Roberto Miranda
Adjunct Assoc. Professor, Global Jazz Studies

String bass; Director, Jazz Combo

Roberto Miranda is a dynamic bassist who is noted for his inventive, high-energy improvisations. He is adept in both soulful passages and fleet percussive lines, and is fluent in all jazz idioms. He has toured, played and recorded with an impressive array of jazz artists, including Kenny Burrell, Horace Tapscott, Bobby Bradford, John Carter, David Murray, Cecil Taylor, Charles Lloyd, and Bobby Hutcherson. He has recorded extensively including albums with his own group, showcasing his successful blend of African-American, Latin, and experimental jazz.

Miranda released his CD With Groaning Too Deep for Words in 2002. He also wrote the appendix for the book The Dark Tree, by Steven L. Isoardi (University of California Press, 2006).

As a young player Miranda studied with jazz legends Ray Brown, Red Mitchell, and master classical musicians Bob Stone, Dennis Trembly and Fred Tinsley of the Los Angeles Philharmonic. While studying for his M.M. at USC, he received two grants from the National Endowment for the Arts. These grants enabled him to score two compositions for symphony strings, jazz bass, bassoon, and trombone, one of which was performed by the Carson Symphony Orchestra.

Today, Miranda balances a dual career as a performer and teacher. Besides teaching for the UCLA Jazz Studies Program, he is a retired middle school teacher for the Los Angeles Unified School District, where he worked for twenty-four years.

M.M., University of Southern California; B.A., California State University, Dominguez Hills

Alison Deane
Associate Adjunct Professor
Steven Loza
Director of the UCLA Center for Latino Arts; Professor and Chair of Global Jazz Studies
Hitomi Oba
Director of Contemporary Jazz Ensemble, Lecturer
Arturo O’Farrill
Associate Dean for Equity, Diversity & Inclusion; Professor
Ruth Price
Adjunct Assoc. Professor

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