New Music and the Heterogeneous Sound Ideal: a Discussion with George E. Lewis
The writings of African American composer Olly Wilson (1937-2018) exercised enormous influence in proposing an African American musical aesthetic in contemporary classical music. Wilson portrays Afrodiasporic music-making as exhibiting “shared conceptual approaches,” which he eventually subsumes under his notion of the “heterogeneous sound ideal…a fundamental bias for heterogeneity of sound rather than similarity of color