D., Ethnomusicology, UCLA 2014; M.A., Ethnomusicology, UCLA 2009; B.A., Mexican American Studies, University of Texas at San Antonio 2005

Anna Morcom
Professor
Maureen Russell
Adjunct Asst. Professor
Aaron Bittel
Adjunct Associate Professor
Amy Catlin- Jairazbhoy
Adjunct Professor
Abhiman Kaushal
Adjunct Professor
Steven Loza
Chair of Global Jazz Studies; Professor
Helen Rees
Professor
Daniel Szabo
Adjunct Associate Professor
Ben Doleac
Lecturer
I Nyoman Wenten
Adjunct Assoc. Professor
Katherine Lee
Assistant Professor
Shannon Garland
Postdoctoral scholar
Tzvetanka Varimezova
Adjunct Professor
Tara Browner
Professor
Teresia Awe
Lecturer
Kenny Burrell
Distinguished Professor
Francis Awe
Lecturer
Supeena Adler
Adjunct Assistant Professor
Münir Beken
Associate Professor
Roger Savage
Professor
A. J. Racy
Distinguished Professor
Chi Li
Adjunct Professor
Ivan Varimezov
Adjunct Assoc. Professor
Jesús Guzmán
Continuing Lecturer
Mark Kligman
Chair of Ethnomusicology; Professor
James Roberson
Adjunct Asst. Professor
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