This one-day symposium will center on pedagogical approaches to Asian American and Pacific Islander performance on stage and on screen. Keynote speaker Donatella Galella will offer an interactive lesson about understanding and countering Orientalist representation in David Henry Hwang and Jeanine Tesori’s musical Soft Power. All events are in-person and will also be livestreamed on
Episode 5 features a performance by the Grammy-nominated multi-instrumentalist master of klezmer and bluegrass, Andy Statman, who is joined by Jim Whitney on bass and Larry Eagle on drums. Together the trio takes viewers on a spiritual musical journey of klezmer, bluegrass, jazz and more.
The writings of African American composer Olly Wilson (1937-2018) exercised enormous influence in proposing an African American musical aesthetic in contemporary classical music. Wilson portrays Afrodiasporic music-making as exhibiting “shared conceptual approaches,” which he eventually subsumes under his notion of the “heterogeneous sound ideal…a fundamental bias for heterogeneity of sound rather than similarity of color
An examination of the role music plays in the film noir genre, focusing on Miklós Rózsa’s score for Robert Siodmak’s The Killers (1946). Explored is how music strengthens the expressive potentials, semantic ambiguities, and tensional curves.
Professor Jan Berry Baker presents an evening of music featuring works by George E. Lewis, Alvin Singleton, and emily koh. Joining Jan is her duo, Bent Frequency, and an ensemble conducted by Anthony Parnther comprised of esteemed members of the UCLA faculty, students, and guest musicians.
REBEL DREAD is the story of Don Letts, a first-generation British-born Black filmmaker, DJ, musician, and cultural commentator. The film frames Don’s story with the 1968 Enoch Powell ‘Rivers of Blood’ speech and the 2018 ‘hostile environment’ immigration policy. The film covers Don’s relationship with the nascent punk scene of the 1970s and 80s –
Entitled “(About) England,” the first UCLA Wind Ensemble concert of the academic year comprises music about England and the United Kingdom by composers that are not entirely (or not at all) English or British themselves.
The Robert M. Stevenson Lecture in 2022 will be now be hosted on Zoom. Follow this Zoom link to join Nadine Hubbs’s Presentation. Country music has been strongly associated with Anglo-white Americans, but changing racial-ethnic understandings are rapidly redefining the genre. Hubb’s fieldwork with Mexican American country music lovers in California and Texas illuminates the
Dr. James Lent leads his class of pianists in a varied concert featuring works for piano duet, piano duo, piano quartet, violin and piano, voice and piano, piano concertos, and other unique combinations!
Come join Peabody Award winning author and UCLA Professor David Leaf in an event celebrating the release of his critically-acclaimed book God Only Knows: The Story of Brian Wilson, the Beach Boys and the California Myth. Originally released in 1978, the new edition of what’s been called “The Beach Boys bible” has been massively updated. With
