Join us for a dynamic evening of modern music performed by the uclaFLUX contemporary music ensemble, which is devoted to the performance of chamber music from the 20th and 21st centuries, exploring and embracing new approaches and techniques associated with the myriad of ever-evolving languages of contemporary music.
UCLA Philharmonia’s second concert of the season features works Beethoven, Bartók, Debussy and Brazilian composer Antônio Carlos Gomes.
Twelve years after making his professional operatic debut in the world premiere of Philip Glass’s Appomattox with the San Francisco Opera Company, Anthony Mordechai Tzvi Russell is now a vocalist, composer and arranger specializing in Yiddish song. Join him for this free workshop.
In this workshop, learn Yiddish songs and klezmer music from the international musician, Eléonore Biezunski, a Parisian singer/violinist now living in NYC.
GRAMMY Award-winning UCLA Chamber Singers and the UCLA Chorale present live vocal music in an ideal setting. In the stunning acoustic of St. Paul the Apostle Church, listeners will experience selections of unaccompanied modern works, probing texts, and an award-winning choral cycle entitled “Changing Perceptions” for voices and piano soloists.
This lecture explores the implications of promoting Italian opera among a largely uneducated working-class population, the questions of assimilation and acculturation raised by these endeavors, the parallel English-language opera scene, and the complicated yet symbiotic relationship between the high and popular cultural spheres.
This lecture reveals how the impresario and educator, Josiah Zuro, finds innovative ways of attracting Italians, Jews, and Americans to attend opera performances, uniting these groups through a common love of the genre.
This lecture focuses on Mikhail Medvedieff’s foray into the New York Yiddish scene after a successful European career, examining his experimentation with different ways of appealing to Russian-Jewish audiences in both opera and Yiddish theater.
This talk reveals the intriguing overlap between the elite and popular spheres of the opera world, highlighting Oscar Hammerstein’s savvy in making the typically snobby uptown opera scene accessible to those from the Lower East Side (and beyond).
UCLA’s beloved all-campus orchestra performs a tasty, four-course musical meal of Mozart, Debussy, Dvorak, and Pulitzer Prize-winning composer Shulamit Ran.Â
