Category: Opera
Opera UCLA's The Turn of the Screw Explores Themes of Puppetry, Control.
The opera, which revolves around a governess who encounters ghosts while acting as a caretaker for two children, experiments with themes of constantly being puppeted, said assistant director Katya Lynch.
Opera UCLA revives haunting classic to new ears with ‘The Turn of the Screw’
From the Daily Bruin: Based on Henry James’ 1898 novella of the same name, the story follows a governess sent to a remote estate to care for two children whom
Britten’s The Turn of the Screw Launches Daring New Season for Opera UCLA
What could AI do for an opera? This was a question on James Darrah’s mind as he planned his first full season of Opera UCLA. Darrah, professor of voice and
Julio Frenk's Inauguration Ceremony is Music to His Ears
With vocals and instruments echoing through Royce Hall, The UCLA Herb Alpert School of Music helped bring to life the June 5 inauguration ceremony for UCLA’s seventh chancellor, Julio Frenk.
To Capture the Outlandish Subject of Schoenberg in Hollywood, It Takes an Opera
REVIEW by Mark Swed of the LA Times: “The commanding performance by The UCLA Herb Alpert School of Music ensemble, conducted by Neal Stulberg, makes the high/low dichotomy irrelevant, leading
Opera Star Denyce Graves to Deliver 2025 Commencement Address
Mezzo-Soprano Denyce Graves has built a remarkable career. Educated at Oberlin College and the New England Conservatory, she launched her professional journey through the training program of the Houston Grand
Alumna Sabrina Langlois Places in Laffont Competition
LA-based Haitian-American soprano Sabrina Langlois, alumna of The UCLA Herb Alpert School of Music, has won 3rd prize in the 2025 Western Regional Metropolitan Opera Laffont Competition. Langlois has made
UCLA Alums Jake Heggie and Angel Blue win Musical America Worldwide Awards
Jake Heggie (BM 1984, MA 2005) was named Composer of the Year and Angel Blue (MM 2008) was named Vocalist of the Year by the coveted Musical America Worldwide Awards.
Can Opera Be Reborn? Peter Kazaras Reviews Yuval Sharon's "A New Philosophy of Opera"
From the Los Angeles Review of Books: WE MIGHT AS WELL state the unavoidable up front: opera is indeed an “impossible art,” as composer/conductor/author Matthew Aucoin dubbed it in his