Opera UCLA Presents The Rake’s Progress
Opera UCLA returns to live performance with a new semi-staged production of Igor Stravinsky’s neoclassical gem, The Rake’s Progress.
Opera UCLA returns to live performance with a new semi-staged production of Igor Stravinsky’s neoclassical gem, The Rake’s Progress.
Opera UCLA returns to live performance with a new semi-staged production of Igor Stravinsky’s neoclassical gem, The Rake’s Progress.
Opera UCLA returns to live performance with a new semi-staged production of Igor Stravinsky’s neoclassical gem, The Rake’s Progress.
Students of our Horn area perform various works showcasing their progress this Winter.
Students from the Saxophone studio will perform various pieces in a recital.
Featuring classic repertoire to cutting-edge new music, the UCLA Percussion Ensemble presents an array of sound and rhythm across the boundaries of genre and discipline, under the direction of percussion Area Head Theresa Dimond.
Robert Stevenson presented a fascinating historiographical comparison of music historians of the United States and of Latin America in a lecture titled “Philosophies of American Music History,” delivered at the Library of Congress in 1969. Stevenson initiated his comparative critique by stating that “all historians of music in the United States insist on beginning ethnocentrically
Spanning the Baroque to the Contemporary, the Winter Quarter UCLA Woodwind Chamber Music concert features over 50 performers in 13 ensembles
Written primarily in English and Spanish with several Nahuatl names and references, this Aztec opera tells the tale of the birth of the twin volcanoes outside Mexico City. In addition, El Circo Anahuac is presented with a twist: a modern circus troupe tells the classic tale!
People in synagogue settings across the country have loved learning about music of the American Jewish experience through the Stories of Music program. The final four sessions of this series all explore how music of Israel effected music in America.