The Music of Julius Hemphill - The UCLA Herb Alpert School of Music
Jan 22 Thu
7:00pm
Free

The Music of Julius Hemphill

jazz
Lani Hall

Join us for an evening of jazz saxophone as UCLA faculty and advanced students perform music from Julius Hemphill's The Sextet Collection, under the direction of Alex Harding. Hemphill emerged in the 1980s as one of the premiere jazz composers of his era, offering an aesthetic model that contrasted with Wynton Marsalis's neo-hard bob movement. Along with David Murray, Oliver Lake, and Hamiett Blueitt, Hemphill founded in 1977 the extremely influential World Saxophone Quartet, which went on to record over 20 albums. Their hard-hitting style and innovative combination of numerous jazz styles has become a touchstone for future jazz artists.

Julius Hemphill (1938-1995) was born in the "Hot End" of Fort Worth, Texas during the days of segregation. He went to Lincoln University where he majored in English and took composition lessons. He lived an eclectic life (he briefly toured with Ike and Tina Turner as well as played St. Louis jazz clubs while editing a local newspaper), before founding the Black Artists Group, a collective of musicians, dancers and artists loosely modeled on the famous Chicago-based Association for the Advancement of Creative Musicians (AACM). After a decade of experimental playing that took him to Sweden and landed him in New York, Hemphill helped found the World Saxophone Quartet. His composition career ventured into other territory as well. The Kronos Quartet commissioned the string quartet Mingus Gold from him, and he wrote works for solo and chamber piano.

Alex Harding is a baritone saxophonist born and raised in Detroit, Michigan. He spent over 20 years living and working in New York City as a professional musician, touring and recording with legendary artists including Abdullah Ibrahim, the Roy Hargrove Big Band, Lester Bowie, Muhal Richard Abrams, the David Murray Big Band, Jane Cortez and the Fire Spitters, Andy González, Hamiet Bluiett’s Baritone Nation, Oliver Lake’s Big Band, David Lee Roth, the Sun Ra Arkestra, Aretha Franklin, and Julius Hemphill’s Saxophone Sextet.

Ticketing

This event is FREE! No RSVP required. Early arrival is recommended.

PARKING

Self-service parking is available at UCLA’s Parking Structure #2 for events in Schoenberg Music Building and the Evelyn and Mo Ostin Music Center. Visitor parking is marked by a green circle and the letter “P” and is on the lower levels (do not go up the ramp to levels 3-7). Costs range from $5 for 1 hour to $17 for all day. Evening rates (after 4 p.m.) are $3-$6 for 1 to 2 hours and $12 for all night. Please verify all rates with campus parking, as they are subject to change. Learn more about campus parking.

ACCESSIBILITY

The UCLA Herb Alpert School of Music is eager to provide a variety of accommodations and services for access and communications. If you would like to request accommodations, please do so 10 days in advance of the event by emailing ADA@schoolofmusic.ucla.edu or calling (310) 825-0174.

PHOTOGRAPHY

The UCLA Herb Alpert School of Music welcomes visitors to take non‐flash, personal‐use photography except where noted. Share your images with us @UCLAalpert / #UCLAalpert on Twitter + Instagram + Facebook

FOOD & DRINK

Food and drink may not be carried into the theaters. Thank you!

Acknowledgment

The UCLA Herb Alpert School of Music acknowledges the Gabrielino/Tongva peoples as the traditional land caretakers of Tovaangar (the Los Angeles basin and So. Channel Islands). As a land grant institution, we pay our respects to the Honuukvetam (Ancestors), ‘Ahiihirom (Elders) and ‘Eyoohiinkem (our relatives/relations) past, present and emerging.

We would also like to acknowledge the impact on our city and community of the recent wildfires and their aftermath. We believe that art and scholarship can provide comfort in times of great suffering.