Music Industry Program
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Discover the Music Industry Program
A New Curriculum
“The Music Industry program integrates a liberal arts curriculum with direct skills engagement through internships, apprenticeships, and student-led projects”
-Robert Fink, Associate Dean and Chair of Music Industry Programs
Check Out the Curriculum
Core Faculty
Robert Fink
Robert Fink
Chair of Music Industry IDP, Professor of Musicology, Music Industry, and Humanities
Robert Fink
Tiffany Naiman
Tiffany Naiman
Director of Undergraduate Programs, Music Industry; Instructor, Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music)
Tiffany Naiman
Thomas Hodgson
Thomas Hodgson
Core Faculty, Music Industry IDP; Assistant Professor of Musicology and Music Industry
Thomas Hodgson
David MacFadyen
David MacFadyen
Core Faculty, Music Industry IDP; Professor of Musicology and Music Industry
David MacFadyen
Catherine Provenzano
Catherine Provenzano
Core Faculty, Music Industry IDP; Assistant Professor of Musicology and Music Industry
Catherine Provenzano
Jessica Schwartz
Jessica Schwartz
Core Faculty, Music Industry IDP; Professor of Musicology and Music Industry
Jessica Schwartz
Access to the Industry
“UCLA’s School of Music is closely affiliated with our industry and knows it well. Every business needs people who have the passion and the training that this program will provide. We need future professionals who’ve seriously considered many aspects of the music industry—cultural impact, creative innovation, and operational reality—and bring a fresh, informed point of view to the business.”
-Tom Corson, co-chairman and chief operating officer, Warner Records
World-Class Research Meets Industry Professionals
More than one quarter of the nation’s music industry job postings are in California, and seven of the top ten U.S. cities employing music industry professionals are within 50 miles of UCLA’s Westwood campus. Our Music Industry program is build to take full advantage of our unique location.
Taught by a combination of research faculty and working professionals at all levels of the music industry, the new degree provides a 360-degree view of the entertainment business, including music and the law, finance, entrepreneurship, artist management, live-music promotion, digital marketing, publishing and music supervision.
In addition, the degree provides creative instruction in audio technology, musicianship, songwriting and production.
Justice, Diversity, Activism
The UCLA Music Industry Program is committed to diversifying the industry, to social justice, and to musical activism. Based in a flagship public university, we provide an affordable, accessible path into the music industry for aspiring creative professionals. Our professional faculty includes both industry veterans and a younger, more diverse generation of artists, entrepreneurs, and executives committed to empowering women, BIPOC, and LGBTQ+ creatives both onstage and behind the scenes.
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Twenty-First Century Accessibility
The program in Music Industry harnesses direct pathways for in-state transfer students. By offering this level of accessibility and affordability, the degree is poised to foster inclusive excellence in the music business playing field.
Faculty on the Leading Edge
More News
New UCLA Musicology Professor Fights for Algorithmic Justice in the Music Industry
Everybody knows the game is rigged. Streaming services like Spotify and YouTube now dominate music distribution worldwide, often leaving aspiring musicians unable to make their voices heard in the din. Tom Hodgson, who will join The UCLA Herb Alpert School of Music as assistant professor of musicology in January 2023, angles to fix that. Hodgson
Judith Finell Talks Copyright Infringement in the New Yorker
From the New Yorker: Many people correctly predicted that the “Blurred Lines” ruling would trigger a wave of frivolous infringement cases. “I can’t tell you how many calls we get after the Grammys,” Judith Finell, who was the Gaye family’s expert musicologist in the “Blurred Lines” case, told me. “Mostly from lawyers wanting to see
Jonathan Beard Receives Emmy® Award for Documentary Score
3 Seconds in October won the Emmy® Award for Societal Concerns from the San Francisco/Northern California Chapter of the National Academy of Television Arts and Sciences.
Our Faculty
Robert Beamer
Lecturer in Music Industry (Finance and Accounting)
Jonathan Beard
Lecturer in Music (Electronic Music), Music Industry (Audio Engineering)
Bobby Borg
Lecturer in Music Industry (Industry Fundamentals)
Tony Brancato
Guest Lecturer in Music Industry (Influence and Data Mining)
Monica Chieffo
Lecturer in Music Industry (Influence and Data Mining)
Stig Edgren
Lecturer in Music Industry (Concerts and Live Events)
Judith Finell
Adjunct Professor in Musicology (Forensic Musicology)
Robert Fink
Chair of Music Industry Program, Professor of Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Hans Fjellestad
Lecturer in Music Industry (Music Supervision)
Don Franzen
Adjunct Professor of Music (Music and Law, Forensic Musicology)
Catherine Gregory
Lecturer in Music, Music Industry (Artistic Outreach and Citizenship)
Thomas Hodgson
Assistant Professor of Musicology, Music Industry (Music and Data, Global Music Industry)
Jeffery Jampol
Lecturer in Music Industry (Artist Management and Promotion)
Gigi Johnson
Academic Administrator (Emeritus), Director, Center for Music Innovation
Lauren Kop
Lecturer in Music Industry (Digital Production and Beat Design)
Amy Kathryn Kuney
Lecturer in Music Industry (Songwriting)
David Leaf
Adjunct Assistant Professor of Musicology, Music Industry (Music Documentary, Songwriters)
David MacFadyen
Professor of Musicology, Music Industry (History of Music Industry, Music and the Internet, Digital Humanities)
Adam Moseley
Lecturer in Music Industry (Studio Production)
Tiffany Naiman
Director of Undergraduate Programs, Music Industry; Instructor, Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music)
Natasha Pasternak
Lecturer in Music Industry (Songwriting, Touring, Songwriter’s Workshop)
Catherine Provenzano
Assistant Professor of Musicology, Music Industry (Critical and Contemporary Perspectives on Music Technology)
Jessica Schwartz
Associate Professor of Musicology, Music Industry (Punk and DIY)
Lauren A. Spalding
Lecturer in Music Industry (Music and Activism, Artist Management)
Mark Tramo
Adjunct Associate Professor of Neuroscience (Music, Mind, and Brain)
The Vanderveers: Bruce “Automatic” Vanderveer & Ebony Rae Vanderveer
Lecturers in Music Industry (Creativity and Artist Development)
Allison Wolfe
Lecturer in Music Industry (Music Journalism, Audio Storytelling)
Learn More about the Music Industry Program
Make your gift to Music Industry Student Scholarships to support future generations of music professionals who will lead the industry forward with creativity, innovation, and social responsibility. Your contribution will foster talent from diverse backgrounds and empower students to make a difference in the ever-evolving world of music, all at the nation’s #1 public university.
Upcoming Music Industry Events
EXPLORE ALL SCHOOL OF MUSIC EVENTS
Jan
31
Wed
12:00pm
Free
Free
talks
David Ciemny - Tour Management, Networking, and How to 10x Your Exposure in 90 days
As a signed musician appearing on MTV, charting Top 10 in Rolling Stone and opening for Metallica, former tour manager to the likes of Lady Gaga, Lauryn Hill, Lifehouse and more, and former executive to multi-billion dollar organizations, David has right experience and proven system for networking to set you up for success! Join us
Lani Hall