This panel moves with the current momentum of Black Lives Matter demonstrations and recent conversations considering whiteness in music theory to consider aspects of the panel extend to identifying issues and frames in classical performance, such as biased listening, pedagogy, minuscule representation of concert artists, long-term outcomes of black classical musicians, treatment, and ethics.
Join the UCLA Saxophone Studio for a masterclass with Kenneth Radnofsky.
Join us to experience new works by the innovative Graduate composers of our Composition Area.
FLUX contemporary music ensemble shares video recordings of student performances prepared over our Winter quarter.
Join us for the third event in the Indo-Persian Musical Confluence series, featuring a panel of eminent ethnomusicologists on Indo-Persian musical hybrids in Afghanistan.
Through historic and contemporary case studies, this panel explores how musical creativity and philanthropy have been called upon to invite upward mobility since the 19th century.
Join us to experience the wide gamut of musical voices comprising our Music Theory Faculty in a concert featuring Benjamin Phelps, Dante De Silva, David Lefkowitz, Dwayne Milburn, Hitomi Oba, and Noah Meites.
The Herb Alpert School of Music Composition Area presents new works written by our inventive undergraduate music students.
This presentation explores the story of Zapp—a Dayton-based band who managed to prevail and thrive during the 1980s by embracing new sound technologies and participating in novel forms of social and artistic activism.
GRAMMY- and NAMA-nominated world musician/multi-disciplinary artist Dawn Avery will offer a concert and lecture on some of the processes of decolonizing performance, ethnographic research, music theory, and analysis in the context of Native American Indian contemporary music from her own downtempo, classical, and theatre music, as well as the music of other Indigenous contemporary classical composers.
