Have Cello, Will Travel: Unconventional Paths of a 21st Century String Player
Cellist, composer, and educator Tomeka Reid will discuss her composition and artistic practice.
Cellist, composer, and educator Tomeka Reid will discuss her composition and artistic practice.
This talk explores the role of voice in response to sexual violence. In a recent defamation suit against a Guinean feminist journalist, voice created sound effects for solidarity and productive shaming.
This talk by Azam Ali takes a self-reflective approach, examining how music serves different aspirations for a second-generation Iranian, often playing a central role in political movements: strengthening and unifying the voice of the people seeking social justice against a common adversary.
Sepideh Raissadat provides an overview of a number of iconic female vocalists in Iran and discussing the role of women in current practices of music-making, highlighting the spaces that women use to present their music.
Dr. Vartan will discuss modern marimba four-mallet performance techniques and repertoire, and UCLA students will have the opportunity to perform.
This talk by Fariborz Azizi examines the current practices of music education of the radīf (the Iranian music repertoire). It addresses how the radīf, as a central tool in learning, is dynamic and needs to be taught based on the student’s competency.
In this installment of The David L. Abell Piano Masters Series, pianist Gabriela Montero, winner of the Latin Grammy® for Best Classical Album, will perform her original composition Piano Concerto No. 1, the “Latin” Concerto.
Our seventh panel in the Indo-Persian Confluence series studies Indian music history using Indo-Persian sources. It is followed by a performance of Central Asian dance and Indian Kathak Dance.
Panelists explore: How a pianist might navigate various “interpretative communities” of the core repertory when dealing with varying politics of taste? How might a pianist listen to and theorize about past recordings to reinvigorate today’s performance approaches? What are ways a pianist might introduce compositional changes to existing works to reboot the core performing repertory?
A magnificent musical work based on George Washington’s historic letter to the Hebrew Congregation of Newport, Rhode Island, composed by Jonathan Comisar. Comisar’s stunning new cantata embodies touchstones of Jewish and American music in an orchestral/choral setting.